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The Metropolitan Museum of Art

33,907 works

Etching of a gaunt old woman holding a nude figure aloft while shadowy faces and an old man watch from below.

Plate 69 from "Los Caprichos": Blow (Sopla)

Francisco Goya, 1799

Etching of nude grotesque figures under a starry night sky, one man pointing upward, with the caption Si amanece; nos vamos.

Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)

Francisco Goya, 1799

Etching of three men drinking wine around a barrel, with caricatured faces and a shadowy figure behind them.

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

Francisco Goya, 1799

Etching of screaming, cloaked figures, one with arms raised, crowding around a bent man in a dark setting.

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Francisco Goya, 1799

Etching of gaunt, aged figures tangled together, one carrying a bundled body, with walking sticks and a scroll, in brown tone

Plate 77 from "Los Caprichos": What one does to another (Unos á otros)

Francisco Goya, 1799

Etching of three men, one in a sash holding a cane, with a hat-wearing figure and another behind, numbered plate 76.

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Com…

Francisco Goya, 1799

Etching of two withered witch-like figures with a bowl of ointment and a leaping goat-like creature above them.

Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)

Francisco Goya, 1799

Etching of three hunched old women in a dim room, one holding a broom beside a wooden table, with the caption Despacha, que d

Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)

Francisco Goya, 1881-86

Etching of stacked corpses on a mound with two standing men above them, under an open, bleak sky.

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Francisco Goya, 1810 (published 1863)

Hand-coloured plan of a formal public garden with tree-lined avenues, parterres, and pavilion elevations above.

Jardin Public, Champs Elysées

Gabriel Thouin, n.d.

Engraved street scene of Fulton Street and its market hall, with horse carts, barrels and pedestrians on cobblestones.

Fulton Street & Market, New York (The Bennett View of Fulton Street)

William James Bennett, 1834

Hazy brown-toned view of a New York harbour town and ships seen from a grassy hill with a large tree and grazing cows.

View of the City and Harbour of New York taken from Mount Pitt, the Seat of John R. Livingston, Esq.

Charles Balthazar Julien Févret de Saint-Mémin, 1796

Engraved perspective view of New York City Hall from Wall Street, with a church spire, tree, carriage and pedestrians.

A Perspective View of the City Hall in New York, Taken from Wall Street

Cornelius Tiebout, 1791-93

Hand-coloured lithograph of Broadway in New York in 1855, showing shop fronts, carriages, omnibuses and pedestrians under a c

View of Broadway, New-York, from Exchange Alley to Morris Street, West Side

Frederick Heppenheimer, 1855

Hand-colored 1817 map of New York City with inset architectural views, a 1729 plan, and an alphabetical street guide.

The City of New York: Longworth's Explanatory Map and Plan

David Longworth, 1817

Black and white lithograph of a classical two-story bank facade with Ionic columns, a pediment, and entrance steps under clou

View of New York from the North, 1679

George Hayward, 1867

Red chalk drawing of a muscular male nude seen from behind with raised arms, plus studies of a head, hands and feet.

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo, 1510

Engraved trade card of Thomas Ash's chair shop in New York, with a man and horse cart beside a sailing ship at the wharf.

Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York

Asher Brown Durand, 1817

Lithograph of the Church of the Pilgrims in Brooklyn with a tall spire, arched windows, and pedestrians on a cobbled street.

Church of the Pilgrims, Brooklyn, New York

Frances Flora Bond Palmer, 1844

Hand-colored caricature of a fantastical parade with exaggerated mounted soldiers and satirical banners on a cobbled street.

Grand Fantastical Parade, New-York, December 2, 1833

David Claypoole Johnston, 1833

Print of a proposed colossal statue of George Washington on a tall pedestal, with strollers in a tree-lined park.

Proposed Colossal Statue of George Washington for the City of New York

G. Thomas, 1845

Title page with ornate lettering and a lithograph of a domed rotunda with a classical portico, New York, 1827.

Title Page to Views of the Public Buildings in the City of New York (with The Rotunda, City Hall Park)

Anthony Imbert, 1827

Colored lithograph of a columned building in flames with firefighters working a pump and a crowd watching on a city street.

Hanington's Dioramic Representation of the Great Fire in New York, Dec. 16 and 17, 1835. Now Exhibiting with Other Mo…

H. Sewell, 1836

Color lithograph of the R. M. Stivers carriage factory in New York with horse-drawn carriages and pedestrians on the street.

R. M. Stivers, Manufacturers of Fine Carriages, 146-152 East 31st Street, New York

Hatch & Co., 1872-73

Colored bird's-eye view of New York City's harbor with steamboats, sailing ships, and dense rows of buildings along the river

New-York (From the Southwest)

K. Th. Westermann, ca. 1852

Hand-colored print of the Statue of Liberty on Bedloe's Island with ships in New York Harbor and a city skyline.

The Great Bartholdi Statue - Liberty Enlightening the World

Currier & Ives, 1885

Hand-colored lithograph of the pilot boat Wm. J. Romer sailing on choppy green water with an American flag.

Extraordinary Express Across the Atlantic - Pilot Boat Wm. J. Romer, [commanded by] Captain McGuire, Leaving for Engl…

Nathaniel Currier, 1846

U. S. Ship North Carolina, 102 Guns

Nathaniel Currier, 1843

The Chinese Junk "Keying" [commanded by] Captain Kellett, as she appeared in New York Harbour, July 13th, 1847 --- 21…

Nathaniel Currier, 1847

Hand-colored print of a side-wheel New York ferry boat with a black smokestack, blue pilothouses, and passengers on deck.

New York Ferry Boat

Currier & Ives, ca. 1860-65