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Art Institute of Chicago

24,198 works

Etching of a seated man in a wide-brimmed hat beside a small wooden table in a dim interior room.

The Broken Crock

Charles Émile Jacque, 1844

Etching of a farmyard with a thatched cottage, wooden staircase, a pig by a puddle, and two women at work.

Courtyard of a Peasant Dwelling

Charles Émile Jacque, 1846

Etching of three sheep resting and grazing beneath five leafless trees in an open pastoral landscape.

Sheep and Five Trees

Charles Émile Jacque, 1868

Etching of a knife-grinder at his wheel under a roof, with a child beside him and a rural cottage in the background.

The Knife-Grinder

Charles Émile Jacque, 1850

Small etching of a figure with a long staff walking past a wooden gate beneath overhanging branches, with hatched foliage.

Vagabond

Charles Émile Jacque, n.d.

Etching of a shepherd with a staff leading grazing sheep across a field toward tall trees, with birds in the sky.

Man with Herd of Pigs

Charles Émile Jacque, c. 1866

Etching of a dim Paris street at dusk with a church tower, a woman in a bustle dress in the foreground, and a gas lamp.

Paris: la Rue de la Montagne-Ste-Geneviève

Louis Auguste Lepère, 1886

Woodblock print of a crowded kabuki theater with costumed performers on stage and spectators filling the balconies and floor.

Flourishing of Edo Pictures Depicting Dances (Odori keiyo Edo-e no sakae)

Utagawa Kunisada I, 1858

Woodblock print of a woman in a red floral kimono weaving silk at a loom, with calligraphy above.

Weaving silk, plate 11 from the series "Silkworm Cultivation (Kaiko yashinai gusa)"

Katsukawa Shunshō, c. 1772

Woodblock print of a samurai grasping the wrist of a kneeling old man beside a pine tree, with travelers in a rain-swept rice

Act Five: Yamazaki Highway from the play Chushingura (Treasury of the Forty-seven Loyal Retainers)

Katsukawa Shun'ei, c. 1795

Woodcut of the Last Supper with Christ at a central table, apostles around him, under vaulted arches and a radiant halo.

The Last Supper, from The Large Passion

Albrecht Dürer, 1510, published 1511

Woodcut of Christ kneeling in prayer with an angel holding a chalice, sleeping disciples in the foreground, and soldiers appr

Agony in the Garden, from The Large Passion

Albrecht Dürer, c. 1496-97, published 1511

Woodcut of soldiers seizing a robed man amid raised halberds, with a sword-wielding figure and a landscape with trees behind.

The Betrayal of Christ, from The Large Passion

Albrecht Dürer, 1510, published 1511

Woodcut of Christ bound to a column, surrounded by tormentors in a colonnaded hall, with a crown of thorns on the floor.

The Flagellation, from The Large Passion

Albrecht Dürer, c. 1496-97, published 1511

Woodcut of the Crucifixion with angels catching blood, mourning figures below, and a mounted soldier at right.

The Crucifixion, from The Large Passion

Albrecht Dürer, 1498, published 1511

Woodcut of the Deposition of Christ with mourners, onlookers in turbans, and a distant crucifixion on a hill.

Deposition of Christ, from The Large Passion

Albrecht Dürer, c. 1496-97, published 1511

Etching of a Venetian stone bridge over a canal with boats beneath and figures on the banks and railing.

Venetian Bridge

Frank Duveneck, 1884

Etching of the Bridge of Sighs in Venice with a gondola on the canal and people on stone steps and the bridge.

The Bridge of Sighs

Frank Duveneck, 1883

Etching of St. Mark's Basilica doorway with a column, pigeons, and figures in period dress on a paved square.

Piazza San Marco

Frank Duveneck, 1883

Etching of a wooden walkway over a Venetian lagoon with figures, floating fish baskets, a rowboat and tiled rooftops.

Fishing Quarter, Venice

Frank Duveneck, 1883

Woodblock print of a kabuki actor in a purple kimono with red undergarment, holding her hem, with a title cartouche at upper

The actor Sawamura Tozo I as Dogen no Okichi in the play "Yoshiwara Niwaka no Banzuke," performed at the Ichimura The…

Utagawa Toyokuni, 1804

Woodcut of Christ crowned with thorns presented to a crowd of soldiers and onlookers before an arcade.

Ecce Homo - The Presentation of Christ, from The Large Passion

Albrecht Dürer, 1498, published 1511

Woodcut of Christ carrying the cross past soldiers and a crowd toward a city gate, with a castle on a distant hill.

The Bearing of the Cross, from The Large Passion

Albrecht Dürer, c. 1498-99, published 1511

Woodcut of the Lamentation: Christ's body lies on the ground surrounded by mourning figures beneath a tree in a detailed land

The Lamentation, from The Large Passion

Albrecht Dürer, c. 1498-99, published 1511

Woodcut of Christ breaking open a gateway of hell, with nude figures, demons and a winged creature in dense hatched lines.

The Harrowing of Hell, from The Large Passion

Albrecht Dürer, 1510, published 1511

Woodblock print of a kabuki actor in red and cream robes, glaring while raising a round fan against a dark night background.

Actor in a scene from a drama

Utagawa Toyokuni, Late 18th century and early 19th century

Japanese woodblock print of a woman in a patterned kimono with an ornamental hair pin, standing with head bowed.

Woman Dressing after Her Bath

Ishikawa Toyonobu, c. 1755/65

Hand-colored print of the Arms of the City of Dublin with a castle shield, sword, key and laurel wreath before a distant sea.

Dublin

James Malton, published July 1792

Hand-colored title page with a carved stone arch framing Roman ruins, an obelisk, and the words Ruines de Rome.

Title Page, from A select collection of views and ruins in Rome and its vicinity

James Mérigot, 1796/98

Japanese woodblock print of a woman leaning over a chest while a child tends a basin of goldfish and a pine sprig.

Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)"

Kitagawa Utamaro, c. 1802