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Art Institute of Chicago

24,198 works

Etching of an Italian stone house with hanging laundry, two standing women, a donkey, and a tall tree.

Siena

Donald Shaw MacLaughlan, 1905

Etching of a rural landscape with a large tree, a figure walking a path, a farmhouse, and grazing cattle.

Little Poigny

Donald Shaw MacLaughlan, 1906

Etching of jagged mountain peaks rising through billowing clouds, with dense hatched lines shading the sky and slopes.

Mountain Peaks

Donald Shaw MacLaughlan, 1908

Etching of a dark Venetian canal with tall palazzo facades, balconies, a moored boat, and reflections in the water.

The Dark Canal, Venice

Donald Shaw MacLaughlan, 1908

Drypoint etching of a seated woman in a feathered wide-brimmed hat, hands clasped, with a scalloped lace collar.

Drypoint Number Two: Portrait

Donald Shaw MacLaughlan, 1909

Drypoint portrait of a seated woman in a high-necked blouse beside a small table with a bowl, by Donald Shaw MacLaughlan, 190

Drypoint Number Three: Portrait

Donald Shaw MacLaughlan, 1909

Panoramic etching of rolling wooded hills and fields fading into a pale horizon, signed Donald Shaw MacLaughlan, 1909.

The Billows

Donald Shaw MacLaughlan, 1909

Etching of rolling hills with cultivated fields, tree clusters and farmhouses receding to a pale distant horizon.

Sketch from the Walls of San Gimignano

Donald Shaw MacLaughlan, 1909

Etching of Tuscan hills with cypress trees, stone buildings, rolling fields and a lone walking figure.

In the Tuscan Hills

Donald Shaw MacLaughlan, 1909

Etching of a wide valley with rolling hills, fields, trees, a farmhouse, and a hilltop village in the distance.

Val d'Ema

Donald Shaw MacLaughlan, 1909

Sepia wash drawing of four bearded figures, some seated and writing or reading, around a large open book.

Four Evangelists

After Domenico Beccafumi, called Il Mecarino, c. 1544

Etching of a country road lined with large trees, two walking figures, grazing animals and a wooden fence on the right.

The Road to St. Gilles

Louis Auguste Lepère, 1911

Japanese woodblock print of a kabuki actor holding a striped parasol and two swords, wearing a black kimono with a crest.

Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi…

Katsukawa Shunshō, About 1770

Brown ink drawing of a bearded man seated beside a winged angel leaning over his shoulder.

Saint Matthew and the Angel

School of Guercino, n.d.

Etching of a bearded gentleman in a fur-trimmed mantle and plumed hat, with a street scene of buildings and figures behind hi

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse

Jacques Callot, c. 1625

Lithograph of a bearded man leaning toward a seated woman in a striped dress at a table with cards and drapes behind them.

Husbands Always Make Me Laugh: How badly you lie, my dear

Paul Gavarni, 1853

Etching of a fashionably dressed gentleman with clasped hands, standing before a busy city street with a bridge and tower.

The Gentleman with Clasped Hands, plate eleven from La Noblesse

Jacques Callot, c. 1625

Etching of a crowded city square with robed figures, stone buildings, a tower, and an arched bridge over a river.

The Slave Market

Jacques Callot, 1629

Etching of a small harbor with moored sailing boats, figures on a quay, stone buildings, and a distant hilly coastal town.

The Small Port, from Various Scenes Designed in Florence

Jacques Callot, 1618-20

Etching of a large rocky island with hilltop towns, sailing boats on the sea, and figures and moored ships on the shore.

The Large Rock, from Various Scenes Designed in Florence

Jacques Callot, 1618-20

Etching of three armored men with spears standing on a sea monster, with a lute player on another creature and ships at sea.

Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier

Jacques Callot, 1627

Etching of a sailing ship surrounded by sea figures with trumpets and tridents, with a tree and domed pavilion on rocks below

Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness, Representing Jason, from The Combat at the Barrier

Jacques Callot, 1627

Lithograph of a young girl leaning on a ledge above a man sleeping on a cushioned couch, drawn in black and gray.

Husbands Always Make Me Laugh: He goes on the loose

Paul Gavarni, 1853

Etching of a procession with a winged sea creature, a dragon, and ornate chariots carrying armored figures and musicians.

Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre, from The Combat at the Barrier

Jacques Callot, 1627

Etching of a ceremonial procession with a fountain, a horse-drawn sun chariot, a rocky grotto, and a decorated float.

Entry of His Highness, Representing the Sun, from The Combat at the Barrier

Jacques Callot, 1627

Engraving of a barrier combat in a grand hall, with armored combatants, pikemen, dense crowds and a coffered ceiling.

The Grand Tournament: The Combat

Jacques Callot, 1627

Monk clasping the iron hand of an armored knight beside a table with a helmet, in a dim interior, black and white print.

Brother Martin Clasping the Iron Hand of Goetz

Eugène Delacroix, 1836

Etching of a village fair under a huge tree, with crowds, horse riders, cottages and a church tower.

The Fair at Gondreville

Jacques Callot, 1624

Pen and ink sketch sheet of several Algerian men in turbans and cloaks, showing heads, profiles and standing figures.

Sketches of Algerian Men

Eugène Delacroix, c. 1832

Pencil sketch of three women in headscarves leaning together in animated conversation, one whispering into another's ear.

Three Gossips

Honoré Daumier, 1865/1867