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Yale University Art Gallery

3,067 works

Lithograph of a standing man in embroidered Spanish-style costume with fringed cloak, sash and dagger, looking upward.

Le Majo

Paul Gavarni, 1838

Etching by Goya showing grotesque, laughing figures gathered around a seated woman and a dog against a dark background.

La lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee…

Francisco Goya, 1816

Hand-colored print of a funeral procession on a city street seen through an arch, with mourners and a draped hearse.

High Street from the Country Market Place, Philadelphia, with the Commemoration of the Death of General Washington

William Russell Birch, 1807

Black and white lithograph of two men in top hats and frock coats beside a metal railing, one holding a cane.

Deux soupcons

Monochrome lithograph of two men in caps beside a stone wall, one leaning on it and one holding a tool.

La madame du pavillon qui met ses bas! - P'us qu'ca d'quilles

Paul Gavarni, 1853

Pastel study of a female figure with raised arm and billowing drapery against a blue background, on grey paper.

Study for figure of 4 pm in "The Hours" ceiling at the state capitol building in Harrisburg, Pennsylvania

Edwin Austin Abbey, 1904

Etching of sailing boats moored in a calm harbor, with a fisherman on rocks at the lower right.

Le port de Genes

Adolphe Appian, 1876

Black chalk and white heightening sketch of a nude female figure with outstretched arms and drapery on gray paper.

Allegory of France (La France sous les traits d'une nymph), study for France Enlightening the World and Protecting Ag…

Jean-Baptiste Carpeaux, 1863

Etching of an ox cart loaded with hay on a rocky wooded road, with a man guiding oxen beside gnarled trees.

Chemin des roches (environs de Creys)

Adolphe Appian, 1863

Lithograph of a startled dandy in a long coat held by an older man, with a young woman in a bonnet in a doorway behind.

Le Pere De La Lorette

Etched title page with reeds, dragonflies and frogs on lily pads framing the title Voyage en bateau by Daubigny.

Voyage en bateau (Journey by boat)

Charles-François Daubigny, 1861

Aaron Burr

Enoch Gridley, 1804

Pen and ink sketch of a seated figure in a flat cap and jacket, legs crossed, looking toward the viewer.

Rosalind in boys clothing

Edwin Austin Abbey, 1890

Lithograph of a woman in a long dress reading a letter beside a dark doorway, with a glass pitcher on the floor.

A Monsieur Monsieur Charme. (presse.) Vieux!...

Pencil sketch of women in an interior, one seated at a table, one playing a harp, with two small standing figure studies belo

Study for An Old Song(?) or The Two Sisters(?) (watercolors)

Edwin Austin Abbey

Loose watercolor and pencil study of a sunlit landscape with storm clouds, distant spires, and a small chapel by the water.

Composition study for "The Arthurian Round Table and the Fable of the Seat Perilous," the third in a series of fiftee…

Edwin Austin Abbey, 1893

Etching of thatched cottages and grazing sheep beside a wooden fence, with a shepherdess under a cloudy sunset sky.

Les bergeries, soleil couchant (The Sheepfolds, Sunset)

Félix-Hilaire Buhot, 1881

Etching of Roman ruins with Corinthian columns, a stone arch, and overgrown walls, with small figures near the arch.

[Tav.] 15 Foro di Augusto ([Pl.] 15 Forum of Augustus), from Alcune Vedute di Archi Trionfali ed altri monumenti inal…

Giovanni Battista Piranesi, 1748

Pen drawing of a couple embracing before a balustrade, with a nude statue holding a bow and cypress trees behind.

Lorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice

Edwin Austin Abbey, 1888

Etching of a chaotic crowd of hooded figures pressing forward over fallen bodies, from Goya's Disasters of War.

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)

Francisco Goya, 1863

Woodcut of four men in top hats carrying a coffin down a dark narrow staircase, captioned Le Mauvais Pas.

Le mauvais pas (The False Step)

Félix Edouard Vallotton, 1893

General Baron de Steuben, #2 from a set of 12 American Statesmen portraits

Pierre Eugène Du Simitière, 1781

Watercolor sketch of a woman working at a churn beside a seated man in a blue coat on stone steps.

Woman churning butter, man in Revolutionary dress watching - (unidentified illustration)

Edwin Austin Abbey

Lithograph of two men fleeing down night steps, one with a sword and feathered hat, beside a dark architectural background.

Mephistopheles and Faust Fleeing After the Duel, from Johann Wolfgang von Goethe's Faust

Eugène Delacroix, 1827

Pencil and brown wash sketch of a seated woman in a headscarf and long skirt beside a doorway frame.

Study of a seated woman

Edwin Austin Abbey

Pencil and ink sketch of a reclining nude figure with raised arm, and a loose boat-like study below, on cream paper.

Studies of a woman holding a violin

Edwin Austin Abbey

Engraved oval portrait of Philip V in a curled wig and dark robes, with inscribed frame and royal coat of arms below.

Philip V

Pierre Drevet, 1702

Etching of the Lateran square in Rome with an obelisk, a long palace facade, a twin-spired basilica, and small figures and ca

Veduta della Piazza, e Basilica di S. Giovanni in Laterano (View of the Square, and Basilica of San Giovanni in Later…

Giovanni Battista Piranesi, 1775

Grey lithograph of two women in period dresses on a garden terrace, one reading a letter while the other holds a parasol.

The Paris Courier

Expressionist woodcut portrait of a man in a hat, with intense eyes, framed by dense black-and-cream gouged lines and swirlin

David Müller

Ernst Ludwig Kirchner, 1919

Hand-colored print of a Piekann Indian encampment with rows of tepees, mounted riders, dogs and mountains behind.

Encampment of the Piekann Indians, from the book Maximilian, Prince of Wied's, Travels in the Interior of North Ameri…

Charles Traugott Beyer, 1839

Pencil and watercolor sketch of a standing woman in a long yellow and blue dress, hands at her waist.

Sketch of a woman (dressed in yellow) - costume study for a play?

Edwin Austin Abbey

Pen sketch of three figures in a rustic setting with cows in the header and handwritten verse below.

Sketch for a verse: "A Bucolick or Discovre of Neatherds"

Edwin Austin Abbey

Pen and ink drawing of a woman leaning on a curtain beside a seated musician playing a portable organ by a fireplace.

Portia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice

Edwin Austin Abbey, 1888

Etching of Piazza Navona in Rome showing an obelisk, a central fountain, a domed church, palazzi, and crowds in the square.

Veduta di Piazza Navona sopra le rovine del Circo Agonale (View of Piazza Navona Above the Ruins of the Circus of Dom…

Giovanni Battista Piranesi, 1751

Watercolor sketch of a figure in a blue coat and hat beside stone steps and a wall, surrounded by green trees.

Sketch for "The Vicar," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harpe…

Edwin Austin Abbey, 1890

Etching of a man leaning against a barrel in a timber shed between two ladders, with a doorway opening onto the river.

The Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)

James McNeill Whistler, 1859

Ink sketch of two standing male figures holding spears and a stylized angular head with heavy eyes.

Sheet of sketches [Two figures and stylized head]

Henri Gaudier-Brzeska

Loose pencil sketch on tan paper of villagers in an interior, a woman with a basket and a man carrying a bundle.

Unidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)

Edwin Austin Abbey

Pencil sketch of a man standing by a well with a crane and bucket, bare trees and hills behind, and a small head study.

Sketch of a man by a well

Edwin Austin Abbey

Charcoal and white chalk study of a robed figure with bowed head and hands clasped at the chest, on brown paper.

Figure study for the Infancy of Galahad(?), from The Quest of the Holy Grail (a series of 15 paintings for the Boston…

Edwin Austin Abbey

Etching of an elderly scholar in a dark study gazing at a glowing circular diagram of letters before a Gothic window.

A Scholar in His Study (Faust)

Rembrandt van Rijn, 1652

Le Galoubet

Paul Gavarni, 1844

Black and white lithograph of two women in 19th-century dress, one standing with a flower, one seated on a trunk by a doorway

Ici c'est la Route au Fond de la Vallee....

Etched title page with an ornate urn, fountain, reclining figures and overgrown ruins beneath the lettering Vedute di Roma.

Title page, from Vedute di Roma Disegnate ed Incise da Giambattista Piranesi Architetto Ve[nez]iano (Views of Rome Dr…

Giovanni Battista Piranesi, 1748

Etching of bare trees on a hillside with ravens perched in branches and flying over a dirt road under an overcast sky.

L'Arbre aux corbeaux (Tree with Ravens)

Charles-François Daubigny, 1867

Etching of cows drinking at a pond beneath large trees, with a distant herd and open sky in the background.

Les Vaches au marais (The Cows at the Swamp)

Charles-François Daubigny, 1850

Etching of an artist sketching inside a small wooden boat cabin, with a window view of sailboats on a river.

Le Bateau-Atelier (The Boat-Studio)

Charles-François Daubigny, 1861

Etching of a standing man in embroidered Spanish costume with a cape over his arm, signed ed. Manet, 1862.

Don Mariano Camprubi primer bailarin del teatro royal de Madrid (Don Mariano Camprubi first dancer of the Teatro Roya…

Édouard Manet, 1862

Pen and ink drawing of a seated man in a cap painting at an easel in a cluttered studio with a draped curtain.

"There the pale artist..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 95

Edwin Austin Abbey, 1891

Watercolor study of a knight in a red cloak riding a dark horse through green grass, with sketched figures beside him.

Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, co…

Edwin Austin Abbey

Daumier lithograph of a man and woman on a sofa while an older man peeks through a door at right.

Ma bonne amie, puis-je entrer!. . .as-tu fini de collaborer avec monsieur?(My dear, may I come in!. . . have you fini…

Honoré Daumier, 1844

Pastel portrait of a man in a dark suit and purple academic hood against a tan background, with handwritten name inscription.

Thomas W. Swan B.A., Sterling Prof. of Law 1922-

William Sergeant Kendall

Etching of a hilly landscape with a carriage on a road, arched bridges, trees, and a distant town under a cloudy sky.

Mountain Landscape with Five Bridges, from the series Vedute (Views)

Canaletto, 1735

Abstract watercolor and pencil composition with yellow, red, pink, and blue washes and dark brown ridges.

Forms

Fritz Stuckenberg, 1922

Etching of an elderly bearded man in a turban, head turned toward viewer, rendered in fine crosshatched lines.

Old Man with Turban, from the Raccolta di Teste (Collection of Heads)

Giovanni Domenico Tiepolo, 1770

Pen and ink study of arched interior with columns and hooded kneeling figure, preparatory sketch by Edwin Austin Abbey.

Study for "Vigil" in The Quest of the Holy Grail mural series at Boston Public Library

Edwin Austin Abbey

Pen and ink drawing of two men in Elizabethan dress grappling beneath trees, with a third man standing at right.

Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It

Edwin Austin Abbey, 1891

Etching of the Piazza di Spagna in Rome with a fountain, carriages, pedestrians, and the Spanish Steps rising to a church.

Veduta di Piazza di Spagna (View of the Piazza di Spagna), from Vedute di Roma (Views of Rome)

Giovanni Battista Piranesi, 1750

Lithograph of a man looking into a round mirror while a boy reads a newspaper beside a curtain.

Papa, qu'est-ce que c'est donc que Mosieu Loyal?...

Pen and ink study of a woman in a period gown entering a room while a maid in an apron waits beside a staircase.

Enter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquer

Edwin Austin Abbey, 1886

Etching of a figure in a rowboat on a calm river beside dense trees and grassy banks under a pale sky.

Un Coin de Riviere

Alphonse Legros

Watercolor of a man in a top hat and blue coat carrying two metal oil containers on a yoke across his shoulders.

The Oil Merchant

Nicolino Calyo, 1840

Etching of an elderly bearded man looking downward, with dense crosshatched shading across his face and hair.

Old Man Looking Downwards, from the Raccolta di Teste (Collection of Heads)

Giovanni Domenico Tiepolo, 1771