New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Art Institute of Chicago

24,211 works

Etching of a shaded forest clearing with large trees and a group of seated people in hats at lower left.

Noon, Under the Trees

Louis Auguste Lepère, 1889, published 1908

Etching of a seated street vendor in a headscarf holding a snake, with a wooden crate beside her.

Serpent Merchant

Louis Auguste Lepère, published 1908

Etching of tall forest trees with dappled light and small figures walking on a path below.

Morning, Crossroads of the Forts de Marlotte

Louis Auguste Lepère, 1889, published 1908

Etching of two figures hunting in a sunlit forest, one standing with a walking stick beside a tree, one stooping in the under

Mushroom Hunters at the Rocher Bernard

Louis Auguste Lepère, published 1908

Japanese woodblock print of kabuki actors: one riding a crane, one unrolling a scroll, and a scowling figure in a floral kimo

The Actors Ichimura Kamezo I as Kume no Sennin, Onoe Kikugoro I as Goi-no-suke Takenari, and Otani Hiroji II as Hata…

Torii Kiyomitsu I, 1754

Brown wash drawing of the Baptism of Christ with John the Baptist, a dove, an angel, and God with cherubs above.

Baptism of Christ

Bolognese Italian, c. 1560

Pen and brown wash drawing of a seated female saint with a sword, palm frond, and dragon beneath her.

Study for Saint Margaret

Maerten de Vos, c. 1584-1587

Pen and ink drawing of a nude man raising a torch against swirling dark smoke and clouds.

Nude Figure of a Man with Flaming Torch

William Blake, n.d.

Illuminated choir book page with a blue and red decorated initial I, green oak leaves and acorns, and black gothic text.

Decorated Initial "I" with Acorns and Leaves from a Choir Book

Unknown artist, n.d., probably a modern copy

Etching of wind-bent apple trees beside a dirt path in an open field, with a cloudy sky above.

Apple Trees at Auvers

Charles-François Daubigny, 1877

Woodcut of a skeleton waving a flag on a barricade while fighters tumble and fire amid smoke, with German verse below.

Auch ein Todtentanz, plate V

Alfred Rethel, 1848

Skeletal rider on a galloping horse with a scythe, ravens in the foreground and a walled city with spires in the distance.

Auch ein Todtentanz, plate II

Alfred Rethel, 1848

Engraving of a revolutionary holding a banner and raised sword above a crowd, with fallen bodies in the foreground and German

Auch ein Todtentanz, plate IV

Alfred Rethel, 1848

Black and white print of a tavern where a skeleton holds scales over a table of drinkers, with a hooded skeleton leading a ch

Auch ein Todtentanz, plate III

Alfred Rethel, 1848

Skeleton rider on a horse amid fallen bodies and a street battle, with soldiers and burning buildings in the background.

Auch ein Todtentanz, plate VII

Alfred Rethel, 1848

Etching of ornate vases and urns with flower arrangements, a garlanded basin with figures, and two satyrs at right.

Plate Two from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Etching of six ornate vases and urns with flower arrangements, a putto and scrolled decoration, numbered plate 3.

Plate Three from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Etching of ornate vases and urns with flower arrangements, two putti on a central urn, and a dog at left.

Plate Four from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Etching of five ornate decorative vases with flower arrangements and putti, numbered plate 5 from a vase design series.

Plate Five from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Etching of six ornamental vases and urns with reliefs, foliage and lids, numbered plate 6 from a vase design series.

Plate Six from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Gilded illuminated panel of the Trinity enthroned above a crowd of saints, angels, and musicians in a celestial court.

The Trinity and Saints in Paradise, or La Cour Céleste from a volume of "La Cité de Dieu" by St Augustine

Unknown artist, mid-15th century

Etching of two mounted horsemen with lances confronting charging bulls in an open landscape, with a fallen figure below.

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullf…

Francisco Goya, 1814/16, published 1816

Etching of two men on foot thrusting spears at a charging bull in an open landscape with trees.

Another way of hunting on foot, plate two from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816

Etching of a bull attacking a fallen horseman while a spearman in white robes and turbaned figures look on.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bu…

Francisco Goya, 1814/16, published 1816

Etching of a bull charging a caped bullfighter in an arena while a man sits on the ground with arms raised.

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816

Etching of a turbaned rider on a horse thrusting a lance at a charging bull, with shadows on bare ground.

The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816

Etching of two robed figures in turbans luring a charging bull with a cloak in a bullring, by Goya.

The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816

Etching of a matador with a cape facing a dark bull in an arena, with assistants and spectators beside the barrier.

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816

Etching of a bull goring a man in white clothing in a bullring while another man waves a cloth beside it.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816

Etching of a knight in armor and plumed hat stabbing a bull on the ground beside a fallen horse in an arena.

A Spanish knight kills the bull after having lost his horse, plate nine from The Art of Bullfighting

Francisco Goya, 1814/16, published 1816