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National Gallery of Art

10,104 works

Print of a bull goring a horse and picador in a bullring while spectators watch from the stands.

Picador Caught by a Bull

Francisco Goya, 1825

Etching of a stone tower beside low buildings on a lagoon shore, with boats and figures in the water.

La Torre di Malghera

Canaletto, c. 1735/1746

Engraving of a nude man facing a winged devil with a pole, other demons behind, flames and a dark sea in the background.

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo

William Blake, 1827

Lithograph of a bullfight in an arena with bulls, a fallen figure, a matador with a cape, and a crowd of spectators.

Dibersion de España (Spanish Entertainment)

Francisco Goya, 1825

Etching of a canal with a palazzo, a church bell tower, boats on the water, and figures on the riverbank.

Al Dolo

Canaletto, c. 1735/1746

Engraving of two winged devils fighting in churning water, with nude figures and two observers on a rocky ridge behind.

The Circle of the Corrupt Officials; the Devils Mauling Each Other

William Blake, 1827

Lithograph of a bullfight in a divided ring, with a matador facing a charging bull while spectators watch from the stands.

Bullfight in a Divided Ring

Francisco Goya, 1825

Etching of a canal town with a bell tower, gondolas, a passenger boat and wooden jetties under an overcast sky.

Ale Porte del Dolo

Canaletto, c. 1735/1746

Engraving of a nude man attacked by a six-footed serpent in a fiery hell, with onlookers and recoiling figures.

The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent

William Blake, 1827

Engraving of nude children dancing in a line, led by a flute player, with dark hatched background.

Dancing Children

Heinrich Aldegrever, 1535

Etching of a canal lock with a boat, stone houses, chimneys, and figures in the foreground.

Le Porte Del Dolo

Canaletto, c. 1735/1746

Engraving of two nude men entwined with a serpent in a fiery infernal landscape, with two draped figures watching at left.

The Circle of the Thieves; Buoso Donati Attacked by the Serpent

William Blake, 1827

Engraving of Hercules on horseback abducting Iole as a fallen king lies below, with armored riders and a nude woman nearby.

Hercules Abducting Iole

Sebald Beham, 1544

Etched print of a wide open city square with a bell tower, arcaded buildings, crowds and a horse-drawn carriage.

Pra della Valle

Canaletto, c. 1735/1746

Etching of a fiery infernal landscape with two robed figures on a cliff and tormented nude figures sprawled below.

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st

William Blake, 1827

Engraving of a reclining nude figure in the foreground, a kneeling figure beside rocks, and a castle in the distant landscape

The Penance of Saint John Chrysostom

Sebald Beham and Barthel Beham, c. 1525/1550

Etching of a riverside town with a bell tower, a large leaning tree, a waterwheel, and small figures with a donkey.

View of a Town on a River Bank

Canaletto, c. 1735/1746

Etching of two robed figures standing above tormented, half-submerged bodies in icy water beneath a dark sky.

The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate

William Blake, 1827

Engraved ornament panel with a grotesque bearded mask under a laurel wreath, flanked by symmetrical acanthus scrolls.

Ornament Panel with a Large Bearded Mask

Sebald Beham, 1543

Etching of arched colonnade framing a brick house, hanging lantern, ruins and figures, with boats in the distance.

The Portico with the Lantern

Canaletto, c. 1735/1746

Engraving of Tarquin with a drawn sword approaching Lucretia on a bed, with onlookers and a rider in the courtyard beyond.

Tarquin and Lucretia

Engraved horizontal ornament with a central palmette, two dolphin heads, scrolling acanthus leaves and small birds.

Ornament with Palmette and Two Dophin Heads

Sebald Beham, c. 1540/1545

Etching of an arcaded Venetian-style building and piazza with a column, statue and strolling figures and dogs.

La libreria. V.

Canaletto, in or before 1742

Etching of a wooded landscape with a bridge, sheep, a shepherd and distant mountains by Claude Lorrain.

Rebecca and Eliezer (Le pont de bois)

Claude Lorrain, c. 1638/1641

Etching of a still pond lined with reeds and trees, with poplars and reflections on the water and a bird in flight at right.

Shere Mill Pond (The Larger Plate)

Francis Seymour Haden, in or after 1860

Etching of the Doge's Palace in Venice with arcades, crowds in the piazza, columns, and ships in the background.

La Piera del Bando. V.

Canaletto, c. 1735/1746

Etching of a seated woman embracing a child beside a glowing halo, with a cat on a cushion and a man at a window.

The Virgin and Child with the Cat and Snake

Rembrandt van Rijn, 1654

Etching of a ruined arched stone bridge over a river, with pack mules, travelers, a moored boat and barrels in the foreground

The Ponte Molle

Etching of a crowded waterfront market with awnings, moored sailing ships, a domed church and a bell tower.

The Market on the Molo

Canaletto, c. 1735/1746

Etching of Christ at a well speaking with a Samaritan woman holding a water jar, with a town and figures in the background.

Christ and the Woman of Samaria: an Arched Print

Rembrandt van Rijn, 1658