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J. Paul Getty Museum

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Two decorative friezes of carved laurel, oak, and ivy garlands joined by ribbon bows, printed in sepia on cream paper.

Frise du Premier Étage

Édouard Baldus, about 1868

Print of two ornamental stucco panels with floral bouquets, scrollwork and acanthus leaves from the Tuileries palace.

Grands Appartements des Tuileries

Édouard Baldus, about 1868

Monochrome print of a carved semicircular fanlight with a crown, a cartouche reading 1081, garlands and scrolled ornament.

Ministère d'État (Motif de l'Imposte)

Édouard Baldus, about 1868

Dark blue-toned sketch of a castle on a hilltop with a flying bird under a stormy sky.

Dessin Inédit de Victor Hugo Fait à Burchard

Victor Hugo, 1870s

Panoramic sketch of mounted soldiers and turbaned men fighting and crossing a river beneath rocky hills.

[Copy of a Sketch of Colonel Crealock's Engagement in India]

Felice Beato, 1858-1859

Crowded lithograph of Parisian daguerreotype studios with banners, a steam train, a balloon, and caricatured photographers.

La Daguerreotypomanie (Daguerreotypomania)

Théodore Maurisset, December 1839

Print of a horse, cart, woman gathering sticks and a man in a hat beside a tree, with sheep on a distant hill.

Noon

Felix Octavius Carr Darley, print 1859

Sepia print of a gabled plaque with two crowned seated figures holding sceptres, ornamental roundels, and a Latin inscription

[Enamel from end of châsse]

Augustus W. Franks, 1858

Lithograph of a Gothic church entrance with pointed arches, a stone tower and a kneeling figure in a paved courtyard.

Entrée de l'eglise du St. Sépulcre

Louis-Jacques-Mandé Daguerre, about 1818

Engraved plate of an ornate cabinet with figural relief panels, putti and caryatid supports, on a cream page.

[Design by Jean le Pautre]

Édouard Baldus, 1866

Monochrome print of an angler fishing a river below a rocky cliff, with trees and a wooden footbridge beyond.

Wolfscote Bridge and Franklyn Rock, Beresford Dale

Captain George Bankart, 1888

Cyanotype print of a fern specimen, white fronds on deep blue, with handwritten caption naming Asplenium rhizophyllum.

Asplenium rhizophyllum

Anna Atkins, 1853

Hand-colored print of white and red spotted lily blooms on a grey background, with Japanese variety names labeled below.

Lily

Kazumasa Ogawa, 1896

Brown ink and wash sketch of a standing draped figure with several overlapping study lines on pale paper.

Santa Teresa de Jesus

Nicolaas Henneman, 1845-1846

Print of a hooded kneeling figure beside a cross on a pole, with a castle and fortified town on a hill behind.

Saint Antoine

Bisson Frères, 1861

Lithograph of Strasbourg Cathedral's Gothic west facade and tall spire, with small figures in the square before it.

Cathédrale de Strasbourg

Cuvillier, 1842-1845

Circular ornamental print with three Roman portrait medallions around a central Latin inscription and grotesque decorative bo

[Design by Johann Theodor de Bry]

Édouard Baldus, 1866

Brown sketch of a hooded, bearded saint seated beside a tall cross-like staff, with a handwritten inscription below.

St. Francis. From a supposedly unique etching by Murillo

Nicolaas Henneman, 1845-1846

Sepia cabinet card of many oval portraits of men, women and children arranged around a central bust, with a banner reading La

La Famille Royale, Papeete, Tahiti

Charles Gustave Spitz, about 1890-1895

Photographic plate of two pairs of sculpted winged putti in relief on the Pavillon de Flore, Louvre, about 1868.

Pavillon de Flore

Édouard Baldus, about 1868

Sepia drawing of a turbaned rider on horseback with attendants, and several men lying on the ground in the foreground.

Depart du Scherif es lam pour la Mecque

William J. Stillman, 1860s

Sepia print of horned cattle herded by mounted riders past a ruined tower on a hill under a cloudy sky.

[Landscape with buffalo]

Gustavo Reiger, 1859

Blue monochrome print of nude male figures running with torches trailing smoke across rocky ground under a dark sky.

[Painting of Indian Dancers]

Charles F. Lummis, 1888-1890

Lady Tennyson

Henry Herschel Hay Cameron, 1893

Photo-lithographic plate of a cave bear skull seen from above against a black background, from a prehistoric Seine series.

Tete d'Ursus Spelaeus Sinciput

Ernest Lacan, 1860s-1870s

Black and white photograph of an ornately carved Japanese shrine hall with a railed staircase and dragon carvings under the e

Side View of Haiden Iye-yasu (A Hall for Worship in Front of a Miya)

Kazumasa Ogawa, about 1892

Engraved bust portrait of a man in a wide fur-trimmed hat and draped cloak, with fine hatched lines on a dark background.

Joachim Patenier, peintre de Dinant

Bisson Frères, 1861

Print of a winged nude woman balancing on a sphere above a village landscape, holding a covered chalice aloft.

La Grande fortune

Bisson Frères, 1861

Pen-and-ink print of a rural road passing a farmhouse and barn, flanked by tall trees and a stone wall.

Thoreau's Birthplace

Alfred W. Hosmer, 1897

Men and a white horse piling logs on a snowy forest skidway, black and white print from 1898.

Piling Logs on a Skidway

Wynkoop, Hallenbeck, Crawford, Co, 1898

Small etched portrait of a figure in a large white headdress, turned to the side, printed on a cream page.

[Sick woman with a large white headdress (Saskia)]

Bisson Frères, 1858

Print of the stone staircase and arched courtyard of Glasgow College, with lion sculptures and small figures in the foregroun

The Outer Court, College

T. & R. Annan & Sons, 1885

Sepia photogravure of an elderly bearded man seated between two young girls, all looking off to one side.

Hear Dem Bells

N.Y. Photogravure Co, 1890

Heliogravure of a carved griffin and acanthus cornice fragment from the Pavillon Mollien staircase at the Nouveau Louvre.

Nouveau Louvre (Escalier du Pavillon Mollien)

Édouard Baldus, about 1868

Small etched print of a nude man in a crown of thorns standing before a column, arms outstretched, with a skull at his feet.

L'Homme de douleurs aux bras étendus

Bisson Frères, 1861

Engraved portrait of a bearded man in a fur-trimmed cap and fur collar, with coats of arms and a Latin inscription below.

Frédéric, électeur de Saxe

Bisson Frères, 1861

Hand-coloured drawing of a Japanese procession with a palanquin, mounted rider, robed attendants and crowd, 1868.

The Mikado's Procession

Felice Beato, 1868

Sepia portrait of a seated older man in a dark coat, hands in lap, with sketched hatching behind him and an inscription.

[Portrait or self-portrait of Achille Devéria]

Achille Devéria, 1855

Sepia print of a wooden footbridge over a still pond, framed by a leaning willow tree and shrubs in the foreground.

On the "Sow," Near Walton's House at Shallowford

Captain George Bankart, 1888

Faint sepia print of a bearded man in a cap and collared coat, set within a ruled border on a cream page.

Self-Portrait of Juan de Yciar

Nicolaas Henneman, 1847

Etched landscape of a river with a moored boat, a shepherd resting with sheep on the grassy bank, and trees.

Vue Prise au Bas-Meudon

Charles-François Daubigny, 1842-1845

Small circular engraving of the Crucifixion with figures at the sides, centered on a large cream sheet.

Le Crucifix

Bisson Frères, 1861

Black and white view of a curving path beside a water channel through tall trees in the Bois de Boulogne.

Le Bois de Boulogne

Charles Marville, negative about 1858; print about 1869

Hand-colored print of a waterfall cascading between rocky cliffs into a pool, with trees framing the scene, in a gold-bordere

The Fawn's Leap

Benson John Lossing, about 1860-1866

Engraved design of an ornate vase on a pedestal decorated with lion heads, foliage and a grotesque mask.

[Design by Enea Vico]

Édouard Baldus, 1866

Engraved ornamental design with arches, nude figures, swans, lions and a sea scene of a figure on sea horses.

[Design by Enea Vico after Antique Paintings]

Édouard Baldus, 1866

Soft-focus print of a narrow street with a wooden barrel, a bent figure drawing water, and children near a balcony.

Coin de rue à Menton

Robert Demachy, 1896

Sepia print of a paddle steamer with two smokestacks battling rough waves, with a lighthouse and mountains behind.

Oenosis

Baron Paul des Granges, 1870-mid-1880s

Advertisement for Ætna Iron Works in San Francisco with a photo of the building, horse-drawn wagons, and workers on the stree

[Ætna Iron Works, Pendergast, Smith and Company, San Francisco]

I. W. Taber, 1880

Ornate title page reading Yosemite Valley, Photographic Views of Falls and Valley, Mariposa County, California, with a centra

[Title page]

Carleton Watkins, 1865-1866

Engraved plate showing three carved Roman stone fragments with inscriptions and relief decoration.

Plate II

Thomas Annan, 1897

Microscopic transverse section of a dandelion flower head showing rows of circular florets beneath curved green bracts.

[View of Dandelion Plant - Transverse Section]

James Hornell, May 1895

Sepia print of the Virgin standing on a globe with cherubs and clouds around her, on a cream page numbered 46.

The Virgin of the Immaculate Conception

Nicolaas Henneman, 1847

Engraved print of a large pig carrying a small figure on its back, with a castle and hills in the background.

Le Pourceau monstrueux

Bisson Frères, 1861

Sepia print of a herder with a staff walking beside yoked oxen carrying a basket across a flat, dry field.

Returning from Labour, by R. Ansdell

Caldesi & Montecchi, 1858

Worn green sketchbook cover with a handwritten paper label in the upper right corner.

Sketchbook

Théodore Géricault, 1812-1814

Pen and wash drawing of an armored warrior standing over a fallen man, with a winged putto above and allegorical women below.

Virtue or Fortitude Vanquishing Ignorance before the Allegory of the Arts

Hermann Weyer, about 1620

Brown ink and wash drawing of the Virgin being crowned by Christ and an angel, with cherubs on clouds and a dove above.

The Coronation of the Virgin

Francisco Ribalta, about 1600-1628

Black chalk and white heightened drawing of Cupid overpowering the goat-legged Pan on blue paper.

Cupid Overpowering Pan (recto); Head of a Monk; Caricature of a Man in Profile (verso)

Agostino Carracci, about 1590

Dim interior drawing with a cat at a diamond-paned window and two seated figures in shadow, light falling across the floor.

"Le chat" or The Cat at the Window

Jean-François Millet, about 1857-1858

Watercolor landscape of a river winding past trees and rocks toward a distant house under a grey, cloudy sky.

River Landscape

Johann Georg von Dillis, about 1820-1830

Watercolor of a pink-flowered branch with caterpillars, a purple butterfly, and red seeds in an open pod.

The Rocu Tree with Caterpillars, Moths, and Butterflies

Maria Sibylla Merian, 1730/1771

Red chalk drawing of a young David holding a sword, seated on the severed head of Goliath, with drapery and a distant landsca

David with the Head of Goliath (recto); Two Studies, one of a Woman (verso)

Domenico Fetti, about 1620

Circular drawing of the Circumcision of the infant Christ in an arched interior, with haloed figures and an attendant holding

The Circumcision

Sebald Beham, about 1522

Pen and ink drawing of a dancing peasant couple seen from behind, with hatched shading and billowing clothing.

Dancing Peasant Couple

Ink and wash drawing of a man-of-war and smaller sailing boats on calm, misty water under a pale sky.

Man-of-War and Small Vessels

Caspar van den Bos, 1653

Chalk drawing on tan paper of a muscular nude man seated, one arm raised holding a cup, the other arm extended outward.

Study of a Nude Man Posed as Bacchus

Antoine Coypel, about 1685

Pen and ink drawing of an ornamental wall light bracket on pale paper with a faint border.

Drawing for a Wall Light

Pierre Contant d'Ivry, 1753-1756

Red chalk drawing of the Virgin Mary ascending among clouds and angels while apostles look up from below.

Assumption of the Virgin

Volterrano, about 1664-1670

Sketch of a reclining man in period dress, drawn in black and red chalk with white highlights on grey paper.

Reclining Male Figure

François Boucher, 1736

Pen and ink drawing of a forest landscape with a chapel, a shepherd resting with goats, and birds in the sky.

Landscape with Forest Chapel

Heinrich Johann Gärtner, 1847

Brown ink wash drawing of a woodland scene with nymphs and satyrs gathered by a pond beneath tall trees.

Woodland Landscape with Nymphs and Satyrs

Herman van Swanevelt, 1636

Pen and ink drawing with grey wash showing studies of draped women, infants, and a nude male figure on blue paper.

Sheet of Studies of Various Figures

Aurelio Luini, 1570s

Pen and brown wash drawing of a reclining figure on a couch in a columned interior, with soldiers and putti nearby.

The Death of Cleopatra

Luca Cambiaso, about 1560

Ink and wash drawing of a stooped elderly figure in a dark cloak leaning on two canes, with a Spanish inscription below.

He can no longer at the age of ninety-eight

Francisco Goya, about 1819-1823

Graphite drawing of clasped and gesturing hands and a forearm, with a collector's mark in the lower right corner.

Study of Jealousy

Bronzino, about 1545

Pen and ink drawing of a monk preaching from a pulpit to listeners, with a haloed figure in a medallion above.

A Monk Preaching

Hans Baldung Grien, about 1505

Watercolor of a Belgian canal town with a domed church, autumn trees, brick houses, and a stormy sky above.

A View of the Church of Our Lady of Hanswijk, Mechelen (Malines), Belgium

Thomas Shotter Boys, 1831

Pen and ink drawing of Judith holding a sword and a severed head, with a city and tents in the background, 1560.

Judith

Maarten van Heemskerck, 1560

Portrait of a Scholar or Cleric

Hans Holbein the Younger, 1532-1535

Colored drawing of a crowned woman with outstretched arms standing on clouds within a circular frame, grey drapery and long h

Queen of the Night

Moritz von Schwind, about 1864-1867

Red chalk drawing of men gathered at a table under a colonnade, one pouring wine, with buildings sketched behind.

Wine Jest

Volterrano, about 1640

Pen and brown ink drawing of three ornate candlesticks with putti, scrollwork and flames, by Domenico Campagnola.

Studies of Three Candlesticks

Domenico Campagnola, about 1530-1550

Arched pen and wash drawing of Ecce Homo, a kneeling king, the Virgin and Child, angels and two heraldic shields, dated 1592.

Ecce Homo, the king Caspar, the Virgin and Child and the Arms of the Families Kündig and Pfyffer

Christoph Murer, 1592

Portrait of Charles Benjamin de Langes de Montmirail, Baron de Lubières (recto); Portrait of Charles Benjamin de Lang…

Jean-Étienne Liotard, about 1760

Brown ink and wash drawing of a barefoot monk leaning on a wooden cross, with a small cherub in the lower left corner.

A Monk Carrying a Cross

Bartolomé Esteban Murillo, about 1680-1700

Brown ink drawing of a seated nude man writing beside a lamp, a woman with an elephant, and a central emblem.

Allegories of Study and Intelligence Flanking the Zuccaro Emblem

Federico Zuccaro, about 1595

Pen and brown ink drawing of a receding Venetian-style street with palazzo facades, columns, market stalls and a rooftop stat

The Campo S. Basso: The North Side with the Church (recto); A Market Scene (verso)

Canaletto, about 1740

Pen and watercolor drawing of a forest road with cattle and a herder, a distant spire and an evening sky.

Forest Road at Evening

Lucas van Uden, about 1640-1650

Red chalk drawing of a bearded man raising his arm toward an angel as a kneeling nude youth rests on stones.

The Sacrifice of Isaac

Giulio Romano, about 1516-1518

Pen and wash drawing of God presenting a kneeling Eve in a garden with animals and Adam and Eve in background.

Creation of Eve

Crispijn van den Broeck, 1575

Black chalk drawing of a bearded nude man in a loincloth, arms crossed over his chest, standing on rocky ground.

Christ Baptized

Juan Carreño de Miranda, about 1682

Red chalk drawing on blue paper of a nude winged angel standing on a cloud, holding a book and looking upward.

An Angel Holding a Book (recto); Three Studies of a Falling Male Figure (verso)

Cristoforo Roncalli, about 1583-1586

Red chalk drawing of Hercules clubbing centaurs on a rocky ledge under a stormy sky.

Hercules Subduing the Centaurs

Edmé Bouchardon, about 1735-1740

Brown ink and wash drawing of Christ showing his wounds to a kneeling apostle while onlookers stand behind them.

The Incredulity of Thomas (recto); Study for the Figure of Thomas (verso)

Pellegrino Tibaldi, about 1565-1585

Pen and brown ink drawing of two draped standing figures in classical robes, sketched on aged paper.

Two Studies of an Ancient Statue (recto); Scylla and a Centaur (verso)

Nicolas Poussin, about 1632-1635