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National Gallery of Art

10,104 works

Etching of a shepherd and shepherdess with grazing animals beside a river, bridge and hilltop town.

Shepherd and Shepherdess Conversing in a Landscape (Berger et bergère conversant)

Claude Lorrain, c. 1651

Caricature of a barber shaving a reclining man holding a mirror, with tools on a table and a French caption.

Projet de Voyage

Jean-Louis Forain, c. 1897

Lithograph of a stern schoolmaster confronting a boy at a desk holding a switch, with classmates watching behind him.

Attends... j'te vas en donner... du maitre d'école

Honoré Daumier, 1846

Etching of cattle drinking at a river beside a cowherd, with large trees, a stone building and distant hills.

The Cowherd (Le bouvier)

Claude Lorrain, 1636

Lithograph of a farrier in a cap lifting a horse's hoof in a stable, with another horse behind.

A French Farrier

Théodore Géricault, 1821

Lithograph of a drawing teacher with a plumb line beside a student sketching a female figure in a studio.

Mission pénible et délicate du professeur de dessin...

Honoré Daumier, 1846

Engraving of Christ gesturing to a kneeling Saint Peter as apostles gather around, with a city on a hill behind.

Christ Making Saint Peter Head of the Church

Diana Scultori after Raphael, c.1567

Green and ochre woodcut of a tall rocky cliff on a seashore, with a village on the left and sailing ships on rough waves.

Cliff on a Seashore

Hendrick Goltzius, probably 1592/1595

Lithograph of men in a rowboat on water, one smoking a pipe, another calling out toward a distant boat with rowers.

Une Rencontre en pleine eau

Honoré Daumier, 1843

Etching of a violent melee with armed men, a woman raising her arms, and fallen bodies on the ground.

Y son fieras (And They Are Like Wild Beasts)

Francisco Goya, published 1863

Green-toned woodcut of a waterfall beside a large tree, a watermill, rocky cliffs, and a distant town under a cloudy sky.

Landscape with a Waterfall

Hendrick Goltzius, probably 1592/1595

Lithograph of a woman tumbling off a train roof as her top hat flies away, passengers at windows and a station sign nearby.

Trente secondes de station

Honoré Daumier, 1843

Etching of a man shouting as two figures hold him down while a third stands with a raised weapon beside a tree.

Por que? (Why?)

Francisco Goya, published 1863

Woodcut-style landscape of a thatched farmhouse with a well, a walking man, a stork on the roof and birds in the sky.

Landscape with a Farmhouse

Hendrick Goltzius, probably 1592/1595

Daumier lithograph of a top-hatted man questioning a workman who gestures at a steam locomotive on a railway platform.

Si ma machine est bonne? je crois bien...

Honoré Daumier, 1843

Etching of a woman standing by a cannon beside fallen soldiers on a battlefield, by Francisco Goya.

Que valor! (What Courage!)

Francisco Goya, published 1863

Etching of a large old warship with masts and rigging beside a tugboat on a river, with a city skyline in the distance.

Breaking Up of the Agamemnon

Francis Seymour Haden, 1870

Daumier lithograph of a bending woman tethered by rope to a bearded man in a top hat, with a seated figure in the background.

Madame Rabourdeau a sa première leçon

Honoré Daumier, 1847

Etching of seated men in cross-marked hats and robes, several reading papers on a bench, with the caption No se puede saber p

No se puede saber por que (One Can't Tell Why)

Francisco Goya, published 1863

Etching of moored sailing ships and rowboats in a harbor with a distant city skyline and dome.

Breaking Up of the Agamemnon (The Second Plate)

Francis Seymour Haden, 1886

Lithograph of women wading in a public bathing pool, one shouting and another standing arms crossed, with a figure on a platf

Les Barbotteuses

Honoré Daumier, 1847

Etching of a soldier seizing a kneeling woman as a child lies on the ground and figures recoil in a dark scene.

Ni por esas (Neither Do These)

Francisco Goya, published 1863

Etching of a river with a wooden footbridge, a cottage among trees, and a large tree at right under a cloudy sky.

The Test at Longparish

Francis Seymour Haden, 1882

Lithograph of two seated women smoking at a café table with a decanter, two men in the background.

A la buvette

Honoré Daumier, 1847

Etching of a standing figure beside a post amid fallen bodies on the ground, rendered in dense dark hatching.

Y no hai remedio (And There's No Help for It)

Francisco Goya, published 1863

Etching of a wooded landscape with a rocky bank, a shallow stream, and two donkeys standing at right.

Encombe Woods (No.1)

Francis Seymour Haden, 1881

Lithograph of women in bathing costumes at a bathhouse pool, one seated on a bench, with swimmers and an attendant in the bac

Fesant toutes partie de la plus belle moitié...

Honoré Daumier, 1847

Etching of a mounted soldier with a raised sword beside a rearing horse, with fallen and fighting figures on the ground below

No se convienen (They Do Not Agree)

Francisco Goya, published 1863

Etching of a ruined castle on a cliff above sheep and a shepherd, under a dramatic streaked sky.

Harlech (No.2)

Francis Seymour Haden, 1880

Lithograph of a woman in nightclothes tying a child's hair while another woman leans over a stair railing toward a small face

En Famille

Honoré Daumier, 1847