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National Gallery of Art

25,760 works

Etching of an ox-drawn cart crossing a wooden bridge over a canal, with an arched stone building at left and bathers in the w

The Wagon Passing Over a Bridge

Canaletto, c. 1735/1746

Engraving of Job seated under a tree while figures offer him money, framed by winged figures and biblical text.

Job Accepting Charity

William Blake, 1825

Etching of a seated woman embracing a child beside a glowing halo, with a cat on a cushion and a man at a window.

The Virgin and Child with the Cat and Snake

Rembrandt van Rijn, 1654

Etching of a ruined arched stone bridge over a river, with pack mules, travelers, a moored boat and barrels in the foreground

The Ponte Molle

Engraving of bearded Job with outstretched arms among three daughters, framed by vines and biblical verses.

Job and His Daughters

William Blake, 1825

Etching of Christ at a well speaking with a Samaritan woman holding a water jar, with a town and figures in the background.

Christ and the Woman of Samaria: an Arched Print

Rembrandt van Rijn, 1658

Etching of the formal parterre gardens of the Palace of Nancy with scrolled flower beds and crowds of figures.

The Palace Gardens at Nancy

Jacques Callot, 1625

Engraving of robed musicians with harps and trumpets beside sheep and rams, under a crescent moon and sunrise, with biblical

Job and His Wife Restored to Prosperity

William Blake, 1825

Etching of a kneeling man embraced by an older cloaked figure at a doorway, with onlookers and a distant landscape.

Return of the Prodigal Son

Rembrandt van Rijn, 1636

Engraving of a forest scene with a kneeling bearded man, a turbaned seated figure, and a reclining cloaked figure.

Mahomet and the Monk Sergius

Lucas van Leyden, 1508

Engraved portrait of a man in armor and lace collar within an oval laurel wreath, with a coat of arms below.

Marechal de Guebriant

Robert Nanteuil, 1655

Etching of an old bearded man in a fur cap and dark velvet cloak, one hand resting on a chair arm.

Old Man with Beard, Fur Cap, and Velvet Cloak

Rembrandt van Rijn, c. 1632

Pencil sketch of a narrow old street with projecting balconies, bay windows and small groups of people in traditional dress.

Sion

Samuel Prout, c. 1830

Engraved oval portrait of a man with long curled hair, lace collar and armor, framed with fleur-de-lis.

Louis XIV

Robert Nanteuil, 1664

Brown ink print of a wooded landscape with fallen tree trunks, a winding path, and a small figure near the roots.

Jason

Joseph Mallord William Turner, 1807

Sepia print of a helmeted armored figure on a fallen tree in a forest, with a coiled serpent in the background.

Jason

Joseph Mallord William Turner and Charles Turner, published 1807

Sepia print of an umbrella pine, a figure at a stone basin, and ruined arches and a temple under a pale sky.

Scene in the Campagna

Joseph Mallord William Turner and William Say, published 1812

Etching of tall trees framing a wide plain, with a small group of figures in the foreground and an arched bridge in the dista

The Bridge in Middle Distance

Joseph Mallord William Turner, published 1808

Sepia landscape print of tall trees framing a river, arched bridge, and pale moon, with two seated figures in the foreground.

The Bridge in Middle Distance

Joseph Mallord William Turner and Charles Turner, published 1808

Sepia engraving of farm workers hedging and ditching beside a large gnarled tree, with sheep and clouds in the distance.

Hedging and Ditching

Joseph Mallord William Turner and J.C. Easling, published 1812

Etching of a wide river valley with a seated figure, trees on the right, a ruined castle, and distant hills under open sky.

Junction of Severn and Wye

Joseph Mallord William Turner, published 1811

Sepia print of a mill and wooden bridge beside a rushing river in a steep rocky gorge with tall trees.

Mill near the Grand Chartreuse

Joseph Mallord William Turner and Henry Edward Dawe, published 1816

Sepia print of a river landscape with a willow, classical column, stone bridge and a white bird on a carved stone.

Isis

Joseph Mallord William Turner and William Say, published 1819

Sepia landscape print with an umbrella pine, a seated figure, and a classical temple and arches in the distance.

Scene in the Campagna

Joseph Mallord William Turner, published 1812

Sepia print of a river with large trees, a columned rotunda on the left bank, and buildings receding under a cloudy sky.

Isleworth

Joseph Mallord William Turner and Henry Edward Dawe, published 1819

Sepia print of a classical landscape with ruined arches, tall pines, sarcophagi, and figures including a woman with a jug.

The Woman of Samaria

Joseph Mallord William Turner and Samuel William Reynolds I, published 1819

Sepia print of farm labourers hedging and ditching beside a gnarled tree, with grazing sheep in the fields beyond.

Hedging and Ditching

Joseph Mallord William Turner, published 1812

Woodcut of Delilah cutting the hair of a sleeping Samson in a garden beside a brick wall, with a flask and cup nearby.

Samson and Delilah

Hans Burgkmair, 1519

Engraving of Christ bound to a column being whipped by two men, with armored soldiers and a tiled floor in a colonnaded hall.

Flagellation of Christ, with the Pavement

Workshop of Andrea Mantegna, c. 1475

Brown etching of a wooded ravine with tall trees, rocky cliffs, and a wooden bridge leading to a small building.

Mill near the Grand Chartreuse

Joseph Mallord William Turner, published 1816