Seated Youth Leaning against an Urn, from Vari capricci (Various Capriccios) Giovanni Battista Tiepolo, 1740
UN SERVICE D'AMI./ - A la bonne heure au moins. . . . vous n'êtes pas comme ce petit paresseux de Julien. . . vous sa… Honoré Daumier, 1845
Head and Figure Studies, and Study of a Chair (recto); Sketches for Book Illustrations (verso) Edwin Austin Abbey
Veduta interna della Chiesa della Madonna degli Angoli detta della Certosa che anticam.e era la principal Sala delle… Giovanni Battista Piranesi, 1776
Veduta dell'Anfiteatro Favio, detto il Colosseo (View of the Flavian Amphitheater, called the Colosseum), from Vedute… Giovanni Battista Piranesi, 1757
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10… Francisco Goya, 1816
"Oh, Ransome, Ransome, do no hide mine eyes" (preliminary sketch for 1937.1090) - Act IV, Scene I, All's Well That En… Edwin Austin Abbey, 1891
Veduta del Tempio di Giove Tonante (View of the Temple of Jupiter Tonans [Jupiter the Thunderer; actually the Temple… Giovanni Battista Piranesi, 1756
Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia Francisco Goya, 1816
Pedro Romero matando á toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia Francisco Goya, 1816
Vue du Temple de Neptune, Dieu tutélaire de l'ancienne ville de Pesto, quoi que on n'y voye aucune marque qui puisse… Giovanni Battista Piranesi, 1778
Frontispiece, Fantasy of Ruins with a Statue of Minerva in the Center Foreground, from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1748
Henry: "I pray them bear my former answer back. Bid them achieve me and then sell my bones.", Act IV, scene iii, Henry V Edwin Austin Abbey, 1908
Study for "Solomon's Ship" in The Quest of the Holy Grail mural series at Boston Public Library Edwin Austin Abbey
Comme quoi la gymnastique forme les membres, mais déforme le nez. (Physical exercise may be forming the bones, but de… Honoré Daumier, 1845
Petruchio banters Katharina (study for .1058) - Act II, Scene I, Taming of the Shrew Edwin Austin Abbey
Plate VII, from the series Colección de las principales suertes de una corrida de toros (Collection of the Main Actio… Antonio Carnicero, 1790
Christopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew Edwin Austin Abbey, 1892
Veduta degli avanzi del Foro di Nerva (View of the remains of the Forum of Nerva), from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1757
