New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to Chrome Add to Firefox

The Metropolitan Museum of Art

33,907 works

Etching of a nude woman carried aloft by grotesque figures, with a cat holding an umbrella, by Goya, 1799.

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

Francisco Goya, 1799

Etching of a nude old witch flying on a broomstick with an owl above, signed Goya, plate 68 from Los Caprichos.

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)

Francisco Goya, 1799

Etching of two travelers and a horse on a path beneath dense, dark trees in a forest, with a pale sky opening above.

Two Travelers in a Forest (Le Cavalier en forêt et le piéton)

Jean-Baptiste Camille Corot, 1854

Color print portrait of a young man in a wide-brimmed hat holding a bundle of crayons, with a French inscription below.

Portrait of Edouard Gautier-Dagoty

Carlo Lasinio, 1783

Etching of two butterfly-winged figures fencing with swords on a rococo console table, within an ornate scrolled frame.

The Duel (Le Duel), from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines)

Charles Germain de Saint-Aubin, ca. 1756-60

Colour caricature of a dandyish man in a tan overcoat, monocle and dark hat, holding a cane and cigarette.

A Symphony, from "Vanity Fair"

Leslie Ward, January 12, 1878

Etching of a cloaked man and two bowed women beside a dark wall, with the caption Probrecitas below.

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)

Francisco Goya, 1799, posthumous impression

Pen and ink drawing of a seated musician playing a lyre beside tumbling stone blocks and city walls.

Amphion Building the Walls of Thebes

Giovanni Luigi Valesio, n.d.

Pen and wash drawing of monks carrying a cross in procession below a standing Christ figure among clouds.

Members of a Monastic Order Carrying the Cross for Christ to Heaven

Giovanni Andrea de Ferrari, n.d.

Pen and wash drawing of a man in contemporary dress lifted on clouds by winged figures, with a trident-bearing sea god below.

Glorification of the Widmann Family

Gaspare Diziani, ca. 1755

Brown wash drawing of a muscular man leaning on a long staff, wearing draped cloth, looking to the left.

A Man Resting on a Staff

Paolo Farinati, n.d.

Engraving of winged Mercury descending a ladder to Aeneas beside workmen building a classical city, with a coat of arms below

Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)

Wenceslaus Hollar, 1654

Engraving of the Virgin in a long robe holding the infant Jesus, with a haloed sky, castle and tree in the landscape.

Virgin and Child (La Sainte Vierge debout embrassant l'enfant Jesus)

Mario Cartaro, 1565

Engraving of Saint Catherine raising her arms before a spiked wheel, with tumbling figures, rays of light and an angel holdin

The Martyrdom of Saint Catherine

Mario Cartaro, 1563

Engraving of armored riders in battle below a radiant divine figure in clouds, with a city and bridge in the distance.

The Conversion of Saint Paul

Mario Cartaro, 1567

Watercolor sketch of an elderly man in a tall hat leaning over a cider stand while two men watch outside a shop.

Sketch to Illustrate the Passions - Senility or Peevishness

Richard Dadd, 1855

Engraving of a dense bouquet of tulips, carnations and peonies in a decorated footed urn on a stone ledge.

[Flowers Arranged in a Glass Vase]

Jean-Baptiste Monnoyer, [about 1659]

Red chalk study of three nude women grouped together, one arm raised, beside a stone bench, by Jacques Louis David.

Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso)

Jacques-Louis David, ca. 1788

Engraving of the Annunciation: the Virgin kneels at a lectern as an angel descends in clouds, a dove and rays of light above.

The Annunciation

Mario Cartaro, 1571

Engraving of the grieving Virgin seated beside Christ's body beneath a large cross, with a town and trees behind.

The Lamentation of the Virgin Beneath the Cross

Mario Cartaro, 1566

Engraving of the nude muscular Farnese Hercules statue with lion skin and club in an arched niche.

Farnese Hercules

Mario Cartaro, 1552-88

Etching of intertwined struggling figures and fallen bodies against dark hatched background, from Goya's Disasters of War.

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

Francisco Goya, 1810 (published 1863)

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

Francisco Goya, ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

Francisco Goya, ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

Francisco Goya, 1810 (published 1863)

Engraving of Saint Catherine kneeling by a broken wheel as an angel descends with a sword and a crowned ruler watches.

Martyrdom of Saint Catherine of Alexandria

Mario Cartaro, 1567

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

Francisco Goya, 1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

Francisco Goya, 1810 (published 1863)

Etching of struggling figures on a dark hillside beneath a stormy sky, with a fallen body in the foreground.

Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)

Francisco Goya, 1810 (published 1863)

Etching of a fallen horse and a rider on a battlefield, with figures and a horse in the background, captioned 'Siempre sucede

Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)

Francisco Goya, 1810 (published 1863)