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Staatliche Kunsthalle Karlsruhe

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Pen and brown ink drawing of a rocky landscape with a stream, steep cliffs, and dense trees under an open sky.

Felsige Gebirgslandschaft mit Bach

Johann Joseph Hartmann

Line engraving by Max Klinger showing Pyramus and Thisbe seated beside a brick pillar, with draped figures and ornamental bor

Pyramus und Thisbe I (Rettungen Ovidischer Opfer, Opus II, Blatt 2 [2b])

Max Klinger, 1879

Woodcut of Adam and Eva nude beside a tree, with a serpent coiled around the trunk offering fruit.

Adam und Eva

Hans Baldung Grien, 1514

Engraved architectural interior with grand staircase, arcades and tall columns filled with a crowd of figures.

Architektur mit Ecce Homo

Johann Andreas Pfeffel, 1740

Etching of two veiled figures and a dog in a hilly landscape with a distant white town under a pale sky.

Pyramus und Thisbe II (Rettungen Ovidischer Opfer, Opus II, Blatt 3)

Max Klinger, 1879

Bildnis eines jungen Herrn, im Profil

Johann Franz von der Schlichten

Pen and ink study of intertwined nude male figures in combat, with a bearded head at upper left, on a cream sheet.

Kampfszene: Studie zu Raffaels Landung der Sarazenen

Johann Gottlieb Prestel, 1779

Etching of a wooded road with two draped figures, a seated figure by a stone monument, and hills in the distance.

Pyramus und Thisbe III (Rettungen Ovidischer Opfer, Opus II, Blatt 4)

Max Klinger, 1879

Red chalk drawing of a seated male nude with one arm raised overhead and one leg stretched out along a ledge.

Sitzender männlicher Akt nach rechts mit hochgelegtem linkem Bein und erhobenem rechtem Arm

Edmé Bouchardon

Brown ink and wash drawing of the Adoration of the Shepherds with angels above and a classical column at right.

Die Anbetung der Hirten

Johann Gottlieb Prestel, 1784

Etching of an interior with a seated woman pointing at a reclining figure on a couch, and figures peering through a doorway.

Pyramus und Thisbe IV (Rettungen Ovidischer Opfer, Opus II, Blatt 5)

Max Klinger, 1879

Pen and brown wash drawing of a woman with flowers at a wooden gate, a boy with a barrel, and a village church tower.

Das Pfarrhaus von Cleversulzbach

Moritz von Schwind, 1866

Pen drawing of a seated man gazing up at a crowned Virgin and Child in clouds above a rocky landscape.

Johannes auf Patmos

Hans Leonhard Schäufelein

Etching of a nude woman with flowing hair flying through clouds while gripping two taut lines.

Intermezzo (Erstes Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 6)

Max Klinger, 1879

Colored crayon drawing of tall fir trees and a winding dirt path through a mountain forest, with bold green and blue strokes.

Bergtannen und Weg

Ernst Ludwig Kirchner, 1918

Engraved map of Baden and surroundings with hatched hills, rivers, towns and a decorative title with a hilltop town vignette.

Charte von Baden und seinen Umgebungen

Jules Moutoux, 1830

Etching of two seated nude figures by a river under trees, with distant standing figures, hills, and a decorative floral frie

Narcissus und Echo I (Rettungen Ovidischer Opfer, Opus II, Blatt 7)

Max Klinger, 1879

Charcoal sketch of two women, one standing by a doorway and one seated holding a cup, in loose expressive lines.

Zwei Mädchen vor dem Haus

Ernst Ludwig Kirchner, 1923

Watercolor of a bloodied butcher with a knife in his mouth working over intestines on a table before a blue house.

Der Metzger

Georg Scholz, 1923

Etching of a riverside landscape with trees, poplars and reeds, framed by an ornate architectural border with floral panel be

Narcissus und Echo II (Rettungen Ovidischer Opfer, Opus II, Blatt 8)

Max Klinger, 1879

Colour woodcut of three nude women in a forest, with reclining figures in yellow and green beside tree trunks.

Drei Akte im Walde

Ernst Ludwig Kirchner, 1933

Sketched bust portrait of a mustached man in a jacket and cravat, with the signature LOVIS 1917 at upper left.

Selbstbildnis

Lovis Corinth, 1917

Etching of a seated figure beside reeds and spiky plants, with four long-legged birds wading in a lake below distant hills.

Intermezzo (Zweites Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 9)

Max Klinger, 1879

Engraving of an ornate Gothic censer with chains, tracery, angel figures and a tall finial on a plain ground.

Das Weihrauchfass

Martin Schongauer

Colour woodcut self-portrait of a man with dark hair, yellow-olive face, red clothing and grey textured background.

Selbstporträt

Ernst Ludwig Kirchner, 1907

Etching by Max Klinger showing two figures in a landscape, one standing and one seated with a flowering staff, beneath a tree

Apollo und Daphne I (Rettungen Ovidischer Opfer, Opus II, Blatt 10)

Max Klinger, 1879

Abstract line drawing of a stylized figure with a spiral head and central heart shape, surrounded by geometric forms.

Herzdame

Paul Klee, 1921

Woodcut print of a female circus rider on a large black horse against a striped background, by Ernst Ludwig Kirchner, 1909.

Zirkusreiterin - Artistin auf schwarzem Pony

Ernst Ludwig Kirchner, 1909

Etching of two nude women restraining a large white bull in a meadow, with decorative friezes above.

Apollo und Daphne II (Rettungen Ovidischer Opfer, Opus II, Blatt 11)

Max Klinger, 1879

Zeitungsträger

Georg Scholz, 1924

Black-and-tan print of a woman in a wide-brimmed hat and lace collar, gazing forward with bold expressive strokes.

Frau im Spitzenkragen

Ernst Ludwig Kirchner, 1908

Etching of a nude woman riding a galloping white bull across a meadow, with cattle and a nude figure by a pond.

Apollo und Daphne III (Rettungen Ovidischer Opfer, Opus II, Blatt 12)

Max Klinger, 1879

Pencil drawing of a gothic cloister arcade with ribbed vaults, clustered columns and a receding stone floor.

Blick durch den südlichen Kreuzgangflügel des Klosters Maulbronn

Friedrich Eisenlohr

Black-and-white woodcut of tall jagged pine trees over a forest path with small walking figures at the left.

Sanatoriumsspaziergang

Ernst Ludwig Kirchner, 1916

Etching of two standing figures on a shore, one spear-holding with a wreath, one bearded with a staff, and a seated figure in

Schluss (Satyre / Beschluss) (Rettungen Ovidischer Opfer, Opus II, Blatt 13)

Max Klinger, 1879

Etching of a tall larch tree beside a lake, with a small hut and dark hatched mountains in the background.

Lärche am Walchensee

Lovis Corinth, 1919

Etching of fields, a winding road, houses and trees under scribbled clouds in a rolling rural landscape.

Äcker und Häuser im Erzgebirge

Ernst Ludwig Kirchner, 1906

Etching of a bear gazing up at a nude figure perched in flowering trees, with a river and hills behind.

Bär und Elfe (Intermezzi, Opus IV, Blatt 1)

Max Klinger, 1881

Collage with black woodcut panel of white angular lines on a loose abstract painted background in browns, blues and greens.

Collage mit Holzschnitt auf abstrakter Malerei

Kurt Schwitters, 1919

Etching of rolling fields, farm houses and a dark tree line under a scribbled, cloudy sky.

Äcker und Häuser im Erzgebirge

Ernst Ludwig Kirchner, 1908

Etching of a woman in a windswept dress standing at the sea's edge as waves roll toward a distant horizon.

Am Meer (Intermezzi, Opus IV, Blatt 2)

Max Klinger, 1881

Woodcut of Adam and Eve nude beside the Tree of Knowledge, Eve holding an apple, 1519 by Hans Baldung.

Adam und Eva

Hans Baldung Grien, 1519

Red monochrome print of alpine huts on steep rocky slopes with jagged peaks and rising smoke clouds.

Alphütten

Ernst Ludwig Kirchner, 1919

Etching of a rearing centaur pursued by armed riders across an open grassy plain under a cloudy sky.

Verfolgter Centaur (Intermezzi, Opus IV, Blatt 3)

Max Klinger, 1881

Brown etching of a woman's head and shoulders with dense hatched lines, hair pulled back, against a textured background.

Mädchenkopf (Tête de femme)

Paul Cézanne, 1873

Watercolor drawing of a standing woman in a blue blouse against a magenta patterned background, with a table at right.

Frau mit Schürze (Erna Kirchner)

Ernst Ludwig Kirchner, 1929

Etching of a seated nude figure before a cliff and waterfalls in a mountain valley, by Max Klinger.

Mondnacht (Intermezzi, Opus IV, Blatt 4)

Max Klinger, 1881

Woodcut of Saint Jerome kneeling in a forest beside a lion, with an open book and a town on a hill behind him.

Der heilige Hieronymus

Hans Baldung Grien, 1511

Black-and-white print of a woman's face under a large dark hat, with expressive eyes and bold hatched strokes.

Visionärer Kopf

Ernst Ludwig Kirchner, 1908

Etching of two centaurs fighting on a snowy slope below a craggy mountain under a stormy sky.

Kämpfende Centauren (Intermezzi, Opus IV, Blatt 5)

Max Klinger, 1881

Lithograph of J.P. Hebel gesturing toward Elisabeth Baustlicher, who holds a book, with hills and a church behind them.

J.P. Hebel und Elisabeth Baustichler

Print of a red-clad circus rider balancing on a white horse against a dark, blocky background, drawn with bold black outlines

Zirkusreiter auf Schimmel (Jockeyreiter)

Ernst Ludwig Kirchner, 1909

Pencil drawing title page 'Humoristische Botanik' with a man and a woman among grasses, on blue-green paper.

Titelblatt für das "Illustrierte Kräuterbuch"

Adolf Schrödter

Ink line drawing by Paul Klee with a cross-hatched architectural structure, the words Leopold and Anna, and a seated bird-hea

Anna und Leopold

Paul Klee, 1918

Line drawing of a nude woman with hair piled up, drying herself with raised arms against a pale background.

Sich abtrocknende Badende mit Handtuch und Halskette

Ernst Ludwig Kirchner, 1909

Watercolor of purple larkspur flowers beside a boy in a pointed hat pulling a toy horse, with German caption.

"Feld-Rittersporn"

Adolf Schrödter

Watercolor of herdsmen, cattle, a dog and donkey resting by a stream beneath a rocky cliff and trees, 1764.

Landschaft mit ruhenden Hirten

Georg Friedrich Meyer, 1764

Pencil sketch of a man's head and shoulders with dark hatched shading on the left, by Ernst Ludwig Kirchner.

Selbstbildnis

Ernst Ludwig Kirchner, 1935

Watercolor design of a hilltop town with tall towers and cypress-dotted hills, above a dark blue paneled base.

Bildentwurf: La città delle belle torri

Alexander Kanoldt, 1919

Black and white chalk drawing of a man with side whiskers, cravat and high collar on tan paper, dated 1833.

Selbstbildnis

Karl Epple, 1833

Loose ink sketch of cattle and herdsmen in an alpine scene, with figures and grass rendered in quick hatched lines.

Alpszene

Ernst Ludwig Kirchner, 1922

Pencil and colored pencil drawing of angular towers above a yellow building with arches and a low stone wall in front.

Die "Torri gemelle" in San Gimignano

Alexander Kanoldt, 1913

Grey wash drawing of a Greek temple on a rocky coast under a stormy sky, with mountains and cypress trees.

Gebirgige Meeresküste mit griechischem Tempel im Mittelgrund

Edmund Friedrich Kanoldt, 1882

Die Verbindung

Ernst Ludwig Kirchner, 1929