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Petit Palais, Paris

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Engraved longitudinal section of the Holy Sepulchre basilica showing domes, arcades, and keyed chapels with lettering.

Journey to the Holy Land, Twentieth plate. Lieure 330 [Longitudinal section of the Basilica of the Holy Sepulchre]

Jacques Callot, 1620

Etching of hooded figures and cats in a dark crowded scene, with a seated bearded man and a figure holding cats.

Cat's paws and a pious habit. General Disparate, pl. 9 (H : 256)

Francisco Goya, 1823

Engraved landscape of rocky peaks, a giant seated on a mountain, nymphs by an urn, cattle and a large tree.

Landscape with Polyphemus after Nicolas Poussin No. 2

Étienne Baudet

Etched architectural section of the Holy Sepulchre basilica with domed chapel, arches, staircase and Italian key text.

Journey to the Holy Land, Twenty-first plate. Lieure 331 [Longitudinal section of the Basilica of the Holy Sepulchre,…

Jacques Callot, 1620

Etching of a rearing horse throwing its rider backward, with a fallen figure on rocky ground at left.

The woman and the colt, may another tame them. The raptor horse, unbridled disparate, pl. 10 (H : 257)

Francisco Goya, 1823

Engraved allegorical diploma with two classical male figures, a laurel wreath, and seated female figures beside a lion.

Diploma of the Royal Academy (Dutuit, page 340)

Francesco Bartolozzi

Engraved ground plan of the Holy Sepulchre with a circular colonnade, central chapel, and lettered key in Italian.

Journey to the Holy Land, Twenty-fourth plate. Lieure 337 [Plan of the Basilica of the Holy Sepulchre]

Jacques Callot, 1620

Etching of a dark interior with a raised-armed woman before a group of hooded elderly women and a crouching figure.

Poor Disparate, pl. 11 (H : 258)

Francisco Goya, 1823

Etched landscape of a river winding through a forest, with two figures resting on the bank beneath large trees.

Landscape after Van der Meulen

Adrien Frans Boudewyns

Etched ground plan of the church of Saint Anne in Jerusalem with lettered key, cloister, cells and cistern.

Journey to the Holy Land, Thirty-first plate. Lieure 344 [Plan of the church of Saint Anne of Jerusalem]

Jacques Callot, 1620

Etching of ruffled dancing figures, men and women, in a dark tonal setting by Goya, 1823.

If she danced at sea, she took what she found. Cheerful Disparate, pl. 12 (H : 259)

Francisco Goya, 1823

Etching of a haloed God seated on clouds with winged angels on either side, with a Latin Genesis inscription below.

Scenes from the Old and New Testament after Raphael (Dutuit page 340)

Pietro Sante Bartoli

Engraved architectural plan and perspective section of the Holy Sepulchre of the Virgin church with lettered key.

Journey to the Holy Land, Thirty-third plate. Lieure 346 [Plan of the church of the Holy Sepulchre of the Virgin]

Jacques Callot, 1620

Etching of a man strapped to a large bat-like wing flying through a dark sky, with other gliding figures nearby.

Way of flying. Where there is desire there is strength, pl. 13 (H : 260)

Francisco Goya, 1823

Etching of Cain killing Abel with sheep nearby, offerings burning on altars, and God appearing in clouds above.

Scenes from the Old and New Testament after Raphael no. 2 (Dutuit page 340)

Pietro Sante Bartoli

Engraved longitudinal section of the Holy Sepulchre church interior with arched vaults, steps, altars and lettered keys.

Journey to the Holy Land, Thirty-fourth plate. Lieure 347 [Longitudinal section of the church of the Holy Sepulchre o…

Jacques Callot, 1620

Etching of grotesque masked carnival figures in exaggerated poses, one in a tall pointed hat, against a dark landscape.

Carnival joys, tomorrow you will be ashes. Carnival Disparate, pl. 14 (H : 261)

Francisco Goya, 1823

Engraving of kneeling figures looking up at a divine figure among clouds pointing to a rainbow arch.

Scenes from the Old and New Testament after Raphael no. 3 (Dutuit page 340)

Pietro Sante Bartoli

Engraved plan and elevation of a church with lettered labels, showing arches, a staircase and the Holy Sepulchre tomb.

Journey to the Holy Land, Thirty-fifth plate. Lieure 348 [Plan and elevation of the church of the Holy Sepulchre of t…

Jacques Callot, 1620

Dark etching of a crowd beneath a swirling cloth, with figures reaching upward on the right and a robed figure on the left.

Without recommending oneself to God or the devil. Clear Disparate, pl. 15 (H : 262)

Francisco Goya, 1823

Etching of Abraham restraining his kneeling son as an angel intervenes, with a ram beside a fire and a Latin inscription belo

Scenes from the Old and New Testament after Raphael no. 4 (Dutuit page 340)

Pietro Sante Bartoli

Etched bird's-eye view of walled Jerusalem with dense domed buildings, numbered landmarks and a lettered key below.

Journey to the Holy Land, Thirty-sixth plate. Lieure 349 [Plan of the city of Jerusalem]

Jacques Callot, 1620

Etching of hooded and cloaked figures in a dark night scene, with a pointing man at right and a winged form above.

Wounds heal but not bad words. Triple Disparate, pl. 16. (H : 263)

Francisco Goya, 1823

Etching of biblical scenes: an elderly man reclining on a draped bed, attended by figures, with a hunting scene and a family

Scenes from the Old and New Testament after Raphael no. 5 (Dutuit page 340)

Pietro Sante Bartoli

Engraved plan of a funerary complex with burial chambers and passages, plus drawings of domed tombs and sarcophagi.

Journey to the Holy Land, Thirty-eighth plate. Lieure 351 [Plan of the funerary complex]

Jacques Callot, 1620

Dark etching of grotesque figures gathered around a seated old woman and a small dog, with a laughing man pointing.

Loyalty. He who does not love you, slanders you by mocking. Quiet folly, pl. 17 (H : 264)

Francisco Goya, 1823

Etching of an angel wrestling a bearded man beside a dog, with a curtained tent and sheep pen in the background.

Scenes from the Old and New Testament after Raphael no. 6 (Dutuit page 340)

Pietro Sante Bartoli

Engraved architectural plate showing a vaulted tomb chamber elevation with arched doorways, smaller detail views, and a label

Journey to the Holy Land, Thirty-ninth plate. Lieure 352 [Elevation of the funerary complex]

Jacques Callot, 1620

Etching of hooded figures gathered at night around a reclining body, with a kneeling woman looking up at an old man pointing.

God creates them and they get together. Funeral folly, pl. 18 (H : 265)

Francisco Goya, 1823

Engraving of Joseph revealing himself to his brothers, with laden donkeys on the left and kneeling men in an arched hall on t

Scenes from the Old and New Testament after Raphael no. 7 (Dutuit page 340)

Pietro Sante Bartoli

Etching of an oak tree beside a curving forest path, with dense foliage and a pale sky, signed and dated 1851.

Avenue in the forest after Ruysdael (IFF 109)

Eugène Stanislas Alexandre Bléry, 1851

Engraved landscape of cattle and a rider watering at a stream beneath tall forest trees and a cloudy sky.

The Watering Place after Rubens. Dutuit page 341

Engraving of figures gathering manna from the ground under clouds, with tents and bearded elders at left.

Scenes from the Old and New Testament after Raphael no. 8 (Dutuit page 340)

Pietro Sante Bartoli

Etching of a seated bearded man gesturing to a standing woman with an urn beside a stone well, with a walled town behind.

Jesus Christ and the Samaritan woman after Annibale Carracci (Bartsch 7)

Carlo Maratti ou Maratta

Engraving of Pope Alexander VII on a throne with allegorical figures, Justice with scales, and an armored warrior beside a li

Alexander VII seated on a throne and surrounded by allegorical figures after Raffaello Vanni (Dutuit p. 41, Le Blanc…

Cornelis II Bloemaert

Engraved frieze of robed figures in procession with a statue on a pedestal at right and a Latin inscription below.

Scenes from the Old and New Testament, after Raphael no. 9 (Dutuit page 340)

Pietro Sante Bartoli

Etching of a bound bearded man being martyred before soldiers, a seated judge and a crowd in a colonnaded Roman setting.

Saint Andrew after il Domenichino (Bartsch 11)

Carlo Maratti ou Maratta

Ink and wash drawing of a large gnarled oak beside a curving forest path, with woodland receding into the distance.

The Forest Path (Lugt 66)

Jacob van Ruisdael

Engraving of three robed men beside a closed double door, with a striding figure in flowing drapery at right.

Scenes from the Old and New Testament after Raphael no. 10 (Dutuit page 340)

Pietro Sante Bartoli

Grey wash drawing of a standing horse with a dog lying nearby and a seated figure holding the reins in an open landscape.

The Horse Tied to a Post (Lugt 72)

Brown wash drawing of a wooded valley with a large tree, rocky ledges, small figures, and receding hills.

Valley in a mountainous region, with small waterfalls in the foreground (Lugt 74)

Herman van Swanevelt

Etching of a biblical scene: an old man reclines on a draped bed while a kneeling younger man and standing figures gather in

Scenes from the Old and New Testament after Raphael no. 11 (Dutuit page 340)

Pietro Sante Bartoli

Pencil sketch of a city square with a statue on a pedestal, classical buildings, and small figures in the foreground.

The Old Palace, in Rouen

Jean-Baptiste Lallemand

Brown wash drawing of a woman riding a cow among cattle and goats, a man with a stubborn donkey, and a castle on a hill.

The Stubborn Donkey, after Berchem (Lugt 9)

Nicolaes Pietersz. Berchem

Brown ink drawing of goats, sheep and a donkey by a fountain under trees, with a distant river landscape.

Herd of goats, donkey loaded with lambs and three figures near a fountain (Lugt 17)

Jacob Van Der Does, 1657

Grey wash drawing of a three-masted ship at anchor before a town skyline and castle on a cliff under cloudy skies.

View of the town of Dieppe, with the castle, taken from the sea (Lugt 20)

Brown wash drawing of a river bank with a castle on a cliff, wooden huts, rowing boats and a distant sailing ship.

Riverbanks in Scandinavia, with a castle on the left, on a cliff (Lugt 33)

Allart van Everdingen

Engraving of a winged angel guiding a young boy across stepping stones over a river, with a dog and wooded landscape.

The Young Tobias, carrying the fish under his arm, crossing a ford, guided by the archangel, after Adam Elsheimer (Lu…

Brown and grey wash drawing of a lakeside landscape with a large tree, cliffs, a hillside village and distant mountains.

Mountainous banks of a lake in Italy (Lugt 40)

Ink and wash drawing of a wooded stream with a wooden footbridge, two figures on the bridge and three figures near logs.

The Footbridge (Lugt 36)

Allart van Everdingen, 1675

Grey-toned drawing of an elderly woman conversing with a young woman in a fur robe, a parrot on the chair, a smiling man behi

The Visit (Lugt 51)

Frans van Mieris

Brown ink drawing of a farmhouse with workers carrying baskets and barrels on a hillside with mountains behind.

Autumn (the grape harvesters) (Lugt 67)

Herman II Saftleven, 1650

Sepia wash landscape drawing with a round tower on a hill, tall trees, and small figures with dogs in the foreground.

Landscape with round tower (Lugt 35)

Allart van Everdingen, 1675

Grey ink wash drawing of a Dutch fleet of sailing warships at sea, one firing smoke in the foreground.

Dutch fleet offshore (Lugt 94)

Pen and wash drawing of skaters on a frozen canal beside a stone tower and city wall in winter.

Winter (the skaters) (Lugt 67)

Herman II Saftleven, 1650

Pencil study sheet with many sketches of ewes, some lying down, some with heads turned, drawn in soft graphite on pale paper.

Study sheet of ewes (Lugt 7)

Nicolaes Pietersz. Berchem

Grey wash drawing of an ox rubbing against a tree, with a goat and a horse in a hilly landscape.

Ox rubbing its neck against a tree (Lugt 11)

Dirck Van Bergen

Brown ink drawing of a valley between rocky cliffs, with travelers on a path, a castle on a ledge and a distant town.

Valley between rocky mountains (Lugt 69)

Herman II Saftleven, 1650

Brown ink drawing of women under a parasol tending a child by a cave, with a bridge, dogs and cart in the landscape.

Moses cared for by the daughters of Pharaoh (Lugt 44)

Samuel van Hoogstraten, 1653

Drawing of an ox in a stream with a leaping dog, two goats on a bank at left, and a pale landscape sky.

Ox in the water, annoyed by a dog (Lugt 12)

Dirck Van Bergen

Black and white woodcut of a procession of richly dressed men and winged figures holding palm fronds.

The Triumphal Procession of Emperor Maximilian I: Procession with palms (Dornik-Eger 36, Bartsch 81)

Hans Burgkmair, 1519

Watercolor of a rocky sea inlet with turquoise water, tidal seaweed flats, and grassy cliffs under a pale sky.

Sterhouen [Stêr-Ouen]. Belle-Isle-en-mer

Henri Rivière, 1910

Pen and brown wash drawing of a Venetian square with a tall campanile, three flagpoles and strolling figures.

The campanile and Saint Mark's Square

Francesco Guardi

Woodcut of plumed imperial trumpeters on richly caparisoned horses blowing trumpets with heraldic banners.

The Triumphal Procession of Emperor Maximilian I: the imperial trumpeters (Dornik-Eger 36, Bartsch 81)

Hans Burgkmair, 1519