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English & British

17,197 works

Watercolor of a towering castle on a rocky headland above choppy sea, with sailing boats and stormy clouds.

Conway Castle, North Wales

Joseph Mallord William Turner, 1798

Etching of a young boy in a cap and ruffled collar seated beside a stone archway, rendered in fine crosshatched lines.

David Strang, No. 1

William Strang, 1895-1896

Hand-colored print of a river scene with a cottage, hills, a rider on a grey horse, a standing figure, and cows.

Scene near Bathford

E. Parker, n.d.

Sepia lithograph of a hilltop village on a rocky ridge above a valley, framed by trees and shrubs in the foreground.

Civitella di Subiaco

Edward Lear, c. 1840

Lithograph of rocky hills with a distant hilltop town, goats resting among boulders and robed figures in the foreground.

Olevano

Edward Lear, 1841

Lithograph of a hilltop town on a rocky cliff, with figures on a path, a wooden cross, and a valley with mountains beyond.

Rocca Giovane

Edward Lear, 1841

Print of a river scene with stone ruins on a cliff, two bare trees, a seated man, a dog, and hills beyond.

Whitby

John Sell Cotman, c. 1824

Hand-colored plate of a cuckoo on rocks beside a nest, with young birds being ejected from it among heather.

Cuculus Canorus

John Gould, 1873

Hand-colored plate of snow buntings on rocky tundra with lichen, mountains and reindeer in the distance.

Plectrophanes Nivalis

John Gould, 1873

Hand-coloured print of two iridescent starlings on a tree stump with chicks peering from a nest hole.

Sturnur Vulgaris

John Gould, 1873

Stipple engraving portrait of Sir John F. W. Herschel seated beside a book, head resting on his hand.

Sir John Frederick William Herschel. Stipple engraving by D. J. Pound, 1862, after J. Mayall

John Jabez Edwin Mayall

Monochrome print of storm clouds with rain falling over flat wet sands and a distant shoreline.

Cloud March over the Sands of Dee

Frank Short, 1929

James Clerk-Maxwell. Stipple engraving by G.J. Stodart, 1881, after J. Fergus

Black and white lithograph of a medieval stone gate in York with twin towers, a central archway, and a figure walking below.

A Series of Ancient Buildings and Rural Cottages in the North of England: At York, Medieval Gate

Samuel Prout, 1821

Lithograph of a stone bridge with two women at a wooden rail, a thatched cottage on a hill, and ruined stone walls.

A Series of Ancient Buildings and Rural Cottages in the North of England: Runswick

Samuel Prout, 1821

Lithograph of a ruined cottage and farmyard with chickens, a woman, and a medieval castle tower on a hill.

A Series of Ancient Buildings and Rural Cottages in the North of England: At York, Farmyard with Chickens

Samuel Prout, 1821

Pencil-style lithograph of a leaning timber-framed house, a Gothic church spire, and a woman standing on a cobbled street in

A Series of Ancient Buildings and Rural Cottages in the North of England: At York, Street beside Cloister Wall

Samuel Prout, 1821

Lithograph of ruined Gothic arches and columns at York with a grassy mound in the foreground and trees behind.

A Series of Ancient Buildings and Rural Cottages in the North of England: At York, Ruins

Samuel Prout, 1821

Lithograph of a ruined timber-framed cottage with thatch and brick chimneys, three figures seated at the doorway, trees aroun

A Series of Ancient Buildings and Rural Cottages in the North of England: Near Ashbourn

Samuel Prout, 1821

Etching of a thatched cottage and stone church tower among trees, with a figure leaning on a low stone wall at left.

A Series of Ancient Buildings and Rural Cottages in the North of England: Ayton

Samuel Prout, 1821

Sepia engraving of the ruined Episcopal Palace at St. Davids with arched walls, trees, grazing cattle and two horsemen.

Episcopal Palace at St. Davids, plate twelve from Twelve Views in South Wales

Paul Sandby, 1775

Watercolor portrait of a seated man in a black coat and white cravat, leaning on a black spindle chair, dated 1810.

Allan Melville

John Rubens Smith, 1810

Etching of a decrepit lattice-sailed windmill on a grassy mound, with two figures on a path and a church tower in the distanc

A Series of Ancient Buildings and Rural Cottages in the North of England: At Crowland, Windmill

Samuel Prout, 1821

Black and white print of a thatched cottage with a stone chimney, wooden fence, woman in doorway, and trees at right.

A Series of Ancient Buildings and Rural Cottages in the North of England: Near Byland

Samuel Prout, 1821

Black and white print of ruined Gothic arches and a rose window in Kirkham Abbey, with a carved font and overgrown plants.

A Series of Ancient Buildings and Rural Cottages in the North of England: Part of Kirkham Abbey

Samuel Prout, 1821

Lithograph of a thatched timber-framed cottage beside a church tower with a Gothic window and a figure carrying a bundle.

A Series of Ancient Buildings and Rural Cottages in the North of England: Helmsley

Samuel Prout, 1821

Lithograph of Peak Cavern with a stone cottage, smoking chimney, figures on a dirt road, and an arched rock entrance.

A Series of Ancient Buildings and Rural Cottages in the North of England: Peak Cavern

Samuel Prout, 1821

Stipple engraving oval portrait of Sir Isaac Newton with long curled wig and white cravat.

Sir Isaac Newton. Stipple engraving by W. Ridley, 1807, after J. Vanderbank, 1726

John Vanderbank

Stipple engraving of a seated bearded man in a frock coat reading a small book in an ornate armchair.

Anthony Ashley Cooper, 7th Earl of Shaftesbury. Stipple engraving by J. Brown after J. Fergus

Pencil sketch of a mountain valley with a river, conifer trees, rocky slopes and handwritten notes, by John Herschel, 1834.

Valley of Fassa from Opposite Gries

John Frederick William Herschel, 1834

Etching of The Last Supper: a haloed figure stands behind a table of bowed, seated men in a rustic stone room with a cat belo

The Last Supper

William Strang, 1889

Red chalk drawing in a circle of a nude woman leaning on one arm beside a seated child, with hatched shading behind.

Playmates

Charles Haslewood Shannon, 1907