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Wien Museum

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Pencil sketch of a chain bridge leading to a large barracks with towers, with carriages and pedestrians on the street.

Aspernbrücke mit Franz-Josephs-Kaserne

Rudolf von Alt, 1870

Pencil and watercolor perspective drawing of a Vienna square with a central monument, tree-lined paths and city buildings.

Aspernbrücke, Perspektivische Ansicht

Friedrich Ohmann, 1912

Pencil sketch of a woman lying on her stomach in patterned drapery, reading with her head resting on one hand.

Auf dem Bauch liegende Lesende

Gustav Klimt, 1907

Pencil sketch of a female nude lying face down, drawn with loose looping contour lines on tan paper.

Auf dem Bauch liegender weiblicher Akt

Gustav Klimt, 1916

Pencil sketch of a reclining female nude lying on her stomach, head propped on her hand, one leg bent.

Auf dem Bauch liegender weiblicher Akt nach links mit angewinkeltem linken Bein und in die Hand gestütztem Kinn

Gustav Klimt, 1916

Pencil sketch on brown paper of a female nude lying face down toward the right, drawn in loose outlines.

Auf dem Bauch liegender weiblicher Akt nach rechts

Gustav Klimt, 1905

Blue pencil sketch of a woman lying on her stomach, head turned right, on tan paper, with a color checker below.

Auf dem Bauch liegender weiblicher Halbakt

Gustav Klimt, 1905

Pencil sketch of a reclining female nude with closed eyes and curly hair, lying on a pillow and bedding.

Auf dem Rücken liegender weiblicher Akt

Gustav Klimt, 1903

Watercolor of a bridge with railway tracks, workers and figures under cloudy skies, with a distant city skyline and smoking l

Auf der Reichsstraßenbrücke beim Handelskai

Emil Hütter, 1876

Pencil sketch of a gabled wooden farmhouse with a chimney, fence, and trees on a grassy hill, with handwritten German inscrip

Auf der Türkenschanze

Heinrich Gonvers, 1885

Pencil sketch of a farmer in a top hat asleep, leaning against a hay wagon with legs outstretched.

Auf Heuwagen gelehnter schlafender Bauer

Josef Kriehuber, 1876

Sepia engraving of three veiled women walking past a weeping willow toward a distant city with palm trees.

Auferstehungsmorgen

Jakob Gauermann, 1806

Brown ink drawing of a crowd, carriages and riders arriving before a neoclassical building with a flag.

Auffahrt der Abgeordneten zur Eröffnung des provisorischen Abgeordnetenhauses am 29. April 1861

A. Wasmann, 1861

Hand-colored print of a crowded hall with an orchestra performing before an audience under a painted classical ceiling.

Aufführung der "Schöpfung" am 27. März 1808 in Gegenwart Josef Haydns im Festsaal der Alten Universität

Balthasar Wigand, 1851

Engraved elevation of the Baths of Diocletian in Rome, showing domed halls, colonnades and a walled enclosure with trees and

Auffzug der Bäder des Kaisers Diocletiani zu Rom [...] / Elevation des Thermes de l´Empereur Diocletien á Rome [...]

Johann Bernhard Fischer von Erlach, 1721

Aufgestützt liegender weiblicher Halbakt im Profil nach links

Gustav Klimt, 1916

Engraving of cavalry soldiers fighting with swords on rocky ground, with a stone bridge and church spires in the distance.

Aufhebung der preußischen Belagerung von Olmütz durch österreichischen Truppen unter General Daun am 30. Juni 1758

Jacques Firmin Beauvarlet, 1758

Hand-colored 1778 map of Bohemia showing army positions, rivers, roads and towns, with a key in German along the bottom.

Aufmarsch der feindlichen Armeen in Böhmen im Juli und August 1778

Johann Martin Will, 1778

Architectural drawing with building elevations, a section, and ceiling details of a stepped building with patterned tile band

Aufrisse, Schnitt, Untersichten eines unbekannten Gebäudes

fraglich: Otto Wagner, 1905

Charcoal drawing of farmers and a woman with tools on a path beneath a darkening storm sky over rolling fields.

Aufsteigendes Gewitter

Anton Heinrich Peschka, 1924

Double portrait drawing of two men in uniforms with sashes and medals, one in military dress, one in a dark coat, 1840.

August Longin Fürst von Lobkowitz und Anton Friedrich Graf Mittrowsky von Mittrowitz

Carl Josef Geiger, 1840

Black-and-white print of a burning building with flames on the roof and a crowd of firefighters and onlookers in the street.

Aus "Alt-Wien", VI. Jahrgang, Nr. 4: "Brand der Apollo-Kerzenfabrik in der Zieglergasse. / am 26. Jänner 1876."

Fritz Gareis, 1895

Hand-colored print of soldiers escorting wounded and captured men past an equestrian statue on a stone pedestal.

Aus Alexandre de Laborde, Voyage pittoresque en Autriche, Bd. III., Paris 1821, Tafel 25: Gefangene und verwundete ös…

Pencil sketch page with several figure studies of men in caps and a standing man in a top hat and military coat.

Aus dem Seressanerlager (vor Wien)

Carl Anton Goebel, 1849

Etched print of a public execution on a scaffold in a city square, with soldiers, a crowd, and gabled houses around it.

Aus den "Geschichtsblättern": Öffentliche Hinrichtung des Ratsherrn Gosson in Utrecht am 26. Oktober 1578

Frans Hogenberg, 1578

Etched battle scene with cannons firing, cavalry and infantry in combat, and a walled town on the horizon.

Aus den "Geschichtsblättern": Angriff der Spanier bei Aerschott am 1. August 1578

Frans Hogenberg, 1578

Etching of Antwerp's skyline with a windmill and a column of mounted soldiers and a wagon on a road in the foreground.

Aus den "Geschichtsblättern": Auszug der Spanier aus Antwerpen 1577

Frans Hogenberg, 1577

Etching of a military procession with mounted soldiers and a carriage leaving the walled city of Brussels, ships on water at

Aus den "Geschichtsblättern": Auszug des Herzogs Alba aus Brüssel im Dezember 1573

Frans Hogenberg, 1573

Engraving of Antwerp town hall in flames, with soldiers fighting and bodies strewn across the square in the foreground.

Aus den "Geschichtsblättern": Brand des Rathauses in Antorff am 4. November 1576

Frans Hogenberg, 1576

Etching of men destroying statues and church furnishings inside a pillared church, with ladders and a watching couple at left

Aus den "Geschichtsblättern": Calvinistische Bilderstürmer am 20. August 1566

Frans Hogenberg, 1566

Etching of the fortified town of Grolla under siege, with cannons firing, soldiers and tents in the surrounding landscape.

Aus den "Geschichtsblättern": Die Schlacht bei Grolla (Groeulo, Niederlande) am 11. August 1606

Abraham Hogenberg, 1606

Etching of Antwerp under a broad sky, with crowds, horsemen, windmills and boats in the landscape and verse below.

Aus den "Geschichtsblättern": Die Synode von Antwerpen 1566

Frans Hogenberg, 1566

Etching of soldiers and horsemen attacking a walled town with church spires, with tents, cannons and hills in the background.

Aus den "Geschichtsblättern": Einnahme der Stadt Bergen durch Herzog Alba am 6. September 1577

Frans Hogenberg, 1577

Etched print of a mounted armed procession passing a city gate toward Brussels, with pikemen, banners and a rural landscape.

Aus den "Geschichtsblättern": Einzug des Herzog Alba in Brüssel im August 1567

Frans Hogenberg, 1567

Etched print of a procession of soldiers and riders entering a walled city gate, with a windmill and rooftops behind.

Aus den "Geschichtsblättern": Einzug des Prinzen von Oranien in Antorff (Antwerpen) am 18. September 1577

Frans Hogenberg, 1577

Engraved print of a mounted procession with pikemen entering a walled city through a fortified gate with towers.

Aus den "Geschichtsblättern": Einzug Erzherzog Matthias in Brüssel am 18. Jänner 1578

Frans Hogenberg, 1578

Etching of a walled city labelled Delft with church towers, with mounted soldiers and a procession moving across fields in th

Aus den "Geschichtsblättern": Einzug geschlagener Truppen 1584 in Delft

Frans Hogenberg, 1584

Engraving of armed soldiers marching through a crowded town street lined with gabled houses and a round tower, with banners.

Aus den "Geschichtsblättern": Eroberung der Stadt Antwerpen am 14. März 1567

Frans Hogenberg, 1567

Etching of soldiers attacking the walled town of Diest, with mounted officers entering a city gate and ladders against the wa

Aus den "Geschichtsblättern": Eroberung der Stadt Diest im Mai 1580

Frans Hogenberg, 1580

Engraving of soldiers attacking townspeople by the river Mosa, with burning buildings, boats and a bridge in Maastricht, 1576

Aus den "Geschichtsblättern": Eroberung der Stadt Maastricht am 20. Oktober 1576

Frans Hogenberg, 1576

Engraving of soldiers and horsemen fighting in a walled city square with gabled houses, a cannon, and fallen bodies.

Aus den "Geschichtsblättern": Eroberung der Stadt Mecheln am 9. Mai 1580

Frans Hogenberg, 1580

Etching of a city under attack, soldiers marching across a bridge while townspeople flee with bundles and carts.

Aus den "Geschichtsblättern": Eroberung und Plünderung der Stadt Mecheln am 1. Oktober 1572

Frans Hogenberg, 1572

Engraving of soldiers storming a walled town through a gate, with cannon smoke, burning houses and fleeing civilians.

Aus den "Geschichtsblättern": Erstürmung von Antorff (Antwerpen) am 4. November 1576

Frans Hogenberg, 1576

Engraving of troops and cavalry reviewed across an open landscape, with banners and a mounted procession in the foreground.

Aus den "Geschichtsblättern": Erzherzog Mathias besichtigt die Truppen Herzog Casimirs am 21. August 1578

Frans Hogenberg, 1578

Engraved military scene showing infantry squares, banners, and cavalry on an open field, with German verse captions below.

Aus den "Geschichtsblättern": Erzherzog Mathias besucht das niederländische Heerlager am 14. Juli 1578

Frans Hogenberg, 1578

Engraving of an oath ceremony in a Brussels hall with pikemen, drummers, and officials on a draped balcony.

Aus den "Geschichtsblättern": Erzherzog Matthias und der Prinz von Oranien leisten den Eid zu Brüssel am 20. Jänner 1578

Frans Hogenberg, 1578

Engraving of Spanish soldiers torturing and killing civilians in a city street, with bodies hanging and scattered on the grou

Aus den "Geschichtsblättern": Folterung der Einwohner Antorffs (Antwerpen) durch spanische Soldaten am 5. November 1576

Frans Hogenberg, 1576

Engraved battle scene with cavalry, pikemen, cannon smoke, and windmills on a plain, with German verses below.

Aus den "Geschichtsblättern": Gefecht bei Groningen am 23. Mai 1568

Frans Hogenberg, 1568

Engraving of mounted riders and pikemen leaving a walled city with spires, a gate and rolling hills, with verse text below.

Aus den "Geschichtsblättern": Herzog Alba geleitet die Herzogin von Parma im August 1568 aus der Stadt Brüssel hinaus

Frans Hogenberg, 1568

Etched print of a public execution, with a dense crowd, mounted soldiers, pikemen and a scaffold, with German verse below.

Aus den "Geschichtsblättern": Öffentliche Hinrichtung eines niederländischen Freiheitskämpfers am 21. August 1557

Frans Hogenberg, 1557

Engraving of a public execution on a scaffold in a town square, with pikemen and a dense crowd around it and townhouses behin

Aus den "Geschichtsblättern": Öffentliche Hinrichtung Niederländischer Freiheitskämpfer in Brüssel am 1. Mai 1568

Frans Hogenberg, 1568

Engraving of soldiers attacking and plundering civilians in a crowded town street, with bodies on the ground and houses aroun

Aus den "Geschichtsblättern": Raubende und plündernde Spanier in den Straßen von Antorff (Antwerpen) am 4. November 1576

Frans Hogenberg, 1576

Etched battle scene with cavalry charging among pikemen across hilly terrain, a farmhouse and distant town on the horizon.

Aus den "Geschichtsblättern": Tod des Prinzen von Conde am 13. März 1569

Frans Hogenberg, 1569

Etching of soldiers attacking a walled town, with horsemen and fleeing townspeople among gabled houses and towers.

Aus den "Geschichtsblättern": Überfall auf die Stadt Herzogenbosch am 19. Jänner 1585

Frans Hogenberg, 1585

Engraving of a battle with pikemen and cavalry near a walled town, with peasants reacting in the lower right corner.

Aus den "Geschichtsblättern": Überfall der Spanier auf Landleute bei Dalen am 22. Juli 1568

Frans Hogenberg, 1568

Engraving of a crowd and officials on a raised platform before a multi-storey building, with armed guards and German verse be

Aus den "Geschichtsblättern": Verkündigung des Friedens in den Niederlanden zu Antorff (Antwerpen) am 27. Februar 1577

Frans Hogenberg, 1577

Pencil sketch of a harpist under a tree surrounded by seated figures and children, with a church tower in the background.

Aus der Folge "Der Liedler": Der Liedler als Sänger. Zur 3. Strophe (Entwurf zur Ballade "Der Liedler" von Joseph Ken…

Moritz von Schwind, 1822

Pencil sketch of a minstrel with a lute gazing over a forested valley toward a distant castle and mountains.

Aus der Folge "Der Liedler": Heimkehr des Liedlers. Zur 9. Strophe (Entwurf zur Ballade "Der Liedler" von Josef Kenner)

Moritz von Schwind, 1822

Pen drawing of knights and mourning figures in a forest beside a gothic church wall, one woman kneeling in grief.

Aus der Folge "Ritterleben", Blatt 1: Beweinung eines Mädchens (Sterbende am Kirchenchor)

Moritz von Schwind, 1821

Pen drawing of a winged angel on clouds cradling a dying knight beside a gothic arch and trees.

Aus der Folge "Ritterleben", Blatt 3: Der Todesengel (Engel und Sterbende)

Moritz von Schwind, 1821

Engraved panoramic view of the fortress of Neu-Orsova on a river island, with boats, hills and troops in the foreground.

Aus der Serie "Feldzug in die Türkei April 1788 bis Ende 1790": Die Festung Neu-Orsova

fraglich: J. Markin, 1789

Engraved panoramic view of Belgrade on a hill above a river, with an Austrian army with cannons and cavalry in the foreground

Aus der Serie "Feldzug in die Türkei April 1788 bis Ende 1790": Ansicht von Belgrad und der österreichischen Armee be…

fraglich: J. Markin, 1788

Engraving of mounted officers in the foreground watching the siege of Belgrade, with smoke, troops and minarets beyond.

Aus der Serie "Feldzug in die Türkei April 1788 bis Ende 1790": Die Belagerung Belgrads vom 15. September bis 8. Okto…

fraglich: J. Markin, 1789

Engraved battle scene of artillery bombarding a walled fortress with smoke, cavalry and infantry with banners in the foregrou

Aus der Serie "Feldzug in die Türkei April 1788 bis Ende 1790": Die Eroberung von Šabac durch Truppen Kaiser Josef II…

fraglich: Carl Schütz, 1788