New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Petit Palais, Paris

2,139 works

Featured

Filters

Works per page

Color

Shape

Clear all

Etching of a wooded landscape in an oval frame, with a large tree on the left and two small figures in the clearing.

The large tree (Bartsch 2)

Herman van Swanevelt, 1636

Etching of a horse urinating on open ground while a seated man holds its bridle beside a fence post.

The pissing horse (Bartsch 5)

Engraved funeral procession with hooded mourners, a plumed caparisoned horse, clergy and armed men in a line.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, thirty-third plate…

Friedrich Brentel, 1609

Etching of two men on a bare hilltop with a winding path, trees on the left, a distant figure, and an oval border.

The two men on top of a bare hill (Bartsch 3)

Herman van Swanevelt

Etching of a villager in a wide hat holding a bridled horse, with a dog, a rider and a reclining figure in a landscape.

The villager holding a horse (Bartsch 6)

Engraved funeral procession showing heralds, robed mourners and clergy with staffs, with cursive identifying inscriptions abo

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, thirty-fourth plat…

Friedrich Brentel, 1609

Small oval etching of a landscape with a large round tower, travelers on a path, a river and wooded hills.

The large round tower (Bartsch 4)

Herman van Swanevelt

Etching of a seated man in a wide hat with hunting dogs, a greyhound on a leash, and riders in a distant landscape.

The villager guarding a pack of dogs (Bartsch 12)

Engraved procession of robed abbots carrying crosiers, with named inscriptions above, from a 1609 funeral procession print.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, thirty-fifth plate…

Friedrich Brentel, 1609

Etching of an oval landscape with large trees, two seated men in the foreground, and a walking figure near distant hills.

The two seated men (Bartsch 5)

Herman van Swanevelt

Etching of two plough horses standing in a grassy landscape with dunes, trees and clouds.

The two plough horses (Bartsch 7)

Engraved procession of bishops with mitres and crosiers, clergy and armed men walking in a line.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, thirty-sixth plate…

Friedrich Brentel, 1609

Etching of peasants dancing in a village yard while a crowd drinks beside a thatched cottage and fence.

Flemish festival (Bartsch 1)

David II Teniers

Etching of a standing horse with a dog lying beside a rider on horseback in an open landscape under clouds.

The horse tied to a stake (Bartsch 9)

Etched procession of halberdiers and robed clergy, one wearing a mitre and another carrying a crozier, with French captions a

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, thirty-seventh pla…

Friedrich Brentel, 1609

Etching of a peasant in a cap playing a pocket violin in a rustic interior, with two figures near a doorway.

Peasant playing a pocket violin (Bartsch 12)

David II Teniers

Etching of a man in a wide hat leading a saddled horse past a thatched building, with a dog and another horse nearby.

The pissing horse (Bartsch 10)

Engraved funeral procession plate with robed masters of ceremonies, a hooded mourner with trailing mantle, and halberd guards

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, thirty-ninth plate…

Friedrich Brentel, 1609

Etching of a man raising a glass while leaning toward a seated woman at a wooden table in a rustic interior.

Amorous conversation (Bartsch 13)

David II Teniers

Etching of a piebald horse eating from a wooden trough beside a farm building, with a rooster and distant figures.

The horse tied to a manger (Bartsch 11)

Engraving of a funeral procession with hooded mourners, a draped pall, and halberd-carrying guards in long cloaks.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, fortieth plate of…

Friedrich Brentel, 1609

Etching of a rustic kitchen with a hanging carcass, a woman cooking, vegetables in baskets and copper pots.

Kitchen interior (Bartsch 14)

David II Teniers

Etching of a man balancing on a tightrope above a crowd, with musicians, a lion, cherubs and a winged figure nearby.

Cromwell as a rope dancer (Bartsch 54)

Engraved funeral procession with halberd guards, robed clergy and a long trailing train over a carpet, numbered figures.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, first number of a…

Friedrich Brentel, 1609

Etching of men in a tavern gathered around a table with cards, drinks and pipes, with two standing smokers at the back.

Two standing smokers (Bartsch 20)

David II Teniers

Etching of large thatched cottages with chimneys, a wooden cart and fence in a rural village under a cloudy sky.

The large thatched cottages (Boucard-Goodfriend 150)

Félix-Hilaire Buhot, 1881

Engraved funeral procession plate showing envoys in cloaks and hats, some carrying halberds, walking in a row.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, forty-fourth plate…

Friedrich Brentel, 1609

Etching of peasants dancing outside a thatched cottage, with onlookers, a barrel, a bare tree and a distant church spire.

The round dance (Bartsch 22)

David II Teniers

Etching of a stormy landscape with dark clouds, cattle and a cart in the foreground, and trees on the right.

The storm (Boucard-Goodfriend 145)

Félix-Hilaire Buhot, 1879

Engraved procession of gentlemen in cloaks and hats with attendants carrying staffs, from a 1609 funeral cortege print.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, forty-fifth plate…

Friedrich Brentel, 1609

Etching of moored barges on a river with reflections, stone bridges and city buildings along the far bank.

The jetty

Eugène Bejot, 1905

Etching of pedestrians under umbrellas on a rainy city street at dusk, with a street lamp and reflections on wet pavement.

The small funeral (Boucard-Goodfriend 154)

Félix-Hilaire Buhot, 1878

Etched procession of mourners in long cloaks and hats, some holding staves, walking in a row across a flat ground.

Funeral procession of Charles third of the name, Duke of Lorraine, held in Nancy in the year 1608, forty-seventh plat…

Friedrich Brentel, 1609

Etching of the Seine with a stone bridge, moored barges, a rowboat, tree-lined quay and Paris buildings in the distance.

Quai d'Anjou

Eugène Bejot, 1906

Etching of holidaymakers with umbrellas on a beach under a dark storm sky, with flagpoles and a distant sailing ship.

A squall at Trouville, 4 August 1874 (Boucard-Goodfriend 122)

Félix-Hilaire Buhot, 1874

Etched procession of pikemen, halberdiers, drummers and cloaked figures marching across an open ground in 1611.

March of Henri II Duke of Lorraine to the church

Friedrich Brentel, 1611

Etching of two figures on a fallen log beside a river, one with a rifle, under a large drooping willow tree.

The poacher

Paul Huet, 1834

Etching of a boy between a bearded man with a staff and a woman in a headscarf, with a dog and rocky landscape behind.

Jesus brought back from the Temple by his parents (Bartsch 60)

Rembrandt van Rijn, 1654

Etching of dogs attacking a bull in a bullring, with cloaked men on foot and a mounted rider watching from the side.

The dogs unleashed on the bull - Plate C (H : 239)

Francisco Goya, 1816

Etching of men in period dress fighting in a rough room, with an open doorway and a figure peeking in at right.

The brawl after Meissonier

Félix Bracquemond, 1865

Engraved interior of a vaulted hall with a crowd in period dress around a central table set for a funeral banquet.

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, third of the…

Friedrich Brentel, 1609

Etching of a mounted horseman in a plumed hat facing a charging bull in a bullring, with spectators in the stands above.

A Spanish gentleman in the plaza breaking small lances without the help of the chulos, n°13. (H : 216)

Francisco Goya, 1816

Sepia etching of a laborer leaning on a hoe in a rough field, with smoke rising on the distant horizon.

Labor after the man with the hoe by Millet

Félix Bracquemond

Engraved view of a Gothic church interior with hooded mourners, soldiers, candles and heraldic shields for a funeral.

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, sixth of the…

Friedrich Brentel, 1609

Etching of a bull in an arena with a fallen donkey, a tossed figure, and lancers at the edges, by Goya.

Palisade of bulls made with donkeys to defend themselves from the bull with torches, n°17. (H : 220)

Francisco Goya, 1816

Etching of a child beside a saddled white horse in a farmyard, with a leaning wooden shutter and a woman watching from a door

The good friends after Decamps

Félix Bracquemond

Etching of a Gothic church interior with a funeral procession of hooded mourners and soldiers moving toward a draped catafalq

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, seventh of th…

Friedrich Brentel, 1609

Etching of a tall shrouded ghostly figure at left, with a swordsman and fallen men at night beside a tree at right.

Disparate of fear. For fear do not lose honor, pl. 2 (H : 249)

Francisco Goya, 1823

Lithograph of reclining Venus surrounded by winged cherubs in a forest, with a lute and arrows in the foreground.

Venus and the loves after Joseph Guichard

Félix Bracquemond, 1854

Etching of a funeral procession with an effigy on a draped bier under a canopy, surrounded by hooded mourners holding pikes.

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, thirty-eighth…

Friedrich Brentel, 1609

Etching of women in striped shawls gathered on a large dark tree branch against a grey background.

Walking around the branches. Ridiculous Disparate, pl. 3 (H : 250)

Francisco Goya, 1823

Etching of a chaotic crowd of men with swords and raised arms in a legislative chamber with draped curtains.

Boissy d'Anglas presiding over the National Convention, on 1st prairial Year III after Delacroix. First state

Félix Bracquemond, 1881

Etching of a funeral procession with hooded mourners in long cloaks and halberd-carrying guards, with inscriptions above.

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, forty-second…

Friedrich Brentel, 1609

Etching of a grinning grotesque man towering over a small cloaked woman, with floating distorted heads around them.

After vice comes fornication. Simpleton. Disparate of a fool, pl. 4 (H : 251)

Francisco Goya, 1823

Etching of a chaotic assembly chamber with crowds, raised swords and draped curtains, after Delacroix by Félix Bracquemond.

Boissy d'Anglas presiding over the National Convention, on 1st prairial Year III after Delacroix (IFF : 384 ; Beraldi…

Félix Bracquemond, 1881

Etched procession of cloaked gentlemen and armed attendants with halberds, walking in a long line across the sheet.

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, forty-sixth p…

Friedrich Brentel, 1609

Etching of a rider on a white horse flying with large wings beside a two-headed winged monster against a dark background.

I renounce the friend who covers with wings and kills with the beak. Flying Disparate, pl. 5 (H : 252)

Francisco Goya, 1823

Monochrome print of men in period dress playing cards around a table beside a stone fireplace, with smoking onlookers.

The card game after Meissonier

Félix Bracquemond

Engraved procession of mourners in cloaks and archers with long pole weapons walking in a line.

Funeral procession of Charles the third of that name, Duke of Lorraine, held at Nancy in the year 1608, forty-eighth…

Friedrich Brentel, 1609

Etching of an armed man with a pole driving forward while hunched figures stand before a dark stone wall.

God made us and we marvel. Furious Disparate, pl. 6 (H : 253)

Francisco Goya, 1823

Engraving of ships attacking a coastal battery, with rowboats in the foreground and tents on the shore under a cloudy sky.

Attack and capture of the batteries of Punto Obligado, November 20, 1845 after François-Pierre-Bernard Barry

François Pierre Bernard Barry, 1848

Engraved architectural plan of the Basilica of the Nativity with numbered rooms, courtyards, a compass rose, and a legend.

Journey to the Holy Land, First plate. Lieure 307 [Plan of the Basilica of the Nativity]

Jacques Callot, 1620

Etching of a grotesque shirtless man pointing while embracing a woman, with a crowd of caricatured figures watching in shadow

She who marries badly never lacks a fault to find. Disordered Disparate, pl. 7 (H : 254)

Francisco Goya, 1823

Engraved panorama of ships in naval combat off a coast, with smoke rising from the shore under a cloudy sky.

Naval combat of Punto Obligado, November 20, 1845 after François-Pierre-Bernard Barry

François Pierre Bernard Barry, 1839

Etched architectural plan and elevation of the Holy Cenacle church with lettered key and compass rose, by Jacques Callot.

Journey to the Holy Land, Eleventh plate. Lieure 320-321 [Plan and elevation of the church of the Holy Cenacle]

Jacques Callot, 1620

Etching of hooded figures wrapped in sackcloth standing and bending in a row against a dark background.

Under the sackcloth, there is a soul. The bagged ones. Disparate of bagged ones, pl. 8 (H : 255)

Francisco Goya, 1823

Engraved landscape with a river, trees, classical buildings, and two figures in the foreground, one kneeling at the water.

Landscape with Diogenes after Nicolas Poussin No. 1

Étienne Baudet

Engraved longitudinal section of the Holy Sepulchre basilica showing domes, arcades, and keyed chapels with lettering.

Journey to the Holy Land, Twentieth plate. Lieure 330 [Longitudinal section of the Basilica of the Holy Sepulchre]

Jacques Callot, 1620

Etching of hooded figures and cats in a dark crowded scene, with a seated bearded man and a figure holding cats.

Cat's paws and a pious habit. General Disparate, pl. 9 (H : 256)

Francisco Goya, 1823

Engraved landscape of rocky peaks, a giant seated on a mountain, nymphs by an urn, cattle and a large tree.

Landscape with Polyphemus after Nicolas Poussin No. 2

Étienne Baudet

Etched architectural section of the Holy Sepulchre basilica with domed chapel, arches, staircase and Italian key text.

Journey to the Holy Land, Twenty-first plate. Lieure 331 [Longitudinal section of the Basilica of the Holy Sepulchre,…

Jacques Callot, 1620

Etching of a rearing horse throwing its rider backward, with a fallen figure on rocky ground at left.

The woman and the colt, may another tame them. The raptor horse, unbridled disparate, pl. 10 (H : 257)

Francisco Goya, 1823

Engraved allegorical diploma with two classical male figures, a laurel wreath, and seated female figures beside a lion.

Diploma of the Royal Academy (Dutuit, page 340)

Francesco Bartolozzi

Engraved ground plan of the Holy Sepulchre with a circular colonnade, central chapel, and lettered key in Italian.

Journey to the Holy Land, Twenty-fourth plate. Lieure 337 [Plan of the Basilica of the Holy Sepulchre]

Jacques Callot, 1620

Etching of a dark interior with a raised-armed woman before a group of hooded elderly women and a crouching figure.

Poor Disparate, pl. 11 (H : 258)

Francisco Goya, 1823

Etched landscape of a river winding through a forest, with two figures resting on the bank beneath large trees.

Landscape after Van der Meulen

Adrien Frans Boudewyns

Etched ground plan of the church of Saint Anne in Jerusalem with lettered key, cloister, cells and cistern.

Journey to the Holy Land, Thirty-first plate. Lieure 344 [Plan of the church of Saint Anne of Jerusalem]

Jacques Callot, 1620

Etching of ruffled dancing figures, men and women, in a dark tonal setting by Goya, 1823.

If she danced at sea, she took what she found. Cheerful Disparate, pl. 12 (H : 259)

Francisco Goya, 1823

Etching of a haloed God seated on clouds with winged angels on either side, with a Latin Genesis inscription below.

Scenes from the Old and New Testament after Raphael (Dutuit page 340)

Pietro Sante Bartoli

Engraved architectural plan and perspective section of the Holy Sepulchre of the Virgin church with lettered key.

Journey to the Holy Land, Thirty-third plate. Lieure 346 [Plan of the church of the Holy Sepulchre of the Virgin]

Jacques Callot, 1620

Etching of a man strapped to a large bat-like wing flying through a dark sky, with other gliding figures nearby.

Way of flying. Where there is desire there is strength, pl. 13 (H : 260)

Francisco Goya, 1823

Etching of Cain killing Abel with sheep nearby, offerings burning on altars, and God appearing in clouds above.

Scenes from the Old and New Testament after Raphael no. 2 (Dutuit page 340)

Pietro Sante Bartoli

Engraved longitudinal section of the Holy Sepulchre church interior with arched vaults, steps, altars and lettered keys.

Journey to the Holy Land, Thirty-fourth plate. Lieure 347 [Longitudinal section of the church of the Holy Sepulchre o…

Jacques Callot, 1620

Etching of grotesque masked carnival figures in exaggerated poses, one in a tall pointed hat, against a dark landscape.

Carnival joys, tomorrow you will be ashes. Carnival Disparate, pl. 14 (H : 261)

Francisco Goya, 1823

Engraving of kneeling figures looking up at a divine figure among clouds pointing to a rainbow arch.

Scenes from the Old and New Testament after Raphael no. 3 (Dutuit page 340)

Pietro Sante Bartoli

Engraved plan and elevation of a church with lettered labels, showing arches, a staircase and the Holy Sepulchre tomb.

Journey to the Holy Land, Thirty-fifth plate. Lieure 348 [Plan and elevation of the church of the Holy Sepulchre of t…

Jacques Callot, 1620

Dark etching of a crowd beneath a swirling cloth, with figures reaching upward on the right and a robed figure on the left.

Without recommending oneself to God or the devil. Clear Disparate, pl. 15 (H : 262)

Francisco Goya, 1823

Etching of Abraham restraining his kneeling son as an angel intervenes, with a ram beside a fire and a Latin inscription belo

Scenes from the Old and New Testament after Raphael no. 4 (Dutuit page 340)

Pietro Sante Bartoli

Etched bird's-eye view of walled Jerusalem with dense domed buildings, numbered landmarks and a lettered key below.

Journey to the Holy Land, Thirty-sixth plate. Lieure 349 [Plan of the city of Jerusalem]

Jacques Callot, 1620

Etching of hooded and cloaked figures in a dark night scene, with a pointing man at right and a winged form above.

Wounds heal but not bad words. Triple Disparate, pl. 16. (H : 263)

Francisco Goya, 1823

Etching of biblical scenes: an elderly man reclining on a draped bed, attended by figures, with a hunting scene and a family

Scenes from the Old and New Testament after Raphael no. 5 (Dutuit page 340)

Pietro Sante Bartoli

Engraved plan of a funerary complex with burial chambers and passages, plus drawings of domed tombs and sarcophagi.

Journey to the Holy Land, Thirty-eighth plate. Lieure 351 [Plan of the funerary complex]

Jacques Callot, 1620

Dark etching of grotesque figures gathered around a seated old woman and a small dog, with a laughing man pointing.

Loyalty. He who does not love you, slanders you by mocking. Quiet folly, pl. 17 (H : 264)

Francisco Goya, 1823

Etching of an angel wrestling a bearded man beside a dog, with a curtained tent and sheep pen in the background.

Scenes from the Old and New Testament after Raphael no. 6 (Dutuit page 340)

Pietro Sante Bartoli

Engraved architectural plate showing a vaulted tomb chamber elevation with arched doorways, smaller detail views, and a label

Journey to the Holy Land, Thirty-ninth plate. Lieure 352 [Elevation of the funerary complex]

Jacques Callot, 1620

Etching of hooded figures gathered at night around a reclining body, with a kneeling woman looking up at an old man pointing.

God creates them and they get together. Funeral folly, pl. 18 (H : 265)

Francisco Goya, 1823