New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to Chrome Add to Firefox

English & British

17,183 works

Watercolor of two blue irises and pink wild roses among green leaves on a loose green background.

Wild Roses and Irises

John La Farge, 1887

Mezzotint portrait of Robert Boyle with curled hair and draped cloth, in an arched frame with engraved caption below.

Robert Boyle. Mezzotint by J. Faber after J. M. Rysbrack, 1733

John Michael Rysbrack

Pastel watercolor of pink and lavender mountain peaks across a calm strait, with palms and shoreline vegetation in the foregr

The Island of Moorea Looking across the Strait from Tahiti, January 1891

John La Farge, 1891

Hand-coloured print of the Crystal Palace, a large glass and iron building, with visitors on the park lawn in the foreground.

The Crystal Palace

Joseph Nash, c. 1850

Etching of a wooded hilltop with a wooden crossroads signpost, a deer at right, and a rocky path under a cloudy sky.

The Cross Hands

Frederick Landseer Maur Griggs, 1933

Mezzotint portrait of a man in a wig and dark gown holding an armillary sphere, eyes closed, 1719.

Nicholas Saunderson [Sanderson]. Mezzotint by G. White after J. Vanderbank, 1719

John Vanderbank

Hand-colored print of passengers pushing a rowboat through surf on a stormy beach, with sailboats and dark clouds behind.

Embarking from Brighthelmstone to Dieppe

Thomas Rowlandson, 1787

Etching of a busy river harbor with steamships, a bridge, warehouses and a distant city skyline.

Arteries of Great Britain: The Tyne

William Walcot, 1922

Watercolor sketch of postboys with horses and a red coach outside an inn, a man carrying a trunk, and a dog.

Postboys and Posthorses at the White Hart Inn

Thomas Rowlandson, 1787

Watercolor of a porched dining room building and stage offices at White Sulphur Springs, surrounded by trees and hills.

Dining Room and Stage Offices at White Sulphur Springs

John Hazelhurst Boneval Latrobe, 1832

Hand-colored print of a picnic and fishing party on a wooded riverbank beside a pale rock, with a small dog in the foreground

View on Sir John Moreshead's Estate at Blisland near Bodmin, Cornwall

Thomas Rowlandson, 1805

Hand-colored etching of a sailing ship and small boats on a Cornish estuary under a dark, cloudy sky, with wooded hills.

Rowlandson's Sketches from Nature: Fowey, Cornwall

Thomas Rowlandson, 1809

Hand-colored print of a horse-drawn wagon on a country road beside a thatched cottage, with rolling hills beyond.

Rowlandson's Sketches from Nature: Taunton Vale, Somersetshire

Thomas Rowlandson, 1809

Hand-colored print of Spanish peasants dancing the bolero beneath a vine pergola, with guitarists and seated onlookers.

Spanish Peasants Dancing the Bolero

John Frederick Lewis, 1836

Etching of a woman in a long dress walking past an ivy-covered arbor and a wooden bench in a garden.

Happy Springtime

John Everett Millais, 1860

Etching of a riverside lock with a wooden footbridge, trees, and a seated figure sketching by the gates.

Whistler Sketching at Moulsey Lock

Edwin Edwards, 1861

Stipple engraving portrait of James Currie, a man in powdered wig, white cravat and dark coat, with printed caption below.

James Currie. Stipple engraving by T. A. Dean, 1830, after J. Williamson, 1791

John Williamson

Etching of a calm river with two moored rowboats, wooden posts, and trees along the bank under an overcast sky.

Egham

Francis Seymour Haden, 1859

Etching of old Chelsea riverside houses with moored barges, rowing boats, figures on the bank and a bridge at right.

Whistler's House at Old Chelsea

Francis Seymour Haden, 1863

Etching of a wooded clearing with twisted tree trunks on the right and a sandy path running through grass.

Three Sisters

Francis Seymour Haden, 1868 and later

Etching of a rolling landscape with a path, grassy hillside, and clusters of trees under a lightly hatched sky.

Windmill Hill, No. 1

Francis Seymour Haden, c. 1877 and later

Sepia print of a river valley with trees, a ruined castle on the right, and a seated figure on the hillside in the foreground

Junction of the Severn and Wye, plate 28 from Liber Studiorum

Joseph Mallord William Turner, Published June 1811

Walton

James Ward, 1823

Hand-colored print of grooms changing horses beside a black Royal Mail coach at a thatched roadside inn.

Changing Horses

S. W. Fores, 1776-1838

Mezzotint portrait of John Hunter seated beside a desk with skull illustrations, bones and specimen jars.

John Hunter. Mezzotint by W. O. Geller, 1836, after Sir J. Reynolds, 1786

Joshua Reynolds

Watercolor study of a tree in pink and white blossom in a grassy field, with a dark hedgerow and blue sky behind.

Study of a Tree in Bloom

William Turner, c. 1835

Stipple engraving of Thomas Pennant, seated in a dark coat holding a folded paper, with trees behind him.

Thomas Pennant. Stipple engraving by W. Ridley, 1793, after T. Gainsborough, 1776

Thomas Gainsborough

Watercolor of Collect Pond with a rocky hillside, willow tree, three walking figures, and a distant New York skyline with chu

Collect Pond, New York City

Archibald Robertson, 1798

Watercolor drawing of a tall tower beside a thatched shed, with cattle grazing and a large tree under a cloudy sky.

Freston Tower, Suffolk

Edward Dayes, about 1785

Night landscape print of a crescent moon over a mountain and still lake, with a small boat at a pier in the foreground.

Screel Hill and Urr Water from Kypford

Frank Short, 1872-1945

Engraved landscape of riders and a laden cart on a road past cottages, with a stormy sky and distant town.

Landscape (Going to market) after Rubens

John Browne, 1783

Watercolor of a towering castle on a rocky headland above choppy sea, with sailing boats and stormy clouds.

Conway Castle, North Wales

Joseph Mallord William Turner, 1798