C'est singulier comme ce miroir m'aplatit la taille et me maigrit la poitrine! . . . Que m'importe? . . . Mme de Staë… Honoré Daumier, 1844
Study for figure of 4 pm in "The Hours" ceiling at the state capitol building in Harrisburg, Pennsylvania Edwin Austin Abbey, 1902
Tempio detto volgarm.te di Giano. A. Arco detto degl'Argentieri . . . (The so-called Temple of Janus. A. Arch of the… Giovanni Battista Piranesi, 1771
[Tav. 29] Arco di Galieno 1. Facciata della Chiesa di S. Vito ([Pl. 29] Arch of Galienus 1. Façade of the Church of S… Giovanni Battista Piranesi, 1748
Cinquante-deuz papillottes (sic) par jour, pour que la Bichette a sa petite Maman soit mignon tout plein Paul Gavarni
"In all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New Yo… Edwin Austin Abbey
"At all his jokes, for many a joke had he," illustration for Oliver Goldsmith's The Deserted Village (London and New… Edwin Austin Abbey, 1889
Veduta del Palazzo Farnese (View of the Palazzo Farnese), from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1773
Disparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by G… Francisco Goya, 1816
General Reed, Member of Congress, from a set of 13 American Statesmen portraits Pierre Eugène Du Simitière, 1783
"My dear Constance, why will you deliberate thus?" study for Oliver Goldsmith's She Stoops to Conquer Edwin Austin Abbey, 1885
Clown: "Come away, come away, death," illustration for Act II, Scene iv, Twelfth Night Edwin Austin Abbey, 1891
Study for "Science Revealing the Treasures of the Earth," mural at the state capitol building in Harrisburg, Pennsylv… Edwin Austin Abbey
Study for one of the murals from The Quest of the Holy Grail (a series of 15 paintings for the Boston Public Library,… Edwin Austin Abbey, 1883
Apemantus: "Hoy-day! what a sweep of vanity comes this way! They dance! They are mad women!" - Act I, Scene II, Timon… Edwin Austin Abbey, 1902