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Yale University Art Gallery

1,302 works

Etching of a village road with a stone archway, beggars and dying figures on the ground, and a large tree at right.

Les grandes miseres de la guerre: No. 16 - Les mourants sur le bord des routes

Etching of birch trees in a landscape with a reclining faun at left and a small nymph figure at right.

Nymphs et Faunes

Ker Xavier Roussel

Charcoal study on blue-grey paper of two nude male figures holding torches with smoking flames, with sketched arches above.

Study of two flamebearers

Edwin Austin Abbey

Daumier lithograph of a boy receiving a wreathed math prize as a seated man dabs his eyes with a handkerchief.

Premier grand prix de mathématiques, Mr. Isidore Cabuchet, déjà neuf fois nommé! . . . . . / (Mr. Cabuchet ne peut pl…

Honoré Daumier, 1846

Etching of a river landscape with tall trees, a fallen log, and two men fishing with a child resting on the bank.

Repos au Bord de la Riviere

Alphonse Legros

Charcoal and pastel composition study on grid paper showing a red-clad figure and dark clustered figures, a mural design sket

Composition study for "Seven Deadly Sins" in The Quest of the Holy Grail mural series at Boston Public Library

Edwin Austin Abbey

Etching of wind-bent trees over scrubby coastline with sea on horizon and two birds flying in a hatched sky.

Formentera

Francisque de St. Etienne

Engraved print of a crowded assembly room with men at tables, flags and drums on the wall, and draped curtains.

The Declaration of Independence

John Francis Eugene Prud'homme

Ink and wash drawing of a tangled heap of men and boys on the ground, one raising a hat, with a standing observer at right.

Pile of men: caricature of "rough-house" Early

Edwin Austin Abbey

Etching of the Ponte Sant'Angelo over the Tiber with Castel Sant'Angelo and St. Peter's dome in the background, boats on the

Veduta del Ponte e Castello Sant'Angelo (View of the Bridge and Castel Sant' Angelo), from Vedute di Roma (Views of R…

Giovanni Battista Piranesi, 1754

Etching of a long rural farmhouse beside tall trees and poplars across a grassy meadow under a cloudy sky.

Le Chateau de Tachy

Jacques Pierre Victor Beurdeley, 1920

Pencil sketch of an interior with a standing man, a seated figure, an arched opening and a large circular table.

Unidentified illustration- Interior with figures, bloth sides of page

Edwin Austin Abbey

Etching of the ruined Temple of the Sibyl at Tivoli with columns, overgrown walls, figures and goats in the foreground.

Altra Veduta del Tempio della Sibilla in Tivoli (Another View of the Temple of the Sibyl in Tivoli), from Vedute di R…

Giovanni Battista Piranesi, 1761

Hand-colored print of a crowded harbor launch with a steam frigate, flagged rowboats, sailboats and smoke from a cannon.

Launch of the Steam Frigate Fulton the First

John James Barralet, 1815

Pen and ink drawing of an interior with a woman by a table, a kneeling cloaked figure, and two men at an open door.

"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer

Edwin Austin Abbey, 1884

Etching of a basilica interior with long rows of columns, a wooden ceiling, and small figures in period dress on the floor.

Spaccato interno della Basilica di S. Paolo fuori delle Mura . . . (Cross-Section of the Interior of the Basilica of…

Giovanni Battista Piranesi, 1749

Etching of the Holy Family resting under a tree with a donkey, baskets and a distant coastal landscape.

The Rest on the Flight into Egypt, from the series Idee pittoresche sopra la fuga in Egitto (Flight into Egypt)

Giovanni Domenico Tiepolo, 1750

Pen and ink interior scene of men in 18th-century dress in a tavern, with a standing man holding a cane and a woman at right.

"His house was known to all the vagrant train," illustration for Oliver Goldsmith's The Deserted Village (London and…

Edwin Austin Abbey, 1890

Etching of a large waterfall at Tivoli with rocky cliffs, a hilltop town, and small figures on the rocks below.

Veduta della Cascata di Tivoli (View of the Waterfall of Tivoli), from Vedute di Roma (Views of Rome)

Giovanni Battista Piranesi, 1765

Hand-colored print of Niagara Falls seen from the upper bank, with mist, a rainbow, trees, and grazing sheep in the foregroun

The Falls of Niagara. This View From the Upper Bank, English Side, is by Special Permission...

Charles Hunt Sr., 1833

Sketch of a female figure, seated - unidentified illustration

Edwin Austin Abbey

Ink and wash drawing of a bearded elderly man in glasses at a draped table, with a sleeping dog and curtains in a stone inter

Study for "The Man with Glasses Speaks"

Adriaen van de Venne, 1654

Etching of a vast imaginary prison with arches, stairs, heavy chains, and small figures among stone piers.

The Pier with Chains, plate 16 from Carceri d'Invenzione (Imaginary Prisons)

Giovanni Battista Piranesi, 1750

Charcoal and white chalk figure study on orange paper showing a bent arm and muscular torso.

Figure study for mural at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer…

Edwin Austin Abbey

Watercolor of three dandies in top hats beside a wall of theater playbills, with a pig and a water spout on a city street.

The Soap-Locks or Bowery Boys

Nicolino Calyo, 1840

Etching of the overgrown ruins of an octagonal domed temple with broken arches, small figures, and a cloudy sky.

Veduta del Tempio ottangolare di Minerva Medica (View of the Octagonal Temple of Minerva Medica [now considered to ha…

Giovanni Battista Piranesi, 1764

Charcoal and chalk study of two figures clasping hands, drawn on brown paper, by Edwin Austin Abbey.

Study of two figures shaking hands in the "Penn's Treaty," mural at the state capitol building in Harrisburg, Pennsyl…

Edwin Austin Abbey, 1902

Chiaroscuro woodcut in an oval of a draped reclining woman among flowers and foliage, with a second figure at right.

The Virgin and Child with Saint John the Baptist

Antonio da Trento, 1527

Etching of tall birch and poplar trees on a riverbank, with a small boat in the grass and calm water beyond.

Trembles au bord de la Seine (Aspens on the Bank of the Seine)

Félix Bracquemond, 1884

Pen and ink drawing of two 18th-century figures in a panelled room, one gesturing toward a seated woman on a sofa.

"Am I in Face To-day?," illustration for Oliver Goldsmith's She Stoops To Conquer

Edwin Austin Abbey, 1884