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The Metropolitan Museum of Art

2,279 works

Engraved rocky landscape with a cave arch, waterfall, tall trees, and two small kneeling figures under rays of light.

Rocky Landscape with the Stigmatisation of Saint Francis

Aegidius Sadeler, n.d.

Engraved landscape with a large tree framing a river view, a hilltop town, distant mountains, and a small seated figure.

Riverscape

Aegidius Sadeler, n.d.

Etching of tall bare trees beside a still river with shrubs and a distant treeline under an overcast sky.

Autumn's Grey and Melancholy

Henry Farrer, 1884

Etching of tall trees over a small wooden footbridge crossing a stream, with reeds in the foreground and a distant tower.

A Small Bridge over a Stream

Anthonie Waterloo, 17th century

Etching of a dense forest on a rocky ledge, with two small figures and a dog on a path and hills in the distance.

The Little Hunchback

Anthonie Waterloo, 17th century

Etching of two travellers resting in a shaded woodland beside a path, with dogs and a large twisted tree.

Two Travellers Resting in the Woods

Anthonie Waterloo, 17th century

Etched landscape of a wooded path with tall trees, a fence, a cottage, and a woman and children resting at the roadside.

A Mother and Children Resting

Anthonie Waterloo, 17th century

Etching of a forest scene with a seated traveller and dog beside a stream, tall trees filling the composition.

A Traveller Resting

Anthonie Waterloo, 17th century

Etching of a forest path with tall trees on the left, a small wooden footbridge over a stream, and an open landscape beyond.

The Entrance to a Forest by a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etched landscape of a forest path, a large tree, and a man and woman with a dog beside a stream.

A Man and a Woman Crossing a Stream

Anthonie Waterloo, 17th century

Etching of a farmhouse courtyard with a large tree, a vine trellis arbor, figures dining at tables, and a horse by a well.

The Little Trellis

Jacques Callot, early 17th century

Etching of a dense forest with large oak trees, an angel beside a seated woman, and a reclining child in a clearing.

Hagar Consoled by the Angel

Anthonie Waterloo, 17th century

Etching of a wooded landscape with a waterfall, rocky cliffs, two small figures on a knoll, and a distant town.

Tobias and the Angel

Anthonie Waterloo, 17th century

Etched landscape of a tall tree grove with a reclining couple, a winged child and hounds in the foreground, and hills beyond.

Venus and Adonis

Anthonie Waterloo, 17th century

Etching of a dense forest with a large tree, a small wooden footbridge with a woman and child, and resting figures on a path.

A Peasant Woman and Daughter on a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etching of a large tree beside a thatched inn with travelers on a dirt road and rolling hills in the distance.

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

Etching of a path winding through a woodland clearing with tall trees, a figure in the foreground and two distant walkers.

A Path Through the Woods

Anthonie Waterloo, 17th century

Etched forest landscape with a dirt path, wooden fence, and a shepherd with grazing animals on a grassy hummock.

Shepherd Asleep on a Hummock

Anthonie Waterloo, 17th century

Sepia print of a classical landscape with pine trees, a tambourine dancer, seated women, a river, and a stone arch.

The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a river valley with an arched stone bridge, tall trees framing the view, and figures seated in the foreground.

The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia engraving of umbrella pines, a domed ruin and a walking figure on a path beside carved stone fragments.

The Temple of Minerva Medica, part V, plate 23 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

Joseph Mallord William Turner, February 14, 1812

Sepia etching of an arched aqueduct, goats and a shepherd on a road, tall trees and a full moon over a distant valley.

The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia print of a mill and wooden bridge above a rushing rocky stream, framed by tall trees and steep mountain slopes.

Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia etching of a riverside wood with a wooden footbridge and a ruined castle on the right under cloudy skies.

Berry Pomeroy Castle, part XII, plate 58 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of jagged Alpine peaks above a valley, with tall pine trees and rocks in the foreground under dramatic clouds

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of a shaded forest stream with arching trees, a seated woman by the water and a kneeling figure among ferns.

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of a ruined tower, stone arch bridge, sheep flock and shepherd among trees beneath a cloudy sky.

East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of a wooded landscape with ruined arches, fallen tombs, and figures near a well, by J. M. W. Turner.

Christ and the Woman of Samaria, part XIV, plate 71 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Etched landscape of a dirt road between trees, with cattle resting and a ruined castle on a hill in the distance.

The Castle above the Meadows, plate 8 from "Liber Studiorum, part II"

Joseph Mallord William Turner, 1808

Sepia print of a castle on a rocky hill with cattle on a path and trees framing the scene.

The Castle above the Meadows, part II, plate 8 from "Liber Studiorum"

Joseph Mallord William Turner, 1808

Sepia print of a waterfall cascading through a wooded gorge, with seated figures on rocks in the foreground.

Drawing of the Clyde (Liber Studiorum, part IV, plate 18)

Joseph Mallord William Turner, March 29, 1809

Sepia print of figures gathered by a wooden trough in a wooded landscape with tall trees and distant buildings.

Juvenile Tricks (Liber Studiorum, part V, plate 22)

Joseph Mallord William Turner, January 1, 1811

Sepia print of a rocky valley with a dead tree, a seated armored knight, cliffs, and birds under a dramatic sky.

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)

Joseph Mallord William Turner, June 1811

Sepia print of a woman holding a torch on rocky ground at night, with trees, a crescent moon, and a figure lying nearby.

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)

Joseph Mallord William Turner, May 23, 1812

Sepia landscape print of trees, a waterfall, a reclining figure, a grazing animal, and a distant tower under a moon.

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)

Joseph Mallord William Turner, May 12, 1814

Brown ink landscape print of robed figures and sheep beneath large trees, with an aqueduct and domed temple in the distance.

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum)

Joseph Mallord William Turner, 1813-23

Pen and ink drawing of labeled trees in a landscape with hills, a pond and ducks.

Recto: On Timber, the Species of Trees (Vitruvius, Book 2, Chapter 9, no. 4); Verso: On Timber, the Battle of Larigni…

Sangallo family, 1530-45

Pen and brown ink landscape with wind-blown trees, small figures, a wooden structure and clouds in the sky.

Recto: Landscape with Trees and Figures (? Remarks on the Winds and the Lay-out of the City; Vitruvius, Book 1, Chapt…

Sangallo family, 1530-45

Watercolor of a cascading waterfall over rocks in a forest, with trees on both sides and a wooden footbridge in front.

A Waterfall in a Forest at Langhennersdorf

Christoph Nathe, late 18th-early 19th century

Wood engraving of blasted trees and rolling hills under a crescent moon in a stormy, dark night sky.

Blasted Trees and Flattened Crops, from Thornton's "Pastorals of Virgil"

William Blake, 1821

Wood engraving of a bearded seated figure under a fruit tree with raised arms, a full moon, sheep, and a cottage in a hilly l

Thenot Under a Fruit Tree, from Thornton's "Pastorals of Virgil"

William Blake, 1821

Watercolor of a horse-drawn carriage on a tree-lined road overlooking a valley with grazing cattle and distant hills.

Sketchbook of a Journey to the Château d'Eu

Pierre François Léonard Fontaine, 1811

Pen drawing of a kneeling penitent saint with a lion and open book beneath large trees, with a village in the distance.

The Penitent St. Jerome

Jost Amman, 1539-91

Watercolor study of gnarled tree trunks with hanging aerial roots and sparse leaves against a pale, sandy landscape.

Study of a Stump with Aerial Roots

Woldemar Friedrich, mid-19th-early 20th century

Ink drawing of figures gathered at a tomb entrance under trees, with a wide hillside landscape and inscribed gravestones.

The Raising of Lazarus

Matthias Deigle, 18th century

Blue-toned drawing of a mountain valley with a lake, trees, clouds, and small figures near a wooden building.

View of the Ankl-Alpe and the Schliersee

Johann Georg von Dillis, 1817

Graphite and chalk drawing of a wooded valley with a shepherd, goats and cattle on a path beneath clouds.

Landscape near Ruhpolding

Cantius Dillis, late 18th-mid-19th century

Sepia drawing of a dense woodland edge with tall trees and undergrowth in the foreground.

Edge of a Wood near Frascati

Ernst Fries, 1824

Pen and wash drawing of a wooded landscape with a river, distant mountains, two resting figures and a ruined tower.

Southern Landscape with Resting Wayfarers at a River

Ferdinand Kobell, 1760-99

Pen and brown ink sketch of three men beside a stone pedestal with sculptures and an urn among tall trees.

Three Men in a Landscape near Sculptures

Martin Johann Schmidt, 18th century

Pen and ink drawing of a fallen tree with branches draped over classical ruins and a broken column beneath a cloudy sky.

A Fallen Tree with Ruins

Paul Troger, 1700-1762

Watercolor landscape of a twisted tree beside a dirt path, with shrubs, a stream, and a pale blue-gray sky.

Mountain Path with a Tree

Friedrich Nerly, 1825-35

Grey wash landscape drawing of two trees on a rocky hillside with a path and distant hills.

Landscape near Albano and Pallazole

Josef Rebell, 1812

Grey wash drawing of deer resting and grazing in a meadow beside a large tree, with hills in the distance.

View of Dyrehaven

Johan Thomas Lundbye, 1838

Lithograph of a lightning-struck tree trunk with smoke rising and roots gripping the ground, by Honoré Daumier, 1871.

Poor France! The trunk is blasted, but the roots hold!, published in "L'Album du Siège"

Honoré Daumier, 1871

Etching of men gathered in a forest clearing around a badger dig, with dogs, tools, and a tent among the trees.

Un Déterrage de Blaireau

Félix Bracquemond, 1863

Engraving of figures struggling beneath trees, with two cherubs holding a palm branch in the sky above.

The Martyrdom of Saint Peter

Martino Rota, ca. 1560

Etching of owls perched on a gnarled tree and rocky ledge, one with spread wings, in a sparse woodland setting.

Frontispiece, from the Scherzi di Fantasia

Giovanni Battista Tiepolo, ca. 1743-50

Etching of villagers dancing beneath large trees in a clearing, with seated musicians at right and hills in the distance.

The Country Dance (Small Plate)

Claude Lorrain, ca. 1637

Etching of three men on a path beneath a palm tree, with rocky cliffs and a mountain valley behind them.

Landscape with Brigands

Claude Lorrain, 1633

Etching of a pastoral scene with cattle at a ford, two standing figures, a seated figure, trees and an arched bridge.

The Ford

Claude Lorrain, 1634

Two small etched landscapes side by side, each with a large leafy tree, grassy ground, and a distant figure in the right scen

The Two Landscapes

Claude Lorrain, ca. 1630