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National Gallery of Art

25,761 works

Brown ink and wash drawing of robed figures in a classical interior with columns, a domed ceiling, and a crowd of onlookers.

Tirenio, Montano and Carino

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of three robed men before a classical colonnade and a crowd, inscribed Montano, Carino, Dameta.

Montano, Carino and Dameta

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of a theatre-like interior with columns, seated audience, two figures, and a canopied bed.

Amarilli and Mirtillo

Johann Wilhelm Baur, 1640

Brown ink drawing of two men on a path, one bearded with a staff, beside a round classical building and trees.

Titiro and Messo

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of two figures conversing before a classical building with columns and a sky of loose clouds.

Corisca and Linco

Johann Wilhelm Baur, 1640

Engraved interior of a formal 1645 marriage contract ceremony with nobles, clergy and chandeliers at Fontainebleau.

Ceremony of the Contract of Marriage between Vladislas IV, King of Poland, and LouiseMarie of Gonzaga, Princess of Ma…

Abraham Bosse, 1645

Engraved title page of a king bestowing knighthood on a kneeling man beneath columns and a draped canopy, with courtiers watc

The King Giving the Accolade and Creating Knights of S. Michel Who Receive the Order of the Holy Spirit

Abraham Bosse, 1633

Engraving of a formal procession of nobles and soldiers with drummers crossing an arcaded courtyard at Fontainebleau.

March of the King and Knights of the Holy Spirit in the Courtyard at Fontainebleau

Abraham Bosse, 1633

Engraving of a formal assembly in a decorated hall, with seated dignitaries before a dais and crowded galleries above.

Meeting in the Chapel at Fontainebleau

Abraham Bosse, 1633

Engraving of a long banquet hall with plumed guests at tables, attendants in the aisle, and a canopied royal table at the end

Banquet Given by the King to the New Knights

Abraham Bosse, 1633

Engraving of Mercury and Venus: two nude figures in a wooded landscape with a river and distant city.

Mercury and Venus

Hans Burgkmair, c. 1520

Engraved title plate with a crowned coat of arms, ornate cartouche showing soldiers and kneeling figures in a courtyard, and

The Siege of La Rochelle [plate 1 of 16; set comprises 1952.8.97-112]

Jacques Callot and Abraham Bosse, 1628/1631

Engraved print of a bearded man in armor and lace collar in an oval medallion, surrounded by flags, weapons and a crown.

The Siege of La Rochelle [plate 2 of 16; set comprises 1952.8.97-112]

Michel Lasne and Abraham Bosse, 1628/1631

Engraved plate of soldiers and horsemen before walled city, framed by ornate scrolls and a royal crown with coat of arms.

The Siege of La Rochelle [plate 3 of 16; set comprises 1952.8.97-112]

Jacques Callot and Abraham Bosse, 1628/1631

Engraved plate with a winged head cartouche, large title capitals and a column of French text about the siege of La Rochelle.

The Siege of La Rochelle [plate 4 of 16; set comprises 1952.8.97-112]

Assistant of Jacques Callot, 1628/1631

Etching of a coastal town under siege, with armed troops, smoke, sailing ships and fortifications along the shore.

The Siege of La Rochelle [plate 5 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Etching of a walled port city under siege, with star-shaped bastions, troops, tents, cannon smoke and ships in the bay.

The Siege of La Rochelle [plate 6 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Etching of a fortified town under siege, with bastions, cannon smoke, troops and numbered positions across the landscape.

The Siege of La Rochelle [plate 7 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Engraved plate with Latin text under an ornate cartouche featuring a central mask and swags of drapery and ribbon.

The Siege of La Rochelle [plate 8 of 16; set comprises 1952.8.97-112]

Assistant of Jacques Callot, 1628/1631

Engraved vertical key listing numbered annotations of notable places in La Rochelle, framed by ornamental borders and a scrol

The Siege of La Rochelle [plate 9 of 16; set comprises 1952.8.97-112]

Assistant of Jacques Callot, 1628/1631

Engraving of a siege of a coastal fortress with soldiers, cannons, warships firing and smoke over the sea.

The Siege of La Rochelle [plate 10 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Engraving of a naval battle with sailing ships and gunsmoke, beside a walled harbor town filled with troops.

The Siege of La Rochelle [plate 11 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Etching of a fortified coastal town under siege, with warships and boats in the sea and soldiers and cannons on land.

The Siege of La Rochelle [plate 12 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Engraved plate with Latin heading, numbered two-column list and decorative scroll ornaments at the base.

The Siege of La Rochelle [plate 13 of 16; set comprises 1952.8.97-112]

Assistant of Jacques Callot, 1628/1631

Etching of a military procession before a building, framed by ornate scrolls with cannons, beside a fortress on water.

The Siege of La Rochelle [plate 14 of 16; set comprises 1952.8.97-112]

Israel Henriet or Abraham Bosse after Jacques Callot, 1628/1631

Engraved plate with an oval portrait of a man in a cartouche, surrounded by drums, flags, trumpets, armor and cannonballs.

The Siege of La Rochelle [plate 15 of 16; set comprises 1952.8.97-112]

Michel Lasne and Abraham Bosse, 1628/1631

Etched print of a coastal town under siege with a dike, many ships, and gunfire, framed by ornate scrolling cartouches with c

The Siege of La Rochelle [plate 16 of 16; set comprises 1952.8.97-112]

Israel Henriet or Abraham Bosse after Jacques Callot, 1628/1631

Lithograph portrait of a seated man in a double-breasted coat and high collar, hands resting on a wooden armchair.

Alexis Charles Henry de Tocqueville

Théodore Chassériau, 1848

Woodcut of Saint Paul with a halo holding a sword, a book under his arm, flanked by scrollwork and cherubs.

Saint Paul

Lucas Cranach the Elder, c. 1510-1515

Etching of a shepherd and shepherdess resting under a large tree with sheep and goats in a sunlit forest clearing.

Shepherd and Shepherdess (Le Berger et la bergere)

Charles-François Daubigny, 1874

Etching of cattle wading across a shallow ford beneath a large leaning tree, with a shepherd at right and distant hills.

The Ford (Le Gue)

Charles-François Daubigny, 1865

Lithograph of a laughing woman in a striped dress while a young boy in a dark jacket kisses her hand.

Un Début galant

Honoré Daumier, 1844

Etching of an older woman in a ruffled cap and high collar, turned to the right, against a crosshatched background.

Woman in a Ruffled Cap (Dame agée)

Edgar Degas, 1859/1860

Lithographic program with a sketched cellist, a dancer in a tutu, sailboat masts, and printed event text.

Program for the Soiree Artistique (Programme de la Soirée des anciens élèves du Lycée de Nantes)

Edgar Degas, 1844

Engraving of the god Pan pursuing the nymph Syrinx among reeds, with startled nymphs in a wooded landscape.

Pan and Syrinx

Michel Dorigny, 1666

Etching of a dense garden with trees, a seated stone statue, balustrades, lion sculptures and small figures.

The Little Park (Le petite parc)

Jean-Honoré Fragonard, c. 1763

Monochrome print of pale rock-like and wave-like forms around a central figure against a dark textured ground.

At the Black Rocks (Aux roches noires)

Paul Gauguin, in or after 1895

Leda (Cover)

Paul Gauguin, 1889, published after 1900

Etching of Mercury and Argus with cattle, a shepherd, classical columns and a wide landscape with hills and river.

Mercury and Argus (Mercure et Argus)

Claude Lorrain, 1662

Pencil sketch of a standing man in a top hat and long coat with a walking stick and medal, on pale paper.

Study for "Swiss Sentry at the Louvre"

Théodore Géricault, c. 1819

Woodcut of Christ with apostles and holy women in the foreground, a fortified town and hills behind them.

Christ and the Apostles and the Holy Women

Pen-and-ink landscape print of a castle on a rock, bare trees, a lakeside town and a small sailboat on water.

Landscape with a Lake [top plate]

Augustin Hirschvogel, 1546

Etching of a river landscape with sailing boats, a castle on a rocky cliff, and a distant town under hills.

Landscape with Sail Boats [bottom plate]

Augustin Hirschvogel, 1546

Color lithograph of a standing woman in a polka-dot nightgown beside a bed where a man lies sleeping.

Man and Woman

Henri de Toulouse-Lautrec

Engraved bird's-eye map of Vienna with fortified walls, bastions, river Danube, coats of arms and decorative borders.

Map of Vienna

Augustin Hirschvogel, 1552

Monochrome print of thatched fishermen's cottages, beached boats and barrels on a shore beneath stormy clouds.

Chaumières de pêcheurs

Eugène Isabey, c. 1844

Lithograph title page showing sailing boats and a beached rowboat on a shoreline under a cloudy sky, for Six marines by Isabe

Six marines

Eugène Isabey, 1833

Red and black chalk sketch of a canal with moored sailboats, rooftops, and a large bare tree on the right bank.

Bords de Canal

Johan Barthold Jongkind

Etching of a crouching nude figure with bowed head and curved back, drawn in loose hatched lines against a sketched backgroun

The Dead Man (Der tote Mann)

Wilhelm Lehmbruck, 1915

Color print of a flamenco dancer in a black dress with seated women in shawls and a guitarist in a dim interior.

Les panaderos

Alexandre Lunois, 1905

Etching of three cats: a dark cat seated at left, a cat under a wooden chair at upper right, and a curled cat below.

The Cats (Les chats)

Édouard Manet, 1869

Etching of a bearded man in a top hat and draped cloak standing before a densely hatched background.

The Philosopher (Le philosophe)

Édouard Manet, 1866

Etching of a young woman dressed as a matador holding a sword and cape, with a mounted picador and bull in the background.

Mlle. Victorine in the Costume of an "Espada"(L'espada)

Édouard Manet, 1862

Engraving of a woman playing a harp and a man in a fur hat playing a lute in a columned interior.

The Lute Player and the Harpist

Israhel van Meckenem, c. 1495/1503

Engraving of Christ washing an apostle's feet in an arched room, with onlookers and a dinner scene behind.

Christ Washing the Feet of the Apostles

Israhel van Meckenem, c. 1480

Engraving of soldiers seizing a bearded man in a crowd, with a fallen figure in the foreground and rocky landscape behind.

The Betrayal

Israhel van Meckenem, c. 1480

Engraving of a seated man being struck by soldiers with staves in an arched interior, with onlookers and two dogs.

The Crowning with Thorns

Israhel van Meckenem, c. 1480

Engraving of Christ carrying the cross, pulled by soldiers, with mourners and a walled town in the background.

The Bearing of the Cross

Israhel van Meckenem, c. 1480

Engraving of the Lamentation with mourners around the dead Christ, and the Crucifixion scene on hills behind.

The Lamentation

Israhel van Meckenem, c. 1480

Engraving of the risen Christ on a tomb with sleeping soldiers in armor, an angel, and a distant city.

The Resurrection

Israhel van Meckenem, c. 1480

Engraving of Christ at a table with two disciples and a servant bringing bread in an arched interior.

Christ at Emmaus

Israhel van Meckenem, c. 1480

Grey wash drawing of figures on a country road under trees, with horseback riders and a loaded wagon beside a gesturing man.

Ragotin declame des vers; des paysans croient qu'il preche

Jean-Baptiste Oudry, 1737

Christ seated in gold mandorla blessing twelve haloed apostles who kneel and stand in prayer against a blue field.

Christ in Majesty with Twelve Apostles

Workshop of Pacino di Bonaguida, c. 1320

Etching of a rider on a galloping horse fleeing across rocky terrain beneath towering cliffs and a cloudy sky.

La Peur (Fear)

Odilon Redon, 1865