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Art Institute of Chicago

24,211 works

Soft-focus lithograph of an armored warrior facing a reclining nude woman, with winged figures hovering above in a misty scen

Vision

Henri Fantin-Latour, 1895

Woodblock print of a seated monk gazing at Mount Fuji under a red sun, with a pagoda and pine trees on a cliff.

Saigyo Hoshi gazing at Mt. Fuji

Nishimura Shigenaga, c. 1730s

Lithograph of a reclining nude Venus with a small Cupid beside her on draped cloth against dark foliage.

Venus and Cupid, second plate

Henri Fantin-Latour, 1895

Woodblock print of a harbor with sailboats, porters on the shore, thatched houses, and distant mountains across the water.

Otsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with P…

Utagawa Hiroshige, c. 1837/42

Black-and-white print of two nude bathing women in dark woodland, one seated in the foreground and one behind her.

Bathing Women, medium plate

Henri Fantin-Latour, 1896

Woodblock print of a courtesan in a patterned kimono adjusting her hair ornaments, with calligraphy at upper right.

Takigawa of the Ogiya in the First Sale of the New Year (Hatsu uri zashiki no zu), from the series "A Comparison of S…

Chobunsai Eishi, c. 1794/95

Circular engraving of the Virgin seated on an altar holding the Christ child, with kneeling worshippers in a classical colonn

The Virgin Seated on an Altar

Jean de Gourmont, 1520/40

Lithograph of a seated nude woman seen from behind, turning toward a winged cupid holding a bow among dark trees.

Venus and Cupid, large plate

Henri Fantin-Latour, 1896

Lithograph of a nude woman seated with her back to the viewer, hair pinned up, against a dark textured background.

Study of Seated Woman, Seen from Behind

Henri Fantin-Latour, 1897

Woodblock print of a woman in a red robe on a veranda gazing at a moonlit bay with boats and a bridge.

Chinese Poet

Suzuki Harunobu, c. 1761/65

Black and white print of a young woman with her hair pinned up, head bowed, reading an open book against a dark background.

Reading

Henri Fantin-Latour, 1897

Woodblock print of a seated robed nobleman and attendant before a moonlit sea and distant hills, with an inscription.

Sugawara Michizane Going into Exile

Suzuki Harunobu, c. 1763/64

Lithograph of a reclining nude woman with three clothed women beside trees in a shaded outdoor setting.

Bathing Women, fourth large plate

Henri Fantin-Latour, 1898

Woodblock print of poets seated on a rock by the sea under a full moon, with pine branches and a distant pavilion.

The Poet Nakamaro (Abe no Nakamaro), from the series "One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi)"

Suzuki Harunobu, c. 1763/64

Lithograph of a reclining nude woman by a spring in dark, shaded woodland, drawn in soft textured tones.

The Spring in the Woods

Henri Fantin-Latour, 1898

Lithograph of a central nude female dancer with raised arms, surrounded by other dancing figures against a dark background.

The Dance

Henri Fantin-Latour, 1898

Woman in a floral robe riding a golden phoenix with long feathered tail, with a flowering plant in the lower right corner.

Young Woman Riding a Phoenix

Attributed to Suzuki Harunobu, 1765

Lithograph of a horn-blowing warrior with spear and shield beside nude women gesturing upward at a rocky riverbank.

Twilight of the Gods: Siegfried and the Rhine Maidens

Henri Fantin-Latour, 1898

Woman in a pink kimono smoking a pipe on a bench under willow branches, with a bird and drifting smoke above.

Smoking on a Bench

Attributed to Suzuki Harunobu, 1765

Woodblock print of travelers crossing a curved bridge over a river, with rooftops and a mountain behind and poem text above.

Kyoto: The Great Bridge at Sanjo (Kyo, Sanjo Ohashi zu), from the series "Fifty-three Stations of the Tokaido (Tokaid…

Utagawa Hiroshige, c. 1837/42

Evocation of Kundry

Henri Fantin-Latour, 1898

Woodblock print of a woman in a plum-patterned kimono reading a scroll while kneeling on a large white crane.

Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang])

Suzuki Harunobu, c. 1766/67

Print of Venus rising from foam, wringing her hair, with attendant figures and cherubs in soft shaded lines.

Venus Anadyomena

Henri Fantin-Latour, 1898

Woodblock print of two women on a veranda by a lattice window with a hanging lantern, with poem text above.

Poem by Sanjo'in no Nyokurodo Sakon, from an untitled series of Thirty-Six Immortal Poets

Suzuki Harunobu, c. 1767/68

Black and white print of a winged angel blowing a trumpet beside a mourning figure kneeling before a stone inscribed J. Brahm

To J. Brahms

Henri Fantin-Latour, 1898

Engraving of a haloed goldsmith hammering at an anvil in an arcaded workshop, with an assistant at a fire and a king at right

Saint Eligius and King Dagobert

Jean de Gourmont, 1520/30

Lithograph of a winged angel raising a crown aloft among trumpeting angels, watched by a cloaked man in the foreground.

Prelude to Lohengrin, second plate

Henri Fantin-Latour, 1898

Woodblock print of two women in kimono beside a boat under willow branches by a river, one holding a parasol.

Two Girls Leaving a Boat

Suzuki Harunobu, c. 1767/68

Monochrome print of a nude woman reaching toward leaves against a dark hatched background, titled Etude for Eve.

Etude for Eve

Henri Fantin-Latour, 1898

Woodblock print of two women in rain, one with a yellow parasol, the other poling a toy boat on a pond.

Ono no Komachi Praying for Rain

Attributed to Suzuki Harunobu, Edo period (1615-1868), 1766