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Yale University Art Gallery

3,066 works

Etching of a figure thrown backward from a rearing horse, with a crouching wolf-like creature at left under a dark sky.

El caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Le…

Francisco Goya, 1816

Etching of the Arch of Titus in Rome with a large tree, figures in the street, and surrounding old buildings.

Veduta dell' Arco di Tito (View of the Arch of Titus), from Vedute di Roma

Giovanni Battista Piranesi, 1760

Charcoal and white chalk study of a woman in a headscarf, eyes lowered, hand resting at lower right, on brown paper.

Bust of a woman: study for "The Reconciliation," one of a series of paintings executed for the Royal Exchange, London…

Edwin Austin Abbey, 1896

Etching of a vast vaulted prison with railed walkways, a hanging chain, and prisoners on a projecting platform at left.

Prisoners on a Projecting Platform, plate 10 from Carceri d'Invenzione (Imaginary Prisons)

Giovanni Battista Piranesi, 1750

Watercolor study of a stained glass window with a red-robed figure holding a book and staff, plus two small sketched heads.

Study for an unidentified stained glass window picturing a cardinal(?)

Edwin Austin Abbey

Watercolor drawing of a standing woman in a blue bodice and pink striped skirt holding a green parasol and white gloves.

The Negro Belle

Nicolino Calyo, 1840

Woodblock print of samurai attacking in a snowy courtyard at night, with lanterns, pine trees and drawn swords.

Goal Attained: Night Attack III in Act XI from the series The Loyal League of Forty Seven Rōnin

Utagawa Hiroshige, 1843

Engraving of three ancient Doric temples at Paestum seen from the east, with figures, sheep and hills in the landscape.

Veduta laterale de' tre tempii dalla parte d'oriente (Side View of the Three Temples from the East), from Antichità d…

Filippo Morghen, 1765

Lithograph of a young man with a walking stick beside a hooded woman seated on stone steps under a tree.

"...au pied de l'escalier Qui conduisait de l'aire au rustique palier,...

Grey wash drawing of Roman ruins with a brick tower, ruined arches, and a figure-filled gateway below.

Roman Ruins: Tower and Gate

Jan Asselijn, 1640

Pen and ink sketch of robed figures in medieval dress gathered beneath trees in an open outdoor scene.

People in medieval dress, outside - unidentified illustration

Edwin Austin Abbey

Lithograph of a seated robed figure gesturing to a standing young man in an interior with curtains and an attendant behind.

Mephistopheles Receiving the Student, from Johann Wolfgang von Goethe's Faust

Eugène Delacroix, 1827

Lithograph of a man in a top hat dancing between two women, one masked and one in a wide-brimmed hat, at a crowded ball.

Une Rencontre Au Bal

Etching of Christ raising Lazarus from a shroud, with onlookers and a draped curtain within an arched frame.

The Raising of Lazarus: The larger plate

Rembrandt van Rijn, 1632

Lithograph of an elderly woman in a shawl and headscarf standing before a crowded street with market stalls.

Ex-Dessee de la liberte

Pen and ink sketch of tweed-clad men, a boy with a pipe, a penny-farthing cyclist, and a man in a long coat with a cane.

"The Ubiquitous Amy" - unidentified illustration

Edwin Austin Abbey

Black and white lithograph of two women in a room with a curtain and window; one gestures while the other stands with lowered

Et le mosieu d'hier?... - J'y ai ecrit ce matin, a ce malotru-la!...

Pencil sketch of stone steps and a weathered structure on rocky ground, with a building faintly drawn at upper left.

Sketch for "The Vicar," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harpe…

Edwin Austin Abbey, 1890

Lithograph of two men in a room, one in a tailcoat torn at the back, the other in shirtsleeves beside a sculpture.

Ton habit me convient, je te l'emprunte. . . . seulement ferme la porte il me semble que j'ai un courrant d'air dans…

Honoré Daumier, 1845

Watercolor of the cream-hulled warship U.S. Battle-Ship Chicago with orange funnels and American flag on choppy seas.

U.S. Battle-Ship Chicago

Profile of an Elderly Man with a Beard, from the Raccolta di Teste (Collection of Heads)

Giovanni Domenico Tiepolo, 1757

Senora

Paul Gavarni, 1830

Etching of the interior of the Pantheon portico showing tall Corinthian columns, coffered ceiling and small figures on the fl

Veduta interna del Pronao del Panteon (Interior View of the Pronaos of the Pantheon), from Vedute di Roma (Views of R…

Giovanni Battista Piranesi, 1769

Sepia print of a decorated horse held by a turbaned man with a long lance, with mounted figures in the distance.

Mamelouck and Cheval Arabe

Charcoal and chalk study of a woman in a headscarf gazing upward, one hand extended, on tan paper.

Study for "Isabella the Catholic" (oil painting)

Edwin Austin Abbey

Pastel and charcoal study of a reclining head and hair on cream paper with faint construction lines.

Study for The Spirit of Light - mural decoration at the State Capitol Building in Harrisburg, Pennsylvania, 1902-1911…

Edwin Austin Abbey

Lithograph of a gaunt seated man in a dark coat with hands resting on a table beside an empty glass.

(Enfin j'ai six francs!)...Marie!...un pigeon!

Paul Gavarni, 1857

Black and white lithograph of two men in a ruined street, one in a pointed hat gesturing with a raised finger.

Mosieu le maire, "le vrai peut quelquefois n'etre pas vrai", sans blague

Pencil sketch of two women and a man in rustic costume with hats, standing close together on pale paper.

Study of two women and a man in rustic costume, possibly for "Harvest Home" in "Old Songs"

Edwin Austin Abbey

Lithograph of a Pierrette leaning on a Pierrot in pale costumes, with a crowd of costumed figures behind them.

Une pierrette qui se respecte, vois-tu, n'a jamais qu'un pierrot. - A la fois

Paul Gavarni, 1851