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Art Institute of Chicago

13,054 works

Etching of two turbaned men and a boy beside a kneeling figure with instruments, set before bare trees and a hillside.

Two Astrologers and a Boy, from Scherzi

Giovanni Battista Tiepolo, 1735-40

Japanese woodblock print of women and a child with a bamboo branch, parasol and water bucket for the Tanabata festival.

The Tanabata Festival, from the from the series "Precious Children's Games of the Five Festivals (Kodakara gosetsu as…

Torii Kiyonaga, c. 1801

Engraving of Saint John holding a chalice and book, with halo, cloak and sandals, beside stone blocks and plants.

St. John, plate 4 from The Twelve Apostles

Sebald Beham, 1545

Woodblock print of two women on a veranda under a full moon, with a flowering shrub, stone basin and poem cartouche.

Poem by Kawara no Sadaijin, from an untitled series of One Hundred Poems by One Hundred Poets

Suzuki Harunobu, c. 1767/68

Woodblock print of a woman in a wide hat walking by windblown waves, with a seated figure under a bamboo-blind shelter.

The Bamboo-Blind Shell (Sudaregai), from an untitled series of shells

Suzuki Harunobu, c. 1769

Japanese woodblock print of a kabuki actor in a peony-patterned kimono standing beside a wooden railing and shoji screen.

The Actor Segawa Kikunojo III as the Courtesan Takamura of Onoteruya (?) in the Play Sugata no Hana Yuki no Kuromushi…

Katsukawa Shunkō I, c. 1776

Woodblock print of a woman in a green kimono holding a patterned cloth, with another woman at a lattice window behind her.

Young Woman Emerging from a Bathhouse

Isoda Koryusai, c. 1772

Japanese print of a young man adjusting a white horse's bridle near a pine tree, while two women watch from a window.

Young Man on Horseback and Two Women Watching from a Window

Isoda Koryusai, c. 1770

Woodblock print of a woman in a striped kimono seated and playing a shamisen beside a patterned robe.

Woman playing shamisen, from an untitled series of women at leisure

Utagawa Toyohiro, c. 1795/1800

Woodblock print of Ryogoku Bridge over a river with boats, willow branches, two women in kimono, and Mount Fuji in the distan

Ryogoku Bridge in the Eastern Capital (Toto Ryogoku), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokk…

Utagawa Hiroshige, 1858

Woodblock print of two women in purple kimono under cherry blossoms, with a river, boats, pagoda and Mount Fuji behind.

The Sumida Embankment in the Eastern Capital (Toto Sumida-zutsumi), from the series "Thirty-six Views of Mount Fuji (…

Utagawa Hiroshige, 1858

Woodblock print of autumn maples on a hill above a river, with snow-capped Mount Fuji rising in the distance.

Yuhi Hill at Meguro in the Eastern Capital (Toto Meguro Yuhigaoka), from the series "Thirty-six Views of Mount Fuji (…

Utagawa Hiroshige, 1858

Woodblock print of sailboats on a river with thatched houses, pine trees and Mount Fuji in the distance.

The Tone River at Konodai (Konodai Tonegawa), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"

Utagawa Hiroshige, 1858

Japanese woodblock print of large blue waves breaking near a rocky shore, with snowy Mount Fuji and a sailboat in the distanc

The Sea off Satta in Suruga Province (Suruga Satta kaijo), from the series "Thirty-six Views of Mount Fuji (Fuji sanj…

Utagawa Hiroshige, 1858

Woodblock print of porters carrying travelers across a river, with bathers nearby and Mount Fuji in the distance.

The Oi River between Suruga and Totomi Provinces (Sun-En Oigawa), from the series "Thirty-six Views of Mount Fuji (Fu…

Utagawa Hiroshige, 1858

Woodblock print of a figure poling a raft through falling snow along a river, with snowy pilings and a bent tree.

The Sumida River in Winter Snow (Fuyu Sumidagawa no yuki), from the series "Famous Places in Edo in the Four Seasons…

Utagawa Hiroshige, 1834/35

Woodblock print of a white falcon perched on a rock beside chrysanthemums and banana leaves against a black background.

The White Falcon

Isoda Koryusai, 1780

Hand-colored print of a woman and children kneeling by a hedge to look at a bird's nest beside hollyhocks and a stone urn.

The Bird's Nest

Charles Knight, n.d.

Charcoal drawing of a seated man and a standing hooded woman beside a cold fireplace, with French poster text below.

The Good Fire - Remember those who are cold

Jean-Louis Forain, c. 1916

Lithograph of a man straining to push a boulder labeled BUDGET uphill, with French satirical text below.

Just like Sisyphus, plate 27 from Actualités

Honoré Daumier, 1869

Daumier lithograph of a boat labeled Europe rowed between two cliffs in rough sea, with a crowned figure at the oars.

Scylla and Charybds, plate 44 from Actualités

Honoré Daumier, 1869

Print of a young woman in blue and pink dress and a man in black coat talking in a city courtyard beside an arch.

First Impression, also called First Impressions (Large)

George Baxter, c. 1864

Hand-coloured print of a seated woman in a crown and red ermine-trimmed robe on a throne, with green drapery behind.

Victoria, Queen of Great Britain, India, etc., also called The Large Queen

George Baxter, 1859

Sepia print of the Holy Family with the child between Mary and Joseph, God the Father and cherubs above in clouds.

The Holy Family, also called The Large Holy Family

George Baxter, 1855

Sepia print of two figures in an oval frame, one wearing a shackle and chain, both gazing upward in a shared embrace.

The Slaves

George Baxter, 1855

Print of tall pink, yellow and red hollyhocks with buds beside a stone column and balustrade, with hills in the distance.

Hollyhocks

George Baxter, 1857

Colour print of a young woman in blue with a basket of peaches and pears, set before alpine mountains and a lake.

The Fruit Girl of the Alps

George Baxter, 1859

Colour print of a young woman in blue velvet and lace seated by a tree, holding a letter, with flowering vines and woodland b

The Day before Marriage

George Baxter, 1854

Young woman in white blouse holds a letter beside a large tree and stone railing, with a wooded landscape behind her.

The Lovers' Letter-Box

George Baxter, 1856

Colored print of an ornate Indian pavilion with carved columns, domed ceiling, statues, and turbaned figures before a distant

Hindoo and Mohamedan Buildings

George Baxter, 1834, printed 1835