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Staatliche Kunsthalle Karlsruhe

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Etching of a muscular man pointing at grimacing old women and a crowd of distorted faces in shadow.

Los Proverbios, Bl. Nr. 7

Francisco Goya, 1816

Watercolor architectural drawing of a classical palace with a pedimented central facade, plus a cross section and inner side

Plan zum Markgräflichen Palais: Schnitt, innere Seitenfront des Hauptgebäudes, Fassade

Friedrich Weinbrenner, 1799

Pencil sketch of a man in a top hat seated near a rock arch with trees and shrubs, dated 19 April 1826.

Der Ponte Sodo bei Veji

Ernst Fries, 1826

Architectural section drawing of a hall with arched gallery, balustrade and central gilded doorway, colored in watercolor.

Umbauentwurf zum Karlsruher Hoftheater

Friedrich Johann Andreas Arnold

Architectural elevation of a symmetrical neoclassical palace with a central pedimented portico and flanking wings, in waterco

Plan zum Markgräflichen Palais: Fassade

Friedrich Weinbrenner, 1799

Pencil sketch of two Roman temples with columns and a ruined arched basilica overgrown with trees above.

Der so genannte Tempel der Fortuna Virilis und der so genannte Vestatempel zu Rom, darüber ein Teil der Maxentiusbasi…

Ernst Fries, 1826

Ink and watercolor floor plan of the first storey of a symmetrical palace with patterned central hall and wings.

Grundriss des ersten Stocks von dem Graeflich von Hochbergischen Palais

Watercolor architectural drawing with a building section above and a symmetrical garden facade with columns below.

Plan zum Markgräflichen Palais: Schnitt und Gartenfront

Friedrich Weinbrenner, 1799

Pencil sketch of two young women with children, one carrying a jug on her head, beside a column, on pale paper.

Zwei junge Italienerinnen auf der Straße, jede mit einem Kind

Ernst Fries, 1825

Colored architectural floor plan of the second storey of a palace with a central rotunda, patterned floors and staircases.

Grundriss des zweiten Stocks von dem Reichsgräflich von Hochbergischen Palais

Architectural floor plan of a symmetrical palace with angled wings and a central rotunda, drawn in ink and watercolour.

Plan zum Markgräflichen Palais: Grundriss

Friedrich Weinbrenner, 1804

Pencil sketch of a deep river gorge with rocky banks and a hilltop town of buildings and ruins under distant hills.

Blick über dem tief eingeschnittenen Anio auf Tivoli

Ernst Fries, 1826

Architectural drawing with cross section and two palace facades, one with a columned portico, in grey watercolor.

Plan zum Gräflich Hochbergischen (Markgräflichen) Palais: Schnitt, Gartenfront, Fassade

Colored architectural floor plan of a palace's first story, with patterned floors, staircases and a central oval hall.

Plan zum Markgräflichen Palais: Grundriss des ersten Stocks

Friedrich Weinbrenner, 1802

Painted landscape of a ruined castle on a rocky ledge at dusk, with distant mountains and trees in the foreground.

Die Burgruine von Olevano mit Blick auf die Sabiner Berge

Ernst Fries, 1826

Ink and watercolor elevation of a neoclassical city gate with columns, pediments, a frieze of helmets and a sculpted group on

Innere Ansicht des Ettlinger Tors in Karlsruhe

Markgraf Wilhelm von Baden, 1805

Architectural drawing of a neoclassical palace showing a domed cross-section, garden front, and columned main facade in water

Plan zum Markgräflichen Palais: Schnitt, Gartenfront und Fassade

Friedrich Weinbrenner, 1802

Architectural drawing of a stable with side, front and cross-section elevations and a floor plan, in ink and wash.

Stallgebäude

Ink and wash architectural drawing with a palace front elevation above two floor plans and a scale bar.

Kleines Palais

Markgraf Wilhelm von Baden

Architectural drawing with colored front elevation of a columned theatre facade above a ground floor plan with semicircular a

Karlsruher Hoftheater, Vorentwurf Grundriss EG und Hauptansicht

Friedrich Weinbrenner, 1804

Brown ink and white heightened drawing of a she-wolf nursing two infants beside a pond, with a bearded man with a staff at ri

Die Wölfin mit Romulus und Remus

Moritz von Schwind, 1842

Ground plan drawing of a church crypt with rows of columns, central aisle, two spiral staircases, and an apse, labeled Grundr

Gruft der Evangelischen Stadtkirche

Markgraf Wilhelm von Baden

Colored architectural floor plan of a palace's second story with symmetrical wings, courtyard, and decorative floor patterns.

Plan zum Markgräflichen Palais: Grundriss des 2. Stocks

Friedrich Weinbrenner, 1798

Frieze-style drawing in white chalk on grey paper showing draped classical figures, a handshake, and an ox in procession.

Die Vermählung des Äneas mit Lavinia

Moritz von Schwind, 1842

Kopf der Cumäischen Sibylle von der Sixtinischen Kapelle, Rom

Friedrich Barth

Architectural drawing of the Karlsruhe court theatre with elevation, section, and floor plan in ink and watercolour.

Karlsruher Hoftheater, Vorentwurf Grundriss 1.OG, Schnitt u. Seitenansicht

Friedrich Weinbrenner, 1804

Pen drawing of a town by a river with a Gothic church on a hill, rows of houses, and small boats with figures on the water.

Stadtansicht

Moritz von Schwind, 1855

Oval portrait drawing of a middle-aged man in a dark coat and white cravat against a grey background.

Selbstbildnis

Philipp Jakob Becker, 1826

Ink and wash floor plan of a theatre with a semicircular auditorium, colonnades and symmetrical side wings.

Karlsruher Hoftheater, Vorentwurf Grundriss EG

Friedrich Weinbrenner, 1806

Watercolour of a ruined tower and arched gateway, with a herdsman driving cattle, a goat and sheep past large trees.

Das Franzosenloch in Leimen

Carl Philipp Fohr

Charcoal drawing of a standing worker in a loose coat, face lined and weary, hands hanging low at his sides.

Stehender Arbeiter

Käthe Kollwitz

Ink and wash floor plan of a theatre with curved auditorium, stage, staircases and side rooms, with a scale bar.

Karlsruher Hoftheater, Vorentwurf Grundriss 1. OG

Friedrich Weinbrenner, 1806

Watercolour of a turbaned rider on a rearing grey horse carrying a pennant lance and round shield, with German inscription be

Reitender Türke

Georg Wickgram, 1597

Chalk drawing of a seated couple leaning together, the woman in a long gown reading a book in her lap.

Paolo und Francesca (Kopie)

Anselm Feuerbach

Ink and wash architectural elevations of a classical theatre with a columned portico and a side colonnade facade.

Karlsruher Hoftheater, Vorentwurf Hauptansicht und Seitenfassade

Friedrich Weinbrenner, 1806

Watercolour of a man in blue being attacked by a swarm of birds, watched by a woman and a man in an arched doorway.

Belohnung und Strafe

Carl Philipp Fohr, 1813

Damenbildnis

Josef Melling, 1770

Architectural drawing with building elevation, cross section and two floor plans of a horseshoe-shaped theatre auditorium.

Karlsruher Hoftheater

Friedrich Weinbrenner, 1806

Pen and grey wash drawing of a mythological scene with women, a swan, a winged figure and a tree in a landscape.

Mythologische Szene

Johann Heinrich Keller, 1753

Herrenbildnis

Josef Melling, 1771

Ink and wash floor plan of a theatre ground level with semicircular auditorium, staircases and columns, by Friedrich Weinbren

Karlsruher Hoftheater, Grundriss EG

Friedrich Weinbrenner, 1806

Profilkopf eines bärtigen Mannes mit Pelzmütze

Franz Anton Kraus

Dame mit der Handarbeit

Ink and wash floor plan of the Karlsruhe court theatre's upper level, showing the semicircular auditorium and flanking rooms.

Karlsruher Hoftheater, Grundriss 1. OG

Friedrich Weinbrenner, 1806

Watercolor of a city construction site with masons laying brick walls, a horse-drawn cart, and tall buildings behind.

Berliner Bauplatz mit arbeitenden Maurern

Friedrich Kaiser

Grey wash drawing of a landscape with a farmhouse, trees, and a resting sheep flock in the foreground.

Landschaft mit Schafherde

Johann Christian Klengel

Ink and wash floor plan of a theatre's upper level showing a horseshoe auditorium, stage, and symmetrical rooms, by Friedrich

Karlsruher Hoftheater, Grundriss 2. OG

Friedrich Weinbrenner, 1806

Brown ink drawing of a craggy rock formation among trees and shrubs, with a small figure on a slope at right.

Felsige Landschaft bei Dossenheim

Ferdinand Kobell, 1779

Pencil portrait of a moustached man in a head wrap and embroidered shirt, one hand resting against his cheek.

Selbstbildnis mit verbundenen Backen

Friedrich Mosbrugger, 1827

Ink and wash elevations of a columned theatre building with a sculpted pediment, side and front views, by Friedrich Weinbrenn

Karlsruher Hoftheater, Haupt- und Seitenansicht

Friedrich Weinbrenner, 1806

Engraved street view of a columned theatre building with strolling figures, a carriage and a domed structure beside it.

Karlsruher Hoftheater

Johann Gabriel Friedrich Poppel

Pencil sketch of an artist at an easel in a studio, with a seated model and a sculpted torso in the background.

Zwei Maler, im Atelier zeichnend

Friedrich Mosbrugger, 1822

Ink and wash longitudinal section of a theatre showing roof trusses, tiered galleries, arcades and stage area with a scale ba

Plan zum Karlsruher Hoftheater: Längsschnitt

Friedrich Weinbrenner, 1806

Engraving of a fire blazing at the Grand Ducal Court Theatre in Karlsruhe, with crowds of men fighting the blaze.

Der Brand des großherzoglichen Hoftheaters zu Karlsruhe

Pen and ink drawing of a towered castle on a rocky hill above a medieval town, with travelers on a path at left.

Burg über einer mittelalterlichen Stadt

Moritz von Schwind, 1830

Colored architectural floor plan of a palace's third floor with symmetrical wings, central courtyard and gardens.

Plan zum Markgräflichen Palais: Grundriss des 3. Stocks

Friedrich Weinbrenner, 1798

Etching of a marble bust in a rose garland on a pedestal, framed by pilasters, with bathers by a pond and a distant temple.

Evocation (Titelblatt / Erweiterungsblatt) (Rettungen Ovidischer Opfer, Opus II, Blatt 1a)

Max Klinger, 1880

Brown ink and wash landscape of a river valley with trees in the foreground and mountains in the distance.

Flusstal bei Kloster Ettal

Ferdinand Kobell

Etching of a man with a mustache wearing a striped straw hat and buttoned jacket, looking toward the viewer.

Selbstbildnis im Strohhut

Lovis Corinth, 1913

Titelblatt (Malerische Zueignung / Anrufung) (Rettungen Ovidischer Opfer, Opus II, Blatt 1 [1b])

Max Klinger, 1879

Pencil drawing of dense trees on steep rocky cliffs with an open valley between them, signed C. Frommel.

Bewaldete Felsen bei Tivoli

Carl Ludwig Frommel, 1815

Grey wash drawing of a hunter with dogs in a rocky forest, a haloed figure above, and German verse in the upper left.

Allegorische Jagd-Szene

Willem van Bemmel

Etching of robed classical figures in two architectural compartments with an ornate frieze of scrolls and masks above.

Pyramus und Thisbe I (verworfene Platte) (Rettung Ovidischer Opfer, Opus II, Blatt 2 [2a])

Max Klinger, 1880

Pencil and wash sketch of a young man on scaffolding beside a vine-wrapped post, with a pulley and a small animal sketch.

Moritz von Schwind auf dem Baugerüst

Moritz von Schwind, 1838

Pen and brown ink drawing of a rocky landscape with a stream, steep cliffs, and dense trees under an open sky.

Felsige Gebirgslandschaft mit Bach

Johann Joseph Hartmann

Line engraving by Max Klinger showing Pyramus and Thisbe seated beside a brick pillar, with draped figures and ornamental bor

Pyramus und Thisbe I (Rettungen Ovidischer Opfer, Opus II, Blatt 2 [2b])

Max Klinger, 1879

Woodcut of Adam and Eva nude beside a tree, with a serpent coiled around the trunk offering fruit.

Adam und Eva

Hans Baldung Grien, 1514

Engraved architectural interior with grand staircase, arcades and tall columns filled with a crowd of figures.

Architektur mit Ecce Homo

Johann Andreas Pfeffel, 1740

Etching of two veiled figures and a dog in a hilly landscape with a distant white town under a pale sky.

Pyramus und Thisbe II (Rettungen Ovidischer Opfer, Opus II, Blatt 3)

Max Klinger, 1879

Bildnis eines jungen Herrn, im Profil

Johann Franz von der Schlichten

Pen and ink study of intertwined nude male figures in combat, with a bearded head at upper left, on a cream sheet.

Kampfszene: Studie zu Raffaels Landung der Sarazenen

Johann Gottlieb Prestel, 1779

Etching of a wooded road with two draped figures, a seated figure by a stone monument, and hills in the distance.

Pyramus und Thisbe III (Rettungen Ovidischer Opfer, Opus II, Blatt 4)

Max Klinger, 1879

Red chalk drawing of a seated male nude with one arm raised overhead and one leg stretched out along a ledge.

Sitzender männlicher Akt nach rechts mit hochgelegtem linkem Bein und erhobenem rechtem Arm

Edmé Bouchardon

Brown ink and wash drawing of the Adoration of the Shepherds with angels above and a classical column at right.

Die Anbetung der Hirten

Johann Gottlieb Prestel, 1784

Etching of an interior with a seated woman pointing at a reclining figure on a couch, and figures peering through a doorway.

Pyramus und Thisbe IV (Rettungen Ovidischer Opfer, Opus II, Blatt 5)

Max Klinger, 1879

Pen and brown wash drawing of a woman with flowers at a wooden gate, a boy with a barrel, and a village church tower.

Das Pfarrhaus von Cleversulzbach

Moritz von Schwind, 1866

Pen drawing of a seated man gazing up at a crowned Virgin and Child in clouds above a rocky landscape.

Johannes auf Patmos

Hans Leonhard Schäufelein

Etching of a nude woman with flowing hair flying through clouds while gripping two taut lines.

Intermezzo (Erstes Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 6)

Max Klinger, 1879

Colored crayon drawing of tall fir trees and a winding dirt path through a mountain forest, with bold green and blue strokes.

Bergtannen und Weg

Ernst Ludwig Kirchner, 1918

Engraved map of Baden and surroundings with hatched hills, rivers, towns and a decorative title with a hilltop town vignette.

Charte von Baden und seinen Umgebungen

Jules Moutoux, 1830

Etching of two seated nude figures by a river under trees, with distant standing figures, hills, and a decorative floral frie

Narcissus und Echo I (Rettungen Ovidischer Opfer, Opus II, Blatt 7)

Max Klinger, 1879

Charcoal sketch of two women, one standing by a doorway and one seated holding a cup, in loose expressive lines.

Zwei Mädchen vor dem Haus

Ernst Ludwig Kirchner, 1923

Watercolor of a bloodied butcher with a knife in his mouth working over intestines on a table before a blue house.

Der Metzger

Georg Scholz, 1923

Etching of a riverside landscape with trees, poplars and reeds, framed by an ornate architectural border with floral panel be

Narcissus und Echo II (Rettungen Ovidischer Opfer, Opus II, Blatt 8)

Max Klinger, 1879

Colour woodcut of three nude women in a forest, with reclining figures in yellow and green beside tree trunks.

Drei Akte im Walde

Ernst Ludwig Kirchner, 1933

Sketched bust portrait of a mustached man in a jacket and cravat, with the signature LOVIS 1917 at upper left.

Selbstbildnis

Lovis Corinth, 1917

Etching of a seated figure beside reeds and spiky plants, with four long-legged birds wading in a lake below distant hills.

Intermezzo (Zweites Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 9)

Max Klinger, 1879

Engraving of an ornate Gothic censer with chains, tracery, angel figures and a tall finial on a plain ground.

Das Weihrauchfass

Martin Schongauer

Colour woodcut self-portrait of a man with dark hair, yellow-olive face, red clothing and grey textured background.

Selbstporträt

Ernst Ludwig Kirchner, 1907

Etching by Max Klinger showing two figures in a landscape, one standing and one seated with a flowering staff, beneath a tree

Apollo und Daphne I (Rettungen Ovidischer Opfer, Opus II, Blatt 10)

Max Klinger, 1879

Abstract line drawing of a stylized figure with a spiral head and central heart shape, surrounded by geometric forms.

Herzdame

Paul Klee, 1921

Woodcut print of a female circus rider on a large black horse against a striped background, by Ernst Ludwig Kirchner, 1909.

Zirkusreiterin - Artistin auf schwarzem Pony

Ernst Ludwig Kirchner, 1909

Etching of two nude women restraining a large white bull in a meadow, with decorative friezes above.

Apollo und Daphne II (Rettungen Ovidischer Opfer, Opus II, Blatt 11)

Max Klinger, 1879

Zeitungsträger

Georg Scholz, 1924

Black-and-tan print of a woman in a wide-brimmed hat and lace collar, gazing forward with bold expressive strokes.

Frau im Spitzenkragen

Ernst Ludwig Kirchner, 1908

Etching of a nude woman riding a galloping white bull across a meadow, with cattle and a nude figure by a pond.

Apollo und Daphne III (Rettungen Ovidischer Opfer, Opus II, Blatt 12)

Max Klinger, 1879