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The Metropolitan Museum of Art

33,907 works

Etching of women mourning beside a stone wall, with a body lying on the ground at right.

Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)

Francisco Goya, 1811-12 (published 1863)

Etching of women carrying bundles past a dead animal and a crowd under a hatched, stormy sky.

Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)

Francisco Goya, 1810 (published 1863)

Etching of a night scene with men restraining a woman as a small child covers her face nearby, titled Madre infeliz.

Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)

Francisco Goya, 1811-12 (published 1863)

Etching of soldiers attacking a robed man on the ground, with the caption Esto es malo, from Goya's Disasters of War.

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)

Francisco Goya, 1810 (published 1863)

Etching of gaunt figures gathered around a bowl in a dim interior, one figure lying on the ground in the foreground.

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)

Francisco Goya, 1811-12 (published 1863)

Etching of a man writing on the ground as hooded and ghostly faces loom out of dark shadows behind him.

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)

Francisco Goya, 1814-15 (published 1863)

Etching of a cloaked woman gesturing before a crowd of grotesque animal-headed figures on a rocky bank.

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)

Francisco Goya, 1814-15 (published 1863)

Etching of ragged figures gathered around a large wolf-like animal, with a kneeling woman and children in the foreground.

Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)

Francisco Goya, 1814-15 (published 1863)

Etching of a winged demon with bat wings hunched over an open book, with the caption Contra el bien general below.

Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)

Francisco Goya, 1814-15 (published 1863)

Etching of hooded figures stumbling along a hillside, some falling into a ditch, under a dark hatched sky.

Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)

Francisco Goya, 1814-15 (published 1863)

Etching of a seated hooded figure beside a pile of grotesque masks, with a chair and cluttered interior in the background.

Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)

Francisco Goya, 1814-15 (published 1863)

Etching of two stooped men with canes walking past a carried figure and a crowd beside a column.

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)

Francisco Goya, 1814-15 (published 1863)

Etching of a donkey carrying a glass box with a figure inside, with kneeling cloaked figures in the foreground.

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)

Francisco Goya, 1814-15 (published 1863)

Etching of a woman in a pale dress fleeing with hands to her head, a dog running beside her, and a seated figure in a cap at

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)

Francisco Goya, 1814-15 (published 1863)

Etching of an owl with spread wings above a crouching cat, with a cloaked figure bending at right.

Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima)

Francisco Goya, 1814-15 (published 1863)

Etching of a pale reclining figure in radiant light, with a kneeling figure and shadowy faces in a dark background.

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)

Francisco Goya, 1814-15 (published 1863)

Etching of a huge vulture with spread wings standing over a crowd of people, one man at left holding a long pole.

Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)

Francisco Goya, 1814-15 (published 1863)

Etching of a robed clergyman balancing on a rope above a crowd, arms outstretched, with a building at right.

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)

Francisco Goya, 1814-15 (published 1863)

Etching of a dog leaping over a pack of snarling dogs on open ground, with the caption 'Se defiende bien' below.

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)

Francisco Goya, 1814-15 (published 1863)

Etching of a fallen figure with a mitred clergyman and a crowd of onlookers in a dark, hatched setting.

Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)

Francisco Goya, 1814-15 (published 1863)

Etching of a skeletal figure writing on a tablet beside a crowd of faces in a dark landscape, from Goya's Disasters of War.

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá)

Francisco Goya, 1810-20, published 1863

Engraved design of an ornate vase with a dragon handle, central mask, cornucopias, and two winged female figures.

Vase with a monster at center, two cornucopias, and two flanking winged female figures

Cherubino Alberti, 1565-1615

Drawing of a nude reclining man on rocks with two draped figures reaching toward him, white highlights on tan paper.

The Drunkenness of Noah, Genesis 9:21-23

Daniel Seiter, 17th-early 18th century

Engraved bird's-eye panoramic map of Rome in twelve sheets, showing the Tiber, churches, domes, and hills with putti and a co

Plan of the City of Rome

Antonio Tempesta, 1645

Etched landscape of a country road curving past tall trees, with a small cart and distant hills under an open sky.

The Road at the Edge of the Forest, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 4

Willem Pieterszoon Buytewech, ca. 1616-17

Etching of a large dark rock by a river, with windblown pine trees on top and a small boat at lower left.

The Large Rock at the River

Allart van Everdingen

Etching of two anglers leaning on a wooden footbridge over a river, with a rowboat, ducks, a tree and a distant cottage.

Two Anglers on a Bridge

Adriaen van Ostade, 1647

Engraved allegory with mounted riders, hunting dogs, a winged figure and putti around a central coat of arms cartouche.

Allegory of the Triumph of the Netherlands over Spain

Jan Saenredam, 1600

Engraving of an allegorical hunting scene with horsemen, hounds, a falconer, cherubs holding a coat of arms, and trees.

Allegory of the Flourishing State of the United Provinces

Jan Saenredam, 1602

Engraving of the seated Virgin Mary tenderly holding the Christ Child, with a halo and draped robes against hatched lines.

The Virgin and Child

Andrea Mantegna, ca. 1480-85

Etching of a shoemaker working under a counter while a customer smokes outside and a dog sleeps beneath ivy, 1671.

The Shoemaker

Adriaen van Ostade, 1671

Grey wash drawing of a woman with a cup leaning over a sleeping bearded man beside a candle and draped cloth.

Jael and Sisera

Leonaert Bramer, 1611-74

Pencil drawing of an equestrian statue on a pedestal before a Gothic church and Venetian palazzi in a city square.

View of the South side of the church of Santi Giovanni e Paolo in Venice, with Verrocchio's statue of Bartolomeo Coll…

Friedrich Nerly, 1807-78

Pencil drawing of a standing man in a tall top hat and fur-collared overcoat, with a German inscription at lower left.

Portrait of H. Gluckmann of Poland

Bartolomeo Pinelli, n.d.

Watercolor of two winged cherubs lifting a palm frond near a seated nude woman with flowers and arrows in a landscape.

Eros and Anteros with Psyche Looking at Them

Johannes Riepenhausen, 1810-60

Silhouette Portrait of John Marshall

William Henry Brown, 1844

Silhouette Portrait of Martin Van Buren

William Henry Brown, 1844

Black silhouette of a man in a top hat and long coat with a walking stick, beside a tree, with horses behind a fence.

Silhouette Portrait of John Randolph

William Henry Brown, 1844

Engraving of the Virgin and Child on a canopied seat with two winged angels playing lutes beside them.

Virgin and Child Enthroned with Two Musical Angels

Johannes Wierix, n.d.

Engraving of a Gothic church interior with a central figure labeled Fides holding a book beside a crucifix and ladder, surrou

Faith (Fides) from The Virtues

Philips Galle, ca. 1559-60

Standard Bearer

Urs Graf, 1500-30

Brown ink and wash sheet of many studies of birds, including hawks, ducks and waders, with handwritten notes.

Studies of Birds (recto); Village Scene with Skaters (verso)

Albert Flamen, mid-17th century

Pencil sketch of a castle with pointed towers and steep roofs against an empty pale sky.

A Castle (on the Rhine?)

Jan van Goyen, early 17th-mid 17th century

Pen and brown wash drawing of a commander kneeling before a crowned ruler on a throne, with soldiers and vessels in the foreg

Holofernes before Nebuchadnezzar (Judith 2:4-13)

Maerten de Vos, 1587

Grey wash drawing of a rider, horse-drawn wagon, and dog on a road, with an obelisk and tower in the distant landscape.

Travellers and wagons fording a river in a Southern landscape

Hendrik Verschuring, ca. 1646-62

Pen and brown ink drawing of a mountainous river landscape with trees, hills, figures, and a distant village.

Mountainous River Landscape

Jacob Esselens, 17th century

Night scene in blue wash of helmeted soldiers with a torch chasing a nude running fugitive through a dark landscape.

Night scene with soldiers chasing a fugitive (Mark XIV, 5-52)

Leonaert Bramer, 1611-74

Pencil drawing of travelers on a dirt road beside large trees, with a horse-drawn carriage and hills in the distance.

Figures on a Road

Pieter de Molijn, 17th century

Pencil drawing of a village on an estuary with trees, figures, a rowing boat on the shore, and a distant sailboat under a clo

Village on an estuary, with a rowing boat on the shore

Pieter de Molijn, 17th century

Etching of a torchlit procession of mounted riders, soldiers with torches, and carriages moving across an open field.

Torchlight Procession at the Modena Carrousel

Stefano Della Bella, 1652

Etching of a draped figure bending over a bare-bodied figure bound to a tree, with a landscape and water to the right.

Apollon et Marsyas

Stefano Della Bella, 1644

Etching of a bearded smith at an anvil with armor on the ground, facing a draped woman gesturing toward him.

Vulcan et Thetis

Stefano Della Bella, 1644

Pen and grey wash drawing of a nude male figure with a staff beside a ruined tower and arched bridge, dated 1616.

Neptune and Amphitrite

the Elder Elias Wolff, 1616

Engraving of a young man bowed over a pipe, surrounded by a pack of wolves on a rocky ledge in a forest.

The Wolf-Charmer

John La Farge, 1867

Engraving of a huge hunched giant kneeling in a barren landscape while two small travelers reach toward him.

The Travelers and the Giant

John La Farge, 1869

Engraving of the Nativity: a woman in bed under a canopy, a ray of light, winged angels above, and standing women at left.

The Nativity

John La Farge, n.d.

Engraving of a Noh dancer in an ornate patterned robe holding an open fan against a dark background.

Noh Dancer

John La Farge, ca. 1886

Engraving of a kneeling fisherman beside a jar, watching a smoke plume become a giant genie's head over the sea.

The Fisherman and the Afrite (or Genie)

John La Farge, 1868

Engraving of three robed wise men gazing at a bright star over a desert plain, with horses and camels in the background.

The Wise Men out of the East

John La Farge, 1868

Etching of galleys fighting around rocky islands, with a coat of arms and compass rose in the margins.

Capture of Two Galleys at Byserta

Stefano Della Bella, 1628

Etched map of the Siege of Saint-Omer with a lettered key, fortifications, ships at sea, and officers studying a map in the f

Siege of Saint-Omer

Stefano Della Bella, 1638

Pencil drawing of two men resting on a log by a lake under a large spreading tree, with boats on the water.

Two Men Resting by a Lake (recto); Studies for Soldiers Mounted on Horseback (verso)

Alexandre Calame, early to mid-19th century

Pen and wash drawing of two children playing on a floor while a mother reads at a table near a window.

Mother Watching Over Two Young Children Playing (recto); Baby in a Bassinet (verso)

Lorenz Frølich, 1835-1903

Pencil drawing of a windswept tree on a rocky cliff above a shadowed gorge with mountains and clouds behind.

Broken Tree in Moutainous Landscape

Alexandre Calame, early to mid-19th century

Red-toned stipple engraving of Terpsichore playing a lyre beside a winged child holding a torch, in an oval frame.

Terpsichore

Francesco Bartolozzi, May 31, 1779

Red-brown stipple print of a classical woman holding a cornucopia of fruit, titled Erato, within an oval frame.

Erato

Francesco Bartolozzi, February 1, 1779

Brown ink study of two seated women with children and a flying angel above, framed by a ruled border.

Study Sheet with Two Seated Children and an Angel

Hendrick Goudt, early 17th century

Architectural drawing of a domed church with Ionic portico and bronze doors, with floor plan below, by Alexander Jackson Davi

Church of the French Protestants (Eglise Français du Saint Esprit), New York (front elevation and plan)

Alexander Jackson Davis, 1832

Watercolor section and floor plans of the Church of the French Protestants in New York, showing a domed interior with columns

Church of the French Protestants (Eglise Français du Saint Esprit), New York (section and plan)

Alexander Jackson Davis, 1831-34

Color woodcut of a seated woman with curly hair beside a seascape with sailboats under a pink sky.

Convalescent, Mme Lepère

Louis Auguste Lepère, 1892

Etching of a young woman, an old man, a monkey and an ox beside a tree and a stone trough with horse heads.

Young shepherdess and old man with a monkey, from the Scherzi

Giovanni Battista Tiepolo, ca. 1743-50

La Citella Romana (Maiden)

Pietro Bertelli, ca. 1580

Engraving of a standing woman in a veil and layered gown holding a palm frond, captioned La Sposa Romana.

La Sposa Romana (Bride)

Pietro Bertelli, ca. 1580

La Maritata Romana (Matron)

Pietro Bertelli, ca. 1580

Engraving of a standing woman in a veil, dark cloak and pleated gown, hands folded at her waist, with grass at the base.

La Vedova ala Baronessa

Pietro Bertelli, ca. 1580

Engraving of a standing woman in a long gown and veil, labeled La Vedova Romana, a costume study of a Roman widow.

La Vedova Romana

Pietro Bertelli, ca. 1580

Engraved full-length print of a standing woman in a draped veil, pearl necklace and long skirt, with caption La Cortigiana de

La Cortigiana de Roma (Courtesan)

Pietro Bertelli, ca. 1580

Red chalk drawing of a nude central figure with bound arms flanked by two studied figures, with sketched drapery and limbs.

The Flagellation of Christ

Bernardo Cavallino, 17th century

Brown wash drawing of the Circumcision: a draped cloth above, a seated figure holding an infant, and onlookers around.

The Circumcision

Hans Muelich, 1516-73

Brown ink and wash drawing of shepherds approaching a group around an infant with angels, set before ruined arches and a dist

Adoration of the Shepherds

Master of Liechtenstein, ca. 1549-50

Brown wash drawing of Saint John the Baptist with a cross confronting a turbaned ruler, courtiers, a guard, and a ruined city

Saint John the Baptist Appearing Before Herod

Augustin Braun, late 16th-mid 17th century

Pen and wash drawing of an allegorical battle scene with armed men, a nude figure, and a winged figure in clouds.

Allegory of the Battle at Selimbar (October 28, 1599)

Hans von Aachen, 1552-1616

Ink sketch of a mounted officer in a bicorne hat on a rearing horse, with a fallen soldier and battlefield below.

Battlefield with Soldier on Horseback (Napoleon?)

Antoine-Jean Gros, ca.1810

Pen drawing of a crowned woman beside a tall crucifix, with a dragon at her feet and a town with a sailing boat behind her.

Allegorical Figure (Faith?)

Pieter Cornelisz Kunst, early 16th-mid 16th century

Brown ink and wash drawing of a triptych design with robed figures under arches, an angel above, and a reclining figure in th

A Design for a Triptych with the Adoration of the Two Saints

Jan Symonsz. Pynas, early 17th century

Brown wash drawing of a village street with a huge tree, crowds of villagers, a cart, and low houses.

May Day Celebrations at Xeuilley

Jacques Callot, ca. 1624-25

Chalk drawing of a young woman with a candle at a table, lit by the flame in a dark arched interior.

Young Woman Seated at a Table, Holding a Candle

Godfried Schalcken, late 17th century

Ink and wash drawing of a river flowing past a rocky cliff and tall trees, with a small waterfall and figure in the distance.

At Nunnery in Cumberland

Joseph Farington, August 20, 1786

Two Heavily Bearded Men

Stefano da Verona, n.d.

Pen and ink caricature of an exaggerated older man with a large nose, cloak and ruff, pointing to the right.

Caricature of a Man Pointing

Gian Lorenzo Bernini, 1610-80

Wash drawing of the Adoration of the Magi with the Virgin and Child enthroned and kneeling kings offering gifts.

The Adoration of the Magi (Cartoon for an Embroidery)

Diego Lopez de Escuriaz, 1587-89

Pen and brown ink drawing with wash of Christ carrying the cross through a crowd of soldiers and kneeling women.

Christ Carrying the Cross

Caspar Fraisinger, 1590

Drawing of a bearded clergyman in an oval medallion framed by allegorical figures, putti, and a coat of arms.

Portrait of Johann Schweickhardt von Kronberg, Archbishop of Mainz

Gerhard Brück, early 17th century

Brown ink landscape drawing of gnarled trees, a winding road, two figures, and distant hills under a pale sky.

Landscape with old trees and figures

Gillis Neyts, 17th century

Red chalk sketch of a crowded courtroom with a standing man at left, a seated judge at right, and spectators filling the gall

Two Men Before a Judge in a Crowded Courtroom

Egbert Jasperszoon van Heemskerck I, late 17th century

Pen drawing of a five-bay Corinthian archway with horses on top, warrior statues, and a Latin inscription panel.

A Monumental Archway with Five Bays in the Corinthian Order

Jacques Androuet, 16th century