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Art Institute of Chicago

24,211 works

Engraving of Christ in majesty above angels and clouds, with nude and crowned figures below in flames, by Jean Duvet, 1555.

Opening of the Sixth Seal

Jean Duvet, 1555

Etching of a Venetian-style waterfront with moored sailing boats, a gondola, strolling figures and palazzo buildings along a

The Riva, Looking Towards the Caserna

Frank Duveneck, 1880

Etching of Venetian lagoon with moored ships, gondolas, a bell tower and domed buildings along the waterfront.

Laguna, Venice

Frank Duveneck, 1880

Etching of a Venetian waterfront with moored sailing boats, figures on a wooden quay, and palace facades beyond the canal.

The Riva, Looking Towards the Grand Ducal Palace

Frank Duveneck, 1880

Engraved portrait of a seated man in a curled wig, lace collar and satin robe, with a Latin inscription below.

Jules Hardouin Mansart

Gerard Edelinck, 1704

Etched portrait of a bearded man in a suit seated with one hand raised holding an object, against horizontal hatched backgrou

Frederick Keppel I

Anders Zorn, 1898

Woodblock print of travelers crossing a long wooden bridge over a blue river, with boats below and a mountain behind.

Okazaki: Yahagi Bridge (Okazaki, Yahagi no hashi), from the series "Fifty-three Stations of the Tokaido (Tokaido goju…

Utagawa Hiroshige, c. 1837/42

Engraving of an angel with a measuring rod above a city, with a kneeling figure, a dragon, and a crowd below.

Measurament of the Temple

Jean Duvet, n.d.

Engraving of the prophet Amos seated on an ornate bench, holding a book, with the inscription AMOS PROFETA above him.

The Prophet Amos

Attributed to Baccio Baldini, c. 1470

Woodblock print of a roadside teahouse with travelers, horses, and pine trees under a pale sky, with calligraphy above.

Chiryu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with…

Utagawa Hiroshige, c. 1837/42

Lithograph of a pale woman with long hair in dark drapery holding flowers beside a stone monument in dark foliage.

In Memory of Robert Schumann

Henri Fantin-Latour, 1873

Watercolor landscape of a steep eroded cliff with a distant city skyline and domed building under a cloudy sky.

View of Paris, from Meuden

Paul Huet, n.d.

Lithograph of two figures in a shadowy landscape, one pointing toward a glowing winged fairy floating among clouds.

The Fairy of the Alps, first plate

Henri Fantin-Latour, 1873

Aunt Tonl

Wilhelm von Kobell, c. 1795

Black and white lithograph of nude water maidens swimming in turbulent waves beside a dark rock, from Wagner's Rheingold.

First Scene of The Rhinegold

Henri Fantin-Latour, 1876

Lithograph of nymph-like women in a wooded landscape with a seated harpist and a cloaked man, from Wagner's Tannhäuser.

Tannhäuser: Venusberg

Henri Fantin-Latour, 1876

Monochrome lithograph of two figures embracing on a stone bench beside a classical column and trees.

Duet of the Trojans, first plate

Henri Fantin-Latour, 1876

Black and white print of a laurel-crowned woman holding a sprig beside a seated figure reading by a lamp and fireplace.

The Musician

Henri Fantin-Latour, 1877

Lithograph of a knight and companion on a ship gazing at a glowing female apparition above water with nymphs, by Fantin-Latou

Rinaldo

Henri Fantin-Latour, 1878

Lithograph of a kneeling man reaching toward a shrouded female figure before a luminous mountain landscape, by Fantin-Latour.

Manfred and Astarte, from Robert Schumann's Overture to "Manfred (1848-49)"

Henri Fantin-Latour, 1879

Dark lithograph of a woman in a long gown bending over a kneeling man beside a tree, with fire glowing in the background.

Debut of the Valkyrie

Henri Fantin-Latour, 1879

Lithograph of a glowing Valkyrie with a spear beside a fire, with a reclining figure on the ground in a dark night landscape.

End of The Valkyrie

Henri Fantin-Latour, 1879

Lithograph of a seated dark-robed figure gazing up at a glowing evening star in a cloudy sky.

The Evening Star, second plate

Henri Fantin-Latour, 1879

Etching of a woman standing with her back turned, a cloth draped around her, against dark textured foliage.

Standing Bather

Henri Fantin-Latour, 1879

Woodblock print of a Japanese street with blue-roofed shops, travelers in hats, pine trees on a hill, and poem text.

Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with…

Utagawa Hiroshige, c. 1837/42

Monochrome print of a winged angel reaching over a kneeling woman beneath a luminous, cloudy sky.

Paradise and the Peri (Opening), first plate

Henri Fantin-Latour, 1884

Lithograph of a winged figure pointing toward light, with a helmeted warrior at left and a nude figure at right.

Italy!

Henri Fantin-Latour, 1884

Lithograph of a nude woman raising a banner naming four composers, with a winged angel blowing a trumpet and two cherubs.

Frontispiece: Truth

Henri Fantin-Latour, 1885

Soft-toned lithograph of a man embracing a woman in a dim wooded landscape, with a handwritten Brahms inscription above.

Love Poems, first plate

Henri Fantin-Latour, 1880

Lithograph of a man embracing a woman who reaches upward toward a glowing sky, rendered in dense dark hatching.

Finale of the Flying Dutchman, second plate

Henri Fantin-Latour, 1885