Portia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice Edwin Austin Abbey, 1888
Veduta di Piazza Navona sopra le rovine del Circo Agonale (View of Piazza Navona Above the Ruins of the Circus of Dom… Giovanni Battista Piranesi, 1751
Sketch for "The Vicar," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harpe… Edwin Austin Abbey, 1890
The Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects) James McNeill Whistler, 1859
Unidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902) Edwin Austin Abbey
Figure study for the Infancy of Galahad(?), from The Quest of the Holy Grail (a series of 15 paintings for the Boston… Edwin Austin Abbey
Title page, from Vedute di Roma Disegnate ed Incise da Giambattista Piranesi Architetto Ve[nez]iano (Views of Rome Dr… Giovanni Battista Piranesi, 1748
Don Mariano Camprubi primer bailarin del teatro royal de Madrid (Don Mariano Camprubi first dancer of the Teatro Roya… Édouard Manet, 1862
"There the pale artist..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 95 Edwin Austin Abbey, 1891
Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, co… Edwin Austin Abbey
Ma bonne amie, puis-je entrer!. . .as-tu fini de collaborer avec monsieur?(My dear, may I come in!. . . have you fini… Honoré Daumier, 1844
Old Man with Turban, from the Raccolta di Teste (Collection of Heads) Giovanni Domenico Tiepolo, 1770
Study for "Vigil" in The Quest of the Holy Grail mural series at Boston Public Library Edwin Austin Abbey
Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It Edwin Austin Abbey, 1891
Veduta di Piazza di Spagna (View of the Piazza di Spagna), from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1750
Enter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquer Edwin Austin Abbey, 1886
Old Man Looking Downwards, from the Raccolta di Teste (Collection of Heads) Giovanni Domenico Tiepolo, 1771
Moon Light View of the Action off Anton Lizardo, March 6th, 1860 J. H. Bufford and Son's, Lith., 1860
Sketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889) Edwin Austin Abbey, 1889
Northumberland Men, costume sketch for Henry Irving's Planned Production of King Richard II Edwin Austin Abbey
The Kitchen, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature) James McNeill Whistler, 1858
Sir Toby and his Companions, illustration for Act II, Scene iii, Twelfth Night Edwin Austin Abbey, 1891
Northumberland, costume sketch for Henry Irving's Planned Production of King Richard II Edwin Austin Abbey
The U.S. Frigate Philadelphia on the rocks off Tripoli (From the U.S. Military Magazine Army and Navy, Vol. II) E. J. Pinkerton, 1840
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi et della Sacra Consulta (View of the Palazzo B… Giovanni Battista Piranesi, 1729
Figure study for "The Hours" - (3 am): sketch for mural for the state capitol building in Harrisburg, Pennsylvania, 1… Edwin Austin Abbey
Mission pénible et délicate du professeur de dessin, c'est à lui qu'est reservée constamment la tâche difficile de re… Honoré Daumier, 1846
General Washington, #1 from a set of 12 American Statesmen portraits Pierre Eugène Du Simitière, 1781
Avanzi della Villa di Mecenate a Tivoli . . . (Remains of the Villa of Maecenas at Tivoli . . . ), from Vedute di Rom… Giovanni Battista Piranesi, 1763
Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia Francisco Goya, 1815
A Gentleman, costume sketch for Henry Irving's Planned Production of King Richard II Edwin Austin Abbey
The Smoking Fire, plate 6 from Carceri d'Invenzione (Imaginary Prisons) Giovanni Battista Piranesi, 1750
Sous la lampe (Under the Lamp), from Stéphane Mallarmé's translation of Edgar Allan Poe's The Raven Édouard Manet, 1875
Autre vue interieure des restes du Collège supposé des Anfictions (Another Interior View of the Remains of the So-cal… Giovanni Battista Piranesi, 1778
Three Views on one page ; Kingston / Point (At top to left) ; Vleight Bergh (at top to right); Rondout, NY (bottom) B. Hess, 1852