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The Metropolitan Museum of Art

33,877 works

Etching of a woman in a dark gown flying with outstretched arms above grimacing figures tumbling below.

Plate 61 from "Los Caprichos": They have flown (Volaverunt)

Francisco Goya, 1799

Three women in dark bathing dresses stand waist-deep in the sea, leaning together while distant sailboats sail on the horizon

Bathing at Long Branch "Oh, Ain't It Cold" (Every Saturday, Vol. III, New Series)

Winslow Homer, August 26, 1871

Engraving of a bearded older man in a cap beside marble statues, with classical nude figures in a window behind him.

Portrait of Baccio Bandinelli

Niccolò della Casa, ca. 1544-47

Wood engraving of a woman in a long dress seated in a hammock on a porch, looking toward trees with a bird in flight.

The Robin's Note (from "Every Saturday," Vol. I, New Series)

Winslow Homer, August 20, 1870

Wood engraving of children and a woman gathering chestnuts under a tree, a boy in the branches and a girl holding a sheet.

Chestnutting (from "Every Saturday," Vol. I, New Series)

Winslow Homer, October 29, 1870

Wood engraving of two people shovelling deep snow near bare trees and a snowy house, with a woman at right.

A Winter Morning - Shovelling Out (Every Saturday, Vol. II, New Series)

Winslow Homer, January 14, 1871

Wood engraving of two lumbermen in snowshoes felling trees in a winter forest, one swinging an axe at a trunk.

Lumbering in Winter (Every Saturday, Vol. II, New Series)

Winslow Homer, January 28, 1871

Wood engraving of women watching a shopkeeper weigh goods on a scale in a cluttered country store with brooms and barrels.

A Country Store - Getting Weighed (Every Saturday, Vol. II, New Series)

Winslow Homer, March 25, 1871

Engraving of a steamship tilted over rough night seas, crew on deck, rigging lines, and a glowing signal light.

At Sea - Signalling a Passing Steamer (Every Saturday, Vol. II, New Series)

Winslow Homer, April 18, 1871

Etching of a peasant family in a dim interior, a man feeding broth to a baby beside a hearth with a standing woman.

Father of the Family Giving Broth to His Baby

Adriaen van Ostade, 1610-85

Etching of a rustic tavern interior with figures eating and playing cards at a table, a dog lying nearby, and hanging kitchen

The Breakfast (Le Gourmet en Compagne)

Adriaen van Ostade, 17th century

Drypoint etching of a nude woman carrying a cluster of cherubs, with loose diagonal hatching suggesting movement.

Spring (Le Printemps)

Auguste Rodin, 1882-88

Portrait of Henri Becque, from "L'Estampe Originale"

Auguste Rodin, 1893

Etching of Ceres with a pitcher, an old torch-bearing woman pointing at a nude child in a doorway, grain and vines.

Ceres Seeking Her Daughter or Ceres and Stillio

Wenceslaus Hollar, 1646

Engraving of a barn interior with a seated woman, two children, a pig and chickens beneath a thatched roof.

Interior of a Barn with Mother and Two Children, Right in Front a Pig (copy)

Adriaen van Ostade, 17th century

Etching of a hooded central figure surrounded by pale ghostly figures, faces in shadow, and reclining forms below.

Macbeth IV

Wilhelm Lehmbruck, 1918

Etching of a kneeling nude woman with bowed head, one arm extended and the other raised behind her back.

Kneeling One (Kneide, groß)

Wilhelm Lehmbruck, 1911

Etching of two nude figures embracing closely, with faint background figures and wing-like shapes, by Wilhelm Lehmbruck.

Paolo and Francesca (Paolo und Francesca groß, Hochformat)

Wilhelm Lehmbruck, 1913

Architectural cross-section drawing of a classical country house east front with domed pavilions, rooms, and roof statues.

Section of the East Front, Houghton Hall, Norfolk

Isaac Ware, 1735

Drypoint print of a woman's head and shoulders, eyes lowered, with loose hatched lines on cream paper.

Head of a Woman (Kopf Groß)

Wilhelm Lehmbruck, 1912

Etching of a group of nude figures overlapping in a crowded composition, with several heads and bodies drawn in fine contour

Composition (Große Komposition)

Wilhelm Lehmbruck, 1913

Etching of a crowned figure surrounded by ghostly faces, a prone body and severed heads in the foreground.

Macbeth III

Wilhelm Lehmbruck, 1918

Engraving of The Death of Saint Joseph: an old bearded man on a bed, attended by a younger man and cherubs above.

The Death of St. Joseph

Alonso Cano, 1766

Drypoint etching of a reclining female nude seen from behind, with loose contour lines on a cream sheet.

Repose (Ruhende vom Rücken)

Wilhelm Lehmbruck, 1913

Etching of a standing nude woman seen from behind, head bowed, with loose hatched lines on pale paper.

The Solitary Woman (Das einsame Weib)

Wilhelm Lehmbruck, 1914

Sepia engraving of a courtly scene: a man clasps hands with a veiled bride as a crowned woman and armored guards look on.

The Conclusion of the Treaty of Troyes

Francesco Bartolozzi, 1788

Ink and wash elevation of a classical building's back façade with columned portico, arched ground floor, and cupola.

Elevation of Back Façade of the Kings House, Richmond, Surrey

Augustus Heckel, after 1727

Grey wash drawing of a symmetrical country house with pediment and cupola, a large tree at left and small figures in a park.

Perspective View of the Entrance Front of the Kings House, Richmond, Surrey

Augustus Heckel, after 1727

Pen drawing of a symmetrical coffered ceiling with a central rosette medallion and shell-shaped corner spandrels.

Ceiling to the Gallery, Houghton Hall, Norfolk

Isaac Ware, 1735

The Prodigal Son

Richard Earlom, 1766