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Art Institute of Chicago

24,211 works

Print of a seated woman seen from behind writing RICHARD WAGNER on a panel beside a leafy plant.

Immortality

Henri Fantin-Latour, 1886

Lithograph of an older man writing at a desk while a pale female muse holds a large feather behind him, with a candle.

The Muse

Henri Fantin-Latour, 1886

Arched engraving of a seven-headed beast surrounded by a crowd, with angels and a lamb on a throne above.

The Beast with Seven Heads

Jean Duvet, n.d.

Etching of a cloaked man with raised arm and windblown hair on a dark hillside under a night sky.

Tristan and Isolde, Act II: Signal in the Night

Henri Fantin-Latour, c. 1886

Lithograph of a woman in a long gown and hat beside a man in a dark coat, in a shadowed interior with pillars.

The Mastersingers of Nuremberg, Act I: Walther and Eva Meet

Henri Fantin-Latour, c. 1886

Woodblock print of travelers and moored boats beside a red torii gate on a blue sea, with a poem in the sky.

Miya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with P…

Utagawa Hiroshige, c. 1837/42

Lithograph of three female figures swirling among feathery water lines, by Henri Fantin-Latour, 1886.

The Rhinegold: Scene I, The Rhinemaidens

Henri Fantin-Latour, 1886

Lithograph of a pale veiled woman rising with raised arm beside a cloaked figure with a plumed hat in a dark setting.

Siegfried: Act III, Evocation of Erda

Henri Fantin-Latour, 1886

Lithograph of a seated man reading a book beside a reclining woman with raised arm, lit against a dark background.

Parsifal, Act II: Evocation of Kundry

Henri Fantin-Latour, c. 1886

Print of a barefoot woman in a flowing gown and flower wreath, holding wheat and scattering blossoms against a dark, rayed ba

Réveil

Henri Fantin-Latour, 1886

Lithograph of a nude woman raising a banner reading BERLIOZ beside a winged figure with a trumpet and cherubs.

Truth

Henri Fantin-Latour, 1888

Engraving of a haloed rider on a horse at center leading a dense army of armored soldiers, arched composition.

Christ at War with the Kings of the Earth

Jean Duvet, n.d.

Lithograph of a man in dark dress leaning over a seated woman in a pale gown, with a crowded, glowing ballroom behind them.

Symphonie Fantastique: A Ball, from Hector Berlioz, sa vie et ses oeuvres

Henri Fantin-Latour, 1888

Monochrome woodblock print of travelers walking along hillside paths past thatched houses and pine trees.

Emon Hill, from the series "The Appearance of Yoshiwara (Yoshiwara no tei)"

Hishikawa Moronobu, c. 1681/84

Lithograph of a seated man in dark clothing before a pale nude woman with raised arm beside a harp.

Lélio: The Aeolian Harp, from Hector Berlioz, sa vie et ses oeuvres

Henri Fantin-Latour, 1888

Black and white print of a bearded man in a dark cloak seated on a rock, gazing toward misty mountains.

Harold in Italy: In the Mountains

Henri Fantin-Latour, 1888

Black-and-white Japanese print of samurai and women in a Yoshiwara street scene with wooden buckets and a fence.

Scene in the Yoshiwara, from the series "Views of Yoshiwara"

Hishikawa Moronobu, About 1680

Japanese woodblock print of a busy post station with teahouse, travelers, braziers and a calligraphy poem.

Kuwana: The Post Station at Tomita (Kuwana, Tomita tachiba no zu), from the series "Fifty-three Stations of the Tokai…

Utagawa Hiroshige, c. 1837/42

Lithograph of a kneeling bearded man in a dark robe raising his arms toward a looming sculpted figure in a dim interior.

Benvenuto Cellini, Act III: The Casting of Perseus

Henri Fantin-Latour, 1888

Woodblock print of two women in kimono, one painting a willow screen, beside an inkstone and lacquer box in a tatami room.

Courtesan Painting a Screen, from a series of 12 erotic prints

Torii Kiyonobu I, c. 1711

Ukiyo-e print of a woman with a shamisen riding a mythical beast above a boat, watched by a monk beside a blossoming tree.

A Floating World Version of Saigyo at the Village of Eguchi (Ukiyo Saigyo Eguchi no sato)

Okumura Masanobu, c. 1715

Lithograph of a seated woman gazing up at a winged figure among clouds in a dark, dreamlike night sky.

The Damnation of Faust: The Appearance of Marguerite

Henri Fantin-Latour, 1888

Ink line drawing of a kneeling woman in a kimono beside columns of Japanese calligraphy and a seal stamp.

Happy Ending

Okumura Masanobu, c. 1715

Lithograph of a nude woman reclining in a hammock among dark trees, rendered in soft black and white tones.

Sara the Bather

Henri Fantin-Latour, 1885

Three women in patterned kimono stand before a lattice screen with calligraphy, Japanese woodblock print, c. 1729.

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left)

Attibuted to Torii Kiyomasu II, c. 1729

Lithograph of a nude woman reclining in a hammock beneath dark trees, with soft grainy shading.

Sara the Bather

Henri Fantin-Latour, c. 1888

Ukiyo-e print of travelers with a black horse crossing diagonal fields lined with pines, with calligraphy in the upper right.

A parody of Narihira's eastern journey

Torii Kiyomitsu I, c. 1764

Engraving of a winged angel above a crowded battle of armored soldiers, horses, and trumpeters with fallen figures below.

The Angel Calling the Birds

Jean Duvet, n.d.

Dark lithograph of the Virgin holding the infant Christ, with winged angels gathered around them under foliage.

The Infancy of Christ: The Repose of the Holy Family

Henri Fantin-Latour, 1888

Japanese woodblock triptych of women in patterned kimono walking past willows, a torii gate and a tea house, by Torii Kiyohir

Girls of Fukagawa - A Triptych (Fukagawa musume sanpukutsui)

Torii Kiyohiro, c. 1755