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Staatliche Kunsthalle Karlsruhe

4,602 works

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Woodcut of Adam and Eva nude beside a tree, with a serpent coiled around the trunk offering fruit.

Adam und Eva

Hans Baldung Grien, 1514

Engraved architectural interior with grand staircase, arcades and tall columns filled with a crowd of figures.

Architektur mit Ecce Homo

Johann Andreas Pfeffel, 1740

Etching of two veiled figures and a dog in a hilly landscape with a distant white town under a pale sky.

Pyramus und Thisbe II (Rettungen Ovidischer Opfer, Opus II, Blatt 3)

Max Klinger, 1879

Bildnis eines jungen Herrn, im Profil

Johann Franz von der Schlichten

Pen and ink study of intertwined nude male figures in combat, with a bearded head at upper left, on a cream sheet.

Kampfszene: Studie zu Raffaels Landung der Sarazenen

Johann Gottlieb Prestel, 1779

Etching of a wooded road with two draped figures, a seated figure by a stone monument, and hills in the distance.

Pyramus und Thisbe III (Rettungen Ovidischer Opfer, Opus II, Blatt 4)

Max Klinger, 1879

Red chalk drawing of a seated male nude with one arm raised overhead and one leg stretched out along a ledge.

Sitzender männlicher Akt nach rechts mit hochgelegtem linkem Bein und erhobenem rechtem Arm

Edmé Bouchardon

Brown ink and wash drawing of the Adoration of the Shepherds with angels above and a classical column at right.

Die Anbetung der Hirten

Johann Gottlieb Prestel, 1784

Etching of an interior with a seated woman pointing at a reclining figure on a couch, and figures peering through a doorway.

Pyramus und Thisbe IV (Rettungen Ovidischer Opfer, Opus II, Blatt 5)

Max Klinger, 1879

Pen and brown wash drawing of a woman with flowers at a wooden gate, a boy with a barrel, and a village church tower.

Das Pfarrhaus von Cleversulzbach

Moritz von Schwind, 1866

Pen drawing of a seated man gazing up at a crowned Virgin and Child in clouds above a rocky landscape.

Johannes auf Patmos

Hans Leonhard Schäufelein

Etching of a nude woman with flowing hair flying through clouds while gripping two taut lines.

Intermezzo (Erstes Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 6)

Max Klinger, 1879

Colored crayon drawing of tall fir trees and a winding dirt path through a mountain forest, with bold green and blue strokes.

Bergtannen und Weg

Ernst Ludwig Kirchner, 1918

Engraved map of Baden and surroundings with hatched hills, rivers, towns and a decorative title with a hilltop town vignette.

Charte von Baden und seinen Umgebungen

Jules Moutoux, 1830

Etching of two seated nude figures by a river under trees, with distant standing figures, hills, and a decorative floral frie

Narcissus und Echo I (Rettungen Ovidischer Opfer, Opus II, Blatt 7)

Max Klinger, 1879

Charcoal sketch of two women, one standing by a doorway and one seated holding a cup, in loose expressive lines.

Zwei Mädchen vor dem Haus

Ernst Ludwig Kirchner, 1923

Watercolor of a bloodied butcher with a knife in his mouth working over intestines on a table before a blue house.

Der Metzger

Georg Scholz, 1923

Etching of a riverside landscape with trees, poplars and reeds, framed by an ornate architectural border with floral panel be

Narcissus und Echo II (Rettungen Ovidischer Opfer, Opus II, Blatt 8)

Max Klinger, 1879

Colour woodcut of three nude women in a forest, with reclining figures in yellow and green beside tree trunks.

Drei Akte im Walde

Ernst Ludwig Kirchner, 1933

Sketched bust portrait of a mustached man in a jacket and cravat, with the signature LOVIS 1917 at upper left.

Selbstbildnis

Lovis Corinth, 1917

Etching of a seated figure beside reeds and spiky plants, with four long-legged birds wading in a lake below distant hills.

Intermezzo (Zweites Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 9)

Max Klinger, 1879

Engraving of an ornate Gothic censer with chains, tracery, angel figures and a tall finial on a plain ground.

Das Weihrauchfass

Martin Schongauer

Colour woodcut self-portrait of a man with dark hair, yellow-olive face, red clothing and grey textured background.

Selbstporträt

Ernst Ludwig Kirchner, 1907

Etching by Max Klinger showing two figures in a landscape, one standing and one seated with a flowering staff, beneath a tree

Apollo und Daphne I (Rettungen Ovidischer Opfer, Opus II, Blatt 10)

Max Klinger, 1879

Abstract line drawing of a stylized figure with a spiral head and central heart shape, surrounded by geometric forms.

Herzdame

Paul Klee, 1921

Woodcut print of a female circus rider on a large black horse against a striped background, by Ernst Ludwig Kirchner, 1909.

Zirkusreiterin - Artistin auf schwarzem Pony

Ernst Ludwig Kirchner, 1909

Etching of two nude women restraining a large white bull in a meadow, with decorative friezes above.

Apollo und Daphne II (Rettungen Ovidischer Opfer, Opus II, Blatt 11)

Max Klinger, 1879

Zeitungsträger

Georg Scholz, 1924

Black-and-tan print of a woman in a wide-brimmed hat and lace collar, gazing forward with bold expressive strokes.

Frau im Spitzenkragen

Ernst Ludwig Kirchner, 1908

Etching of a nude woman riding a galloping white bull across a meadow, with cattle and a nude figure by a pond.

Apollo und Daphne III (Rettungen Ovidischer Opfer, Opus II, Blatt 12)

Max Klinger, 1879