Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La… Francisco Goya, 1816
Veduta del tempio esastilo perittero dalla parte di mezzo giorno (View of the Peripteral Hexastyle Temple from the So… Filippo Morghen, 1765
Hamlet Has the Actors Play the Scene of the Poisoning of His Father (Act. III Sc. II), from Shakespeare's Hamlet Eugène Delacroix, 1835
Je ne m'étonne plus si celui la se tenait tranquille . . . . et s'il lisait si longtemps dans son dictionnaire grec,… Honoré Daumier, 1846
Tampoco (Nor [Do These] Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War) Francisco Goya, 1810
Seated Youth Leaning against an Urn, from Vari capricci (Various Capriccios) Giovanni Battista Tiepolo, 1740
UN SERVICE D'AMI./ - A la bonne heure au moins. . . . vous n'êtes pas comme ce petit paresseux de Julien. . . vous sa… Honoré Daumier, 1845
Head and Figure Studies, and Study of a Chair (recto); Sketches for Book Illustrations (verso) Edwin Austin Abbey
Veduta interna della Chiesa della Madonna degli Angoli detta della Certosa che anticam.e era la principal Sala delle… Giovanni Battista Piranesi, 1776
Veduta dell'Anfiteatro Favio, detto il Colosseo (View of the Flavian Amphitheater, called the Colosseum), from Vedute… Giovanni Battista Piranesi, 1757
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10… Francisco Goya, 1816
"Oh, Ransome, Ransome, do no hide mine eyes" (preliminary sketch for 1937.1090) - Act IV, Scene I, All's Well That En… Edwin Austin Abbey, 1891
Veduta del Tempio di Giove Tonante (View of the Temple of Jupiter Tonans [Jupiter the Thunderer; actually the Temple… Giovanni Battista Piranesi, 1756
Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia Francisco Goya, 1816
Pedro Romero matando á toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia Francisco Goya, 1816
Vue du Temple de Neptune, Dieu tutélaire de l'ancienne ville de Pesto, quoi que on n'y voye aucune marque qui puisse… Giovanni Battista Piranesi, 1778
Frontispiece, Fantasy of Ruins with a Statue of Minerva in the Center Foreground, from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1748
Henry: "I pray them bear my former answer back. Bid them achieve me and then sell my bones.", Act IV, scene iii, Henry V Edwin Austin Abbey, 1908
Study for "Solomon's Ship" in The Quest of the Holy Grail mural series at Boston Public Library Edwin Austin Abbey
Comme quoi la gymnastique forme les membres, mais déforme le nez. (Physical exercise may be forming the bones, but de… Honoré Daumier, 1845
Petruchio banters Katharina (study for .1058) - Act II, Scene I, Taming of the Shrew Edwin Austin Abbey
Plate VII, from the series Colección de las principales suertes de una corrida de toros (Collection of the Main Actio… Antonio Carnicero, 1790
Christopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew Edwin Austin Abbey, 1892
Veduta degli avanzi del Foro di Nerva (View of the remains of the Forum of Nerva), from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1757
Veduta degli avanzi del Tablino della Casa aurea di Nerone detti volgarmente il Tempio della Pace (View of the Remain… Giovanni Battista Piranesi, 1774
A., B. Vue des deux restes de rangs de colonnes qui étoient au Temple de Neptune qui latéralement formoient les porti… Giovanni Battista Piranesi, 1778
Probable study for "The Bowling Green," illustration to poems from: New Amsterdam, 1655 Edwin Austin Abbey
Vuë des restes de la celle du temple du Neptune (View of the remains of the cella of the temple of Neptune), from Dif… Giovanni Battista Piranesi, 1778
The Gothic Arch, plate 14 from Carceri d'Invenzione (Imaginary Prisons) Giovanni Battista Piranesi, 1750
