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Petit Palais, Paris

117 works

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Still life of dead game birds and flowers in front of a classical garden with an arched pavilion at sunset.

Fleurs et gibier mort devant un paysage

Jan Weenix, 1719

Painting of Roman ruins with columns, an obelisk, and the Colosseum in the distance, with small figures and cattle.

Ruines romaines, le Forum avec le Colisée et l'Obélisque

Hubert Robert, 1765

Two nude winged putti on clouds against red sky, one lifting a plumed gilded helmet, in a decorative frame.

Deux Génies avec un casque

François Boucher, 1750

Still life painting of a hanging hare, dead birds, a monkey, grapes and fruit, with a river landscape behind.

Gibier mort, singe et fruits devant un paysage

Jan Weenix, 1709

Painting of armored warriors fighting among fallen bodies, with seated onlookers under a canopy and classical buildings behin

Le Combat des soldats nés des dents du serpent

Jean-François de Troy, 1743

Two winged cherubs on a cloud against a red background, with flowers and a gilded frame, by François Boucher.

Deux génies

François Boucher, 1750

Painting of hunting dogs beside dead game, a hare, a fox, a rifle and a pheasant on a stone pedestal.

Le Retour de la chasse

Jean-Baptiste Oudry, 1732

Painting of an elderly man in a bath surrounded by grieving women, attendants and soldiers beside classical columns.

La Mort de Sénèque

Jacques-Louis David, 1773

Painting of a laurel-crowned woman in white and blue beside burning armor, with a chained man and a warrior in clouds.

La Paix

François Boucher, 1750

Painting of a crowned woman collapsing in pain as a king in a red cloak and startled attendants gather in a dim columned hall

Créüse consumée par la robe empoisonnée

Jean-François de Troy, 1743

Painting of a monkey in a gray robe examining a coin through a magnifying glass beside stacked books and prints.

Le singe antiquaire

Jean-Baptiste-Siméon Chardin, 1740

Italianate landscape with large trees, a hilltop town, mountains, and small figures on a grassy knoll under a cloudy sky.

Paysage d'Italie

L'Orizzonte, 1749

Painting of a waterfall beside a round classical temple, with figures, donkeys and a dog on rocks in the foreground.

Les Cascatelles de Tivoli

Hubert Robert, 1776

Oil portrait of a smiling young girl in a white bonnet and pearl necklace, raising one finger, against a dark background.

Emilie Vernet (1760-1794)

Nicolas Bernard Lépicié, 1769

Oval portrait of a curly-haired boy holding a dandelion, with a basket of flowers and a cloudy sky behind him.

Jeune berger qui tente le sort pour savoir s'il est aimé de sa bergère

Jean-Baptiste Greuze, 1761

Interior of a church with a sculptor on scaffolding working on a saint statue, draped curtains, and figures below.

Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome

Hubert Robert, 1759

Oil portrait of a young man in a black hat and grey coat, glancing over his shoulder while holding a portfolio.

Carle Vernet (1758-1836)

Nicolas Bernard Lépicié, 1769

Oil portrait of a man in a yellow jacket resting his hand on a globe, with quill, inkwell and paper at lower left.

Jérôme de La Lande (1732-1807)

Jean-Honoré Fragonard, 1768

Painting of Ionic ruins, a nude statue, a leaning tree and a rowboat on a river under a cloudy sky.

Vénus Médicis

Hubert Robert, 1790

Painting of a kneeling woman beside a dying shackled man in a dim stone prison, with a guard and a figure in an archway behin

La Mort d'Agis

Nicolas-André Monsiaux ou Monsiau, 1789

Oil sketch of a bearded man in a plumed, jewelled turban looking upward, with a fur-trimmed collar.

Ambassadeur du Mogol

Joseph-Marie Vien, 1748

Painting of a classical statue beside a wind-bent tree, with ruins, small figures, cypresses and mountains under a cloudy sky

Hercule Farnèse

Hubert Robert, 1790

Landscape painting of washerwomen at a river beside a ruined tower, a fisherman wading nearby, and a stone bridge under a gol

Paysage avec des lavandières

Joseph Vernet, 1763

Small oil portrait of a woman in a gold, pearl-trimmed headdress with red and white feathers and a fur-trimmed garment.

Sultane noire

Joseph-Marie Vien, 1748

Washerwomen work by a circular fountain basin in a garden, with a stone terrace, spouting wall fountains and tall trees behin

Lavandières dans un parc

Hubert Robert, 1775

Pale decorative painting of a chinoiserie garden with flowering trees, a trellis pavilion, figures on a ledge, and an oval la

Chinoiserie

Jean ou Jean-Baptiste Pillement, 1767

Painting of a woman in a jewelled turban with black and white plumes, pearls, and a blue silk robe against a gold background.

Sultane reine

Joseph-Marie Vien, 1748

Painting of a waterfall over rocky cliffs with a ruined temple, figures fishing in the foreground, and a distant aqueduct.

Les Cascatelles de Tivoli

Joseph Vernet, 1748

Decorative panel of a swan, dogs, ducks and birds beside a tree and pond, with distant hills under an arched ivy frame.

Panneau décoratif à sujets d'animaux

Jean ou Jean-Baptiste Pillement, 1767

Oval painting of a mother nursing a baby beside playing children, a dog, a thatched hut and trees in a rural landscape.

L'Heureuse Mère

François Boucher, 1758

Painting of a grey horse held by a man beside a helmeted warrior in armour, with classical columns and a blue sky behind.

Alexandre et Bucéphale

Giambattista Tiepolo, 1760

Sketch of winged allegorical figures in clouds above workers unloading cargo from ships by a shore with horses.

Esquisse pour le plafond de la Banque Royale : Le Déchargement en bord de Seine de marchandises en provenance de la L…

Giovanni Antonio Pellegrini, 1720

Hubert Robert's 1759 painting of a laundry courtyard with women, children, drying cloth and a dog in shadowed light.

La Blanchisserie

Hubert Robert, 1759

Painting of dead game birds and a hare hanging beside a rifle, with a dog sniffing at the ground and a garden behind.

Gibier mort

Jan Weenix, 1715

Painting of nude Adam and Eve in a garden, Eve holding an apple beneath a tree with a serpent, with a goat and cat.

Adam et Eve au Paradis

Jean-Joseph Dumons, 1735

Dark rock tunnel lit by a hanging lantern, with carriages and travelers moving toward a bright opening at the end.

La Grotte du Pausilippe

Hubert Robert, 1761

Portrait of a young woman in a blue hat with a white feather, wearing a white gown with blue trim and pearls.

Jeune Pèlerine

Alexis Grimou, 1733

Standing man in armour and blue fleur-de-lis mantle beside a plumed helmet and red draped table, in a formal interior.

Portrait de Louis XV, d'après Charles-André Van Loo

Charles André van Loo, 1760

Portrait of a young man in a powdered wig, brown waistcoat and red cloak, turned toward the viewer against a dark background.

Monsieur Sarasin

Jean-Marc Nattier, 1734

Oil portrait of a smiling woman holding a gold cup, wearing a flower garland, white lace blouse and blue drape.

Madame de Sevré en Hébé

Donat Nonnotte, 1756

Painting of Mars and Venus embracing beside a tree and waterfall, with a discarded helmet in the foreground.

Mars et Vénus

Ecole allemande, 1780

Painting of elegant figures gathered in a park near classical columns, with a lute player, a woman with a fan, and a dog.

Assemblée dans un parc

Jean-Baptiste Pater, 1736

Painting of hounds attacking a wild boar beneath a large tree, with a hilly landscape and dusky sky behind them.

Chasse au sanglier, d'après Hondius

Jean-Baptiste Oudry, 1755

Portrait of a man in a red velvet coat and curled wig holding an open snuff box, against a dark drapery and blue sky.

Gentilhomme prisant du tabac

Alexis-Simon Belle, 1734

Painting of a carriage and riders on a country road beside a pond, with a village of houses and a church spire behind.

La promenade en voiture

Théobald Michau, 1765

Oil portrait of a smiling man in a powdered grey wig, frilled white cravat and striped waistcoat, dark background.

Portrait d'homme

Jacques François Momal, 1783

Oil painting of a servant with a tray beside a staircase, a fallen man on the steps, and two men dining at a table with a cat

Le Repas à Emmaüs

Michel-François Dandré-Bardon, 1736

Dim tavern interior with laughing patrons, a musician, a child, and two dogs on the floor.

Intérieur de cabaret

Richard Brakenburgh, 1702

Painting of a reclining nude youth embraced by a draped woman in clouds, with a dog, bow and arrows beside him in a forest.

Diane et Endymion

Ecole allemande, 1780

Painting of Roman ruins with a pyramid, bronze statue, Corinthian columns and small figures at sunset.

Ruines romaines

Hubert Robert, 1776

Engraved landscape of riders and a laden cart on a road past cottages, with a stormy sky and distant town.

Landscape (Going to market) after Rubens

John Browne, 1783

Engraving of courtiers gathered in a draped bedchamber around an infant in bed, with framing portraits and text.

The wishes of France granted by the august birth of the Dauphin

François Gérard Jollain, 1729

The scoundrel Damiens

Gabriel Jacques de Saint-Aubin, 1757

Colour print of a man in a powdered wig, blue coat, lace cravat and star-shaped order badge against a brown background.

Portrait of Louis XV after Nicolas Blakey

Jacob Christof Le Blon, 1739

Sepia etching of a woman in a long dark gown flying above grotesque, caricatured faces, titled Volaverunt.

The Caprices pl. 61 : Volaverunt (Delteil 98 ; Gassier-Wilson 573 ; Harris 96 III 1 ; Lefort 61)

Francisco Goya, 1799

Engraving of a woman in a striped gown watching a young man seal a letter at a desk beside a draped curtain.

Lady sealing a letter after Chardin (Bocher 12 ; Marianne Roland Michel II page 272)

Etienne Fessard, 1738

Engraved oval portrait of a man in a curled periwig and lace cravat, with a plinth inscribed Jean François Regnard.

Portrait of Regnard (Portalis, Les Dessinateurs illustrateurs, tome I, pages 17 et 19)

Antoine Borel, 1790

Sepia etching of a cloaked figure covering its face as a winged demon and grotesque faces loom above, plate 48 by Goya.

The Caprices pl. 48. Soplones (Delteil 85 ; Gassier-Wilson 547 ; Harris 83 III 1 ; Lefort 48)

Francisco Goya, 1799

Engraving of two women and two men in an 18th-century columned interior, with French caption below, dated 1790.

This instrument madame... (Portalis, Les dessinateurs tome I, pages 17 et 19)

Louis Croutelle, 1790

Engraving of a kneeling man, a woman in a feathered hat, and a swordsman in an ornate columned interior.

And here is for your death... (Portalis, tome I, pages 17 et 19)

Antoine Borel, 1790

Sepia etching of a woman by a cooking pot with hand to mouth, and a bent figure in a long skirt in the foreground.

The Caprices pl. 4 : El de la rollona (Delteil 43 ; Gassier-Wilson 457 ; Harris 39 III 1 ; Lefort 4)

Francisco Goya, 1799

Engraving of figures in a woodland scene, a man in a plumed hat gesturing to a woman in a bonnet, with a French caption below

Illustrations for the works of Jean-François Regnard

Louis Croutelle, 1790

Engraving of Apollo on a cloud with a lyre greeting two men, one with a winged helmet and caduceus, beneath a flying Pegasus.

Illustrations for the works of Jean-François Regnard, Apollo... (Portalis, tome I, pages 17 et 19)

Antoine Borel, 1790

Sepia etching of a man embracing a swooning woman beside a brick wall, with a skull and shovel at their feet.

The Caprices pl. 10 : El amor y la muerte (Delteil 47 ; Gassier-Wilson 469 ; Harris 45 III 1 ; Lefort 10)

Francisco Goya, 1799

Engraving of a seated man attended by a woman and others in a paneled interior, with a caption below.

Yes, I promise you... (Portalis, tome I, pages 17 et 19)

Louis Croutelle, 1790

Engraving of four figures in 18th-century dress on a cobbled street before a stone building with a balustrade.

"Mercy Leonore, Marine..." (Portalis, vol. I, pages 17 and 19)

Antoine Borel, 1789

Etching of an owl with spread wings above two bound figures tied back to back, with a tree branch and grass.

The Caprices pl. 75 : No hay quien nos desate ? (Delteil 112 ; Gassier-Wilson 608 ; Harris 110 III 1 ; Lefort 75)

Francisco Goya, 1799

Engraving of a woman in a white gown facing two men on a cobbled street beside stone buildings, with French caption below.

And do you know this face... (Portalis, tome I, pages 17 et 19)

Louis Croutelle, 1790

Engraving of two men in 18th-century dress in a paneled room, one seizing the other's cravat, with a French caption below.

Answer me then executioner... (Portalis, vol. I, pages 17 and 19)

Louis Michel Halbou, 1789

Etching of a woman in white fleeing winged demons and grotesque creatures, by Goya, plate 72 of The Caprices.

The Caprices pl. 72 : No te escaparas (Delteil 109 ; Gassier-Wilson 596 ; Harris 107 III 1 ; Lefort 72)

Francisco Goya, 1799

Engraving of figures at a garden gate, one man reclining in a chair while a woman and two men gesture around him.

Illustrations for the works of Jean-François Regnard, Microc Sala Hipocrata... (Portalis, vol. I, pages 17 and 19)

Antoine Borel, 1790

Engraved print of two men and a woman in 18th-century dress conversing in a room with an oval portrait on the wall.

The countess... (Portalis, vol. I, pages 17 and 19)

N. Thomas, 1790

Brown etching of two men in restraining devices, one lying and one standing, with a donkey-headed figure behind them.

The Caprices pl. 50 : Los chinchillas (Delteil 87 ; Gassier-Wilson 551 ; Harris 85 III 1 ; Lefort 50)

Francisco Goya, 1799

Pen and wash drawing of a reclining nude woman with two nymphs and a bearded triton, plus a cherub head at left.

Nymphes et triton

François Boucher, 1753

Engraving of a theatrical scene with kneeling man, standing figures, a woman in a gown, and a parasol-holding servant beside

George Dandin. (Act.III, last sc.) after Charles Coypel

François Joullain, 1726

Sepia etching of two old women and an old man around a table, one sweeping with a broom, from Goya's Caprices.

The Caprices pl. 78 : Despacha, que dispiértan (Delteil 115 ; Gassier-Wilson 609 ; Harris 113 III 1 ; Lefort 78)

Francisco Goya, 1799

Engraved plate numbered 38 showing a central chatelaine with watch and chains, flanked by floral medallions and ribbon wreath

Plate 38: Chatelaine

Jean-Henri Prosper Pouget, 1762

Etching of a shepherd leading cattle, goats and sheep past a ruined wall and rocky cliff along a dirt path.

The Flock on its way (Dutuit 134)

Christian Wilhem Ernst Dietrich ou Dietricy, 1740

Sepia etching of four men drinking around a barrel, one leaning back laughing, with the caption Nadie nos ha visto.

The Caprices pl. 79 : Nadie nos ha visto (Delteil 116 ; Gassier-Wilson 611 ; Harris 114 III 1 ; Lefort 79)

Francisco Goya, 1799

Engraved plate of twelve oval jewelry frame designs with floral, ribbon and laurel motifs, one hand-colored in blue.

Plate 34: Bracelets, pendants and portrait box

Jean-Henri Prosper Pouget, 1764

Mezzotint of an elderly bearded man on a bed, a older woman and a half-nude young woman beside him, in a draped interior.

Sarah presenting Hagar to Abraham after van der Werff (Dutuit p. 341)

Richard Earlom, 1779

Etching of screaming, contorted figures with raised arms, from Goya's Caprices series, plate 80.

The Caprices pl. 80 : Ya es hora (Delteil 117 ; Gassier-Wilson 613 ; Harris 115 III 1 ; Lefort 80)

Francisco Goya, 1799

Engraved plate of nine jewelled aigrette ornament designs with plumes, bows and pendant gems, numbered 9.

Plate 9: Aigrettes

Jean-Henri Prosper Pouget, 1764

Etching of a shepherd with dogs and a flock of sheep and cattle beside ruins and a statue under trees.

The Flock near the statue of Flora (Dutuit 147)

Christian Wilhem Ernst Dietrich ou Dietricy, 1744

Sepia print of a barefoot woman seated on the floor in a dim room, head bowed, lit by a small high window.

The Caprices pl. 32 : Por que fue sensible (Delteil 69 ; Gassier-Wilson 515 ; Harris 67 III 1 ; Lefort 32)

Francisco Goya, 1799

Engraved plate of six floral bouquets, jewelled ornaments and ribbon bows, numbered 8, by Jean-Henri Prosper Pouget, 1764.

Plate 8

Jean-Henri Prosper Pouget, 1764

Etching of a river flowing between rocks, with a large gnarled tree with exposed roots on the left and cliffs in the distance

The River between the rocks (Dutuit 148)

Christian Wilhem Ernst Dietrich ou Dietricy, 1744

Etching of a powdered-wig nobleman standing over two bent men beside a shelf of bottles, titled Al Conde Palatino.

The Caprices pl. 33 : Al Conde Palatino (Delteil 70 ; Gassier-Wilson 517 ; Harris 68 III 1 ; Lefort 33)

Francisco Goya, 1799

Engraved plate numbered 7 showing six jewelled floral bouquets and fan-shaped aigrettes tied with ribbon bows.

Plate 7: aigrette bouquet

Jean-Henri Prosper Pouget, 1764

Etching of an ancient arched stone bridge over a river, with a ruined gate, travelers on horseback and a dog in the foregroun

Ancient bridge with ruined gate (Dutuit 149)

Christian Wilhem Ernst Dietrich ou Dietricy, 1744

Brown etching of a seated man being attended by two women in an interior, with a jug on a table beside them.

The Caprices pl. 35 : Le descanona (Delteil 72 ; Gassier-Wilson 520 ; Harris 70 III 1 ; Lefort 35)

Francisco Goya, 1799

Mezzotint of six men in dark robes and wide-brimmed hats gathered around a draped table with an open book, after Rembrandt.

The Syndics of the Clothmakers after Rembrandt

Richard Houston, 1774

Etching of a stone tower and crane by a rocky shore, with sailing boats, figures, and distant cliffs under a cloudy sky.

The Tower near the sea (Dutuit 150)

Christian Wilhem Ernst Dietrich ou Dietricy, 1744

Etching of an old man grinning beside a burning wooden chair, with smoke rising in a dark interior.

The Caprices pl. 18 : Y se le quema la Casa (Delteil 55 ; Gassier-Wilson 487 ; Harris 53 III 1 ; Lefort 18)

Francisco Goya, 1799

Dark mezzotint of an iron forge with a glowing furnace, workers, women and children, and a timber roof overhead.

The Forge (An Iron Forge) after Wright of Derby (Dutuit p. 341)

Richard Earlom, 1773

Etching of a ruined tower with stone steps, arched doorway, fallen blocks and small figures under a cloudy sky.

The Ruined tower (Dutuit 152)

Christian Wilhem Ernst Dietrich ou Dietricy, 1744