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Art Institute of Chicago

13,164 works

Brown ink drawing of nude Hercules figures with a Hydra and Nemean lion, labeled with inscriptions.

Ancient Sarcophagus Relief with the Labors of Hercules

Attributed to Girolamo Sellari, called Girolamo da Carpi, n.d.

Woodblock print of a woman with pinned black hair holding a brush and scroll, wearing an orange blossom-patterned kimono.

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)"

Kitagawa Utamaro, c. 1795/96

Lithograph of men with bottles beside a wooden fence, one raising a bottle overhead and another peering over the fence.

Les Propos de Thomas Vireloque: Brains cracked-but bottles

Paul Gavarni, 1853

Woodblock print of two sparrows flying near a snow-covered camellia branch with falling snowflakes on blue.

Sparrows and Camellia in Snow

Utagawa Hiroshige, c. 1831-33

Engraving of a standing couple in period dress with plumed hats, embracing closely against a dark hatched background.

A Couple Standing

Lithograph of a disheveled man with round spectacles leaning on his arms in a hilly landscape, labeled Vireloque No 16.

and worn out)

Paul Gavarni, 1853

Woodcut of the crucifixion with three crosses, mourners, horsemen and a ladder in the foreground, and a distant town.

Calvary

Albrecht Dürer, c. 1503-04

Bust of Zborowski

Amedeo Modigliani, n.d.

Lithograph of two men in a forest clearing, one standing and one seated on a log with a walking stick, drawn in hatched ink l

Les Propos de Thomas Vireloque: The new lord of the soil

Paul Gavarni, 1853

Woodblock print of pedestrians with umbrellas crossing a wooden bridge in heavy rain, with a boatman on the river.

Sudden Shower over Shin Ohashi Bridge and Atake (Ohashi Atake no yudachi), from the series "One Hundred Famous Views…

Utagawa Hiroshige, 1857

Etched portrait of a seated balding man in a dark jacket, shaded with dense hatching against a pale interior.

Max Liebermann

Anders Zorn, 1891

Lithograph of a ragged old man in a tattered cloak on a cobblestone street, with a hatted figure walking behind.

Les Propos de Thomas Vireloque: Figaro grown old-becomes Bazile

Paul Gavarni, 1853

Etching of an ornate Gothic portal with pointed arches, sculpted reliefs and a deep shadowed archway.

Portal of the Ducal Palace, Venice

Donald Shaw MacLaughlan, 1899

Red and black chalk study of a young standing man in a cloak beside a bearded older man in a hood, with a staff.

Saint Michael and San Giovanni Gualberto

After Andrea del Sarto, n.d.

Lithograph of a cloaked man in the foreground watching a figure strike a horse beside a hay cart in a field.

Les Propos de Thomas Vireloque: Michael paying wages to his servant (beating him)

Paul Gavarni, 1853

Portrait of Degas, His Hand Over his Mouth

Marcellin Gilbert Desboutin, n.d.

Red and black chalk drawing of a young staff-bearing figure beside a bearded bishop in a mitre, on tinted paper.

Saint John the Baptist and San Bernardo degli Uberti

After Andrea del Sarto, n.d.

Lithograph of a ragged old man walking past two boys wrestling beside a spinning top, with a ruined tower in the distance.

Les Propos de Thomas Vireloque: Misere et corde - quarrel for tops

Paul Gavarni, 1852-53

Color lithograph of a seated woman in red examining a sheet with a standing man, with a printing press visible through a door

Cover for the portfolio, The Painters-Lithographers (Les Peintres Lithographes)

Alexandre Lunois, 1892

Monochrome print of a woman in a dark lace-trimmed dress standing beside a sign reading BAL, in a dim room.

The Absinthe Drinker

Félicien Rops, n.d.

Lithograph of a ragged man leaning on a post beside a picket fence on a country road with telegraph poles.

Les Propos de Thomas Vireloque: Misere et corde - first speech, then...

Paul Gavarni, 1852-53

Woodblock print of a kabuki actor in patterned orange kimono, drawing a sword with a scroll in his mouth, before a green door

The Actor Onoe Kikugoro I as Ukishima Danjo (?) in the Play Shinasadame Soma no Mombi (?), Performed at the Ichimura…

Katsukawa Shunshō, c. 1770

Woodblock print of women in kimono and children by a pond with blossoming trees and flying birds.

Shinobazu Pond, from the series "Eight Views of Edo (Koto hakkei)"

Katsukawa Shuncho, c. 1780/1801

Lithograph of two men in top hats and frock coats walking together on a city street, one leaning toward the other.

Masks and faces: Pretty woman? a bad lot

Paul Gavarni, 1857-58

Engraving of the Holy Family seated beneath a tree, with a river landscape and castle towers in the distance.

The Holy Family

Lucas van Leyden, c. 1508

Japanese woodblock print of three women, one arranging a potted flowering plant and bonsai beside a wooden lattice.

Yagenbori, from the series "Fashionable Sands of Edo (Fuzoku Edo sunago)"

Katsukawa Shuncho, c. 1780/1801

Lithograph of an older bald man in a long coat facing a bearded younger man holding a hat, beside a wall sign.

Masks and faces

Paul Gavarni, 1857-58

Woodblock print of a youth with long black hair holding a fan, framed by chrysanthemums in white, yellow and pink.

Chrysanthemum Boy

Kitagawa Utamaro, c. 1801/02

Japanese woodblock print of a fisherman with a rod and a woman in patterned kimono seated on a tortoise over waves.

A Modern Version of Urashima Taro

Attributed to Torii Kiyomasu II, 1730s

Lithograph of a man in a dark coat embracing a smiling woman in an apron and cap in an interior.

Masks and faces: Have you done?

Paul Gavarni, 1857-58