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Art Institute of Chicago

24,156 works

Japanese print of folded paper ornament and iris flowers with a flying bird and crescent moon above.

Crescent Moon with Flying Little Cuckoo

Harukawa Goshichi, 1825

Japanese print of a red lobster behind three inscribed boxes, with iris leaves and a pink peony in the foreground.

Lobster, Three Sake Measure Boxes, Iris and Penny Flower

Kokei Ueda, c.1831

Brown wash drawing of two bearded standing men draped in robes, placed side by side in a rectangular niche.

Two Standing Prisoners in a Niche

Bernardino Campi, c. 1549

Pen and ink drawing of Saint Benedict raising his arm as men strain to move a stone beside classical columns and trees.

Saint Benedict Moving the Stone which a Demon Had Made Immobile

after Ludovico Carracci, after 1606

Woodblock print of a woman in a pink kimono with an umbrella beside a river, under a willow, with two frogs.

A Young Woman Watching Frogs (parody of Ono no Tôfû)

Torii Kiyomitsu, c. 1760

Black and white woodblock print of a man seated at a table gazing at a moon above willow trees beside a hut.

Man in Thatched Hut Viewing the Moon

Nishimura Shigenaga, c. 1740s

Japanese woodblock print of Yamauba with long black hair nursing the red-faced child Kintaro in a floral purple kimono.

Yamauba Breast Feeding Kintaro

Kitagawa Utamaro, c. 1801/06

Pencil drawing of Christ leaning on a cross, with a chalice and drops falling from his hand at lower left.

Christ with the Cross

Circle of Rosso Fiorentino, c. 1530

Study for Share Certificates in a Fraudulent Franco-Californian Company, No. 2

Charles Meryon, 1855

Etched page with the handwritten French poem L'attelage and a small vignette of a horse and figure in a landscape.

The Ploughman and His Horse

Charles Meryon, 1854

Handwritten French letter in brown ink on aged paper, addressed to Monsieur le Directeur, with a signature at lower right.

Charles Meryon Autographed Letter

Charles Meryon, March 24, 1854

Pencil sketch of two men: a bearded man reading in front and another resting his head on his hand behind him.

Mr. Charles Ricketts, A.R.A., and Mr. Charles Haslewood Shannon, R.A.

William Rothenstein, 1897

Line drawing of a seated bearded man in a loose jacket, turned toward the viewer, with one hand raised near a chair arm.

M. Ignace Henri Jean Théodore Fantin-Latour

William Rothenstein, 1897

Auguste Rodin

William Rothenstein, 1897

Brown wash drawing of women examining tablets in a colonnaded setting, with cherubs in the upper left corner.

Women Looking at Religious Tablets

after Lazzaro Baldi, n.d.

Pencil study of a standing armored warrior with a spear in an arched stained glass design, labeled Epaminondas.

Study for a Stained Glass Window

John La Farge, c. 1875

Susan in a Straw Bonnet

Mary Cassatt, c. 1883

Etching of Saint John the Evangelist writing with a quill, with an eagle above and a lamb below on clouds.

Saint John the Evangelist

Paolo Farinati, 1567

Girl Plaiting her Hair (La Natte)

Berthe Morisot, 1894

Pencil study of a crowd scene with a rearing horse, a seated figure on a pedestal, and kneeling figures in the foreground.

Study

Attributed to Giuseppe Bartolomeo Chiari, c. 1686

Black and white engraving of Christ's body lowered from the cross, mourned by figures, with a crown of thorns and ladder.

Lamentation of Christ, from The Engraved Passion

Albrecht Dürer, 1507, published 1513

Engraving of a kneeling bearded man with raised arms, an angel holding a cross above, and sleeping figures in the foreground.

Agony in the Garden, from The Engraved Passion

Albrecht Dürer, 1508, published 1513

Engraving of soldiers seizing Christ, one swinging a sword and another falling beside a shield, with torches and spears above

Betrayal of Christ, from The Engraved Passion

Albrecht Dürer, 1508, published 1513

Engraving of Christ crowned with thorns standing by a column, with two mourners and a distant hill landscape at left.

Man of Sorrows by the Column, frontispiece from The Engraved Passion,

Albrecht Dürer, 1509, published 1513

Engraving of Christ before Pilate beside a column, with armored soldiers and spears under an arched doorway.

Christ Before Pilate, from The Engraved Passion

Albrecht Dürer, 1512, published 1513

Engraving of a seated nude woman holding an infant beside a tree, with a fortified town and mountain in the background.

The Penance of Saint John Chrysostom

Attributed to Giulio Campagnola, c. 1510

Engraving of Christ seated and crowned with thorns while soldiers mock him beside a pillar and curtain.

Christ Crowned with Thorns, from The Engraved Passion

Albrecht Dürer, 1512, published 1513

Japanese woodblock print of a courtesan in patterned robes seated on a white elephant above clouds, holding a scroll.

Courtesan on White Elephant

Attributed to Suzuki Harunobu, 1765

Engraving of a haloed Christ entering an arch, driving back demons while Adam and Eve stand nude at left.

Harrowing of Hell; Christ in Limbo, from The Engraved Passion

Albrecht Dürer, 1512, published 1513

Engraving of the risen Christ holding a banner atop a tomb, with armored soldiers below and a radiant halo.

Resurrection, from The Engraved Passion

Albrecht Dürer, 1512, published 1513