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Yale University Art Gallery

1,302 works

Watercolor study of a woman in a pink gown beside a man in a brown coat in a dim interior, with pencil hat sketches at right.

Study of an interior: couple preparing to leave for the evening

Edwin Austin Abbey

Etching of the Campo Vaccino in Rome with ancient temple columns at right, the Colosseum in the distance, and cattle and figu

Veduta di Campo Vaccino (View of the Campo Vaccino [the Roman Forum with the Temple of Castor and Pollux to the right…

Giovanni Battista Piranesi, 1772

Etching of the Holy Family on a donkey beside a shepherd and sheep, with angels on a cloud above.

The Holy Family, from the series Idee pittoresche sopra la fuga in Egitto (Flight into Egypt)

Giovanni Domenico Tiepolo, 1750

Hand-colored print of a log cabin in a forest clearing beside a river, with a steamboat, a man chopping wood, and a woman han

Settlement of Immigrants in Missouri/ We left our beloved country....

Pen and ink drawing of a Gothic courtroom with a standing robed figure, seated men, clerks at a table, and tall columns.

Trial Scene, from Merchant of Venice

Edwin Austin Abbey

Etching of the ancient Doric temples of Paestum on a plain with hills and mountains behind, with lettered key below.

Veduta general degl' avanzi di Pesto dalla parte di mezzo giorno (General View of the Remains of Paestum from the Sou…

Filippo Morghen, 1765

Etched page with Latin inscriptions and an index of plates, framed by scrolling foliage and a carved medallion, by Piranesi.

Transcription of ancient Latin inscriptions and index, from Alcune Vedute di Archi Trionfali ed altri monumenti inalz…

Giovanni Battista Piranesi, 1748

Red chalk drawing of two studies of hands, one with fingers curled and one open, with sleeve cuffs sketched around the wrists

Study of 2 Hands

Jean-Baptiste Greuze

Hand-colored 18th-century engraved map of ancient Rome with a numbered key and a small ruin vignette.

Urbis romae iconographia (Iconography of the City of Rome), after Giovanni Battista Nolli (Italian, 1701-1756), after…

Francesco Monaco, 1755

Etching of the ruined Arch of Septimius Severus in Rome with carved reliefs, columns, small figures and temple ruins at right

Veduta dell'Arco di Settimio Severo (View of the Arch of Septimius Severus [with the Temple of Saturn in the backgrou…

Giovanni Battista Piranesi, 1772

Etching of a ruined Doric temple interior with tall columns, figures resting on steps, and oxen among fallen stones.

Vue intérieure du Temple, que l'on croit avoir été dédié à Junon . . . (Interior View of the Temple that is Believed…

Giovanni Battista Piranesi, 1778

Etching of the Arch of Septimius Severus in Rome with ruined columns and a stairway to the Capitoline Hill.

Tav. 13 Arco di Settimio Severo 1. Tempio della Concordia 2. Salita di Campidoglio (Pl. 13 Arch of Septimius Severus…

Giovanni Battista Piranesi, 1748

Etching of the Temple of Antoninus and Faustina with Corinthian columns, a church facade, and figures in the Roman Forum.

Veduta del Tempio di Antonino e Faustina in Campo Vaccino (View of the Temple of Antoninus and Faustina in the Roman…

Giovanni Battista Piranesi, 1758

Etching of a river scene with a large tree on the left, figures on rocks, small boats, and a distant town with church towers.

Angers, l'étang Saint-Nicholas (Angers, Saint-Nicholas Pond)

Louis Auguste Lepère, 1912

Engraving of a reclining nude woman seen from behind, a child above her, and a castle on a hill in the distance.

Penance of St. John Chrysostom

Etching of rolling hills with bare trees, farm buildings and a winding path under a cloudy sky, signed C. Pissarro.

Landscape at Osny

Camille Pissarro, 1887

Etching of three thatched cottages beside a dirt road, with a large tree on the right and figures near the doorways.

Landscape with Three Gabled Cottages beside a Road

Rembrandt van Rijn, 1650

Etching of Doric temple columns and ruins, with figures and grazing sheep in the foreground, by Piranesi, 1778.

Vue de quelques unes des colonnes de la façade opposée à celle de la planche précédente . . . (Views of Some Columns…

Giovanni Battista Piranesi, 1778

Etching of Roman ruins with broken brick towers, arches, hanging laundry and figures in the foreground by Piranesi.

Veduta dell'avanzo del Castello, che prendendo una porzione dell' Acqua Giulia (View of the Fountainhead of the Acqua…

Giovanni Battista Piranesi

Two etched views: an ox wagon crossing an arched bridge, and a small monument under a tree beside a canal.

The Wagon Passing over a Bridge [and] The Little Monument (under a Tree), from the series Vedute (Views)

Canaletto, 1735

Engraving of mounted riders with spears crossing a wide plain, with dogs, a travois, and figures in fur robes in the foregrou

(Crossing the Plain)

Felix Octavius Carr Darley, 1845

Lithograph of women and children in a wooden public bath, a mother holding an infant while others swim nearby.

Bains de femmes (The Ladies' Bath), pl. 20 from the series Les Baigneurs (The Swimmers) from the journal Le Charivari

Honoré Daumier, 1841

Engraved battle scene with cavalry charging over fallen soldiers and horses, a mountain rising in the distant background.

Bataille du Mont-Thabor (Battle of Mount Tabor)

Émile Rouargue

Hand-colored print of the Philadelphia Exchange, a columned rotunda with a statue atop its cupola, with men walking on a cobb

The Philadelphia Exchange

Lithograph of a man asleep on a tomb slab in a cemetery beside a column with a top-hatted bust and a lattice fence.

Le Sommeil Est Frere de la Mort

Paul Gavarni, 1850

Pen and wash sketch sheet: a frieze of dancing women, figures by an obelisk, and two seated women in a pendentive.

Sheet of Sketches: Frieze of Dancing Women, Dancing Women at the Foot of an Obelisk, and Two Seated Female Figures in…

Hubert Robert, 1798

Etching of the Holy Family with an angel leaving a river bank toward a boat, with reeds and birds in the background.

The Holy Family Leaving the Bank of the River, from the series Idee pittoresche sopra la fuga in Egitto (Flight into…

Giovanni Domenico Tiepolo, 1750

Lithograph of a farrier lifting a grey horse's hoof in a stable, with a dark horse in a checkered blanket beside an open door

Le Maréchal anglais (The English Farrier)

Théodore Géricault, 1822

Etching of a man strapped to a bat-like flying machine, with other figures in gliding devices against a dark sky.

Modo de volar (A Way of Flying), from the series Los disparates (Follies [Irrationalities])

Francisco Goya, 1815

Etching of the Holy Family's flight with the Virgin on a donkey seen from behind, a leader with a basket, and goats under a p

The Virgin, Mounted on the Donkey and seen from the Back, from the series Idee pittoresche sopra la fuga in Egitto (F…

Giovanni Domenico Tiepolo, 1750