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J. Paul Getty Museum

2,294 works

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Small etched portrait of a figure in a large white headdress, turned to the side, printed on a cream page.

[Sick woman with a large white headdress (Saskia)]

Bisson Frères, 1858

Print of the stone staircase and arched courtyard of Glasgow College, with lion sculptures and small figures in the foregroun

The Outer Court, College

T. & R. Annan & Sons, 1885

Sepia photogravure of an elderly bearded man seated between two young girls, all looking off to one side.

Hear Dem Bells

N.Y. Photogravure Co, 1890

Heliogravure of a carved griffin and acanthus cornice fragment from the Pavillon Mollien staircase at the Nouveau Louvre.

Nouveau Louvre (Escalier du Pavillon Mollien)

Édouard Baldus, about 1868

Small etched print of a nude man in a crown of thorns standing before a column, arms outstretched, with a skull at his feet.

L'Homme de douleurs aux bras étendus

Bisson Frères, 1861

Engraved portrait of a bearded man in a fur-trimmed cap and fur collar, with coats of arms and a Latin inscription below.

Frédéric, électeur de Saxe

Bisson Frères, 1861

Hand-coloured drawing of a Japanese procession with a palanquin, mounted rider, robed attendants and crowd, 1868.

The Mikado's Procession

Felice Beato, 1868

Sepia portrait of a seated older man in a dark coat, hands in lap, with sketched hatching behind him and an inscription.

[Portrait or self-portrait of Achille Devéria]

Achille Devéria, 1855

Sepia print of a wooden footbridge over a still pond, framed by a leaning willow tree and shrubs in the foreground.

On the "Sow," Near Walton's House at Shallowford

Captain George Bankart, 1888

Faint sepia print of a bearded man in a cap and collared coat, set within a ruled border on a cream page.

Self-Portrait of Juan de Yciar

Nicolaas Henneman, 1847

Etched landscape of a river with a moored boat, a shepherd resting with sheep on the grassy bank, and trees.

Vue Prise au Bas-Meudon

Charles-François Daubigny, 1842-1845

Small circular engraving of the Crucifixion with figures at the sides, centered on a large cream sheet.

Le Crucifix

Bisson Frères, 1861

Black and white view of a curving path beside a water channel through tall trees in the Bois de Boulogne.

Le Bois de Boulogne

Charles Marville, negative about 1858; print about 1869

Hand-colored print of a waterfall cascading between rocky cliffs into a pool, with trees framing the scene, in a gold-bordere

The Fawn's Leap

Benson John Lossing, about 1860-1866

Engraved design of an ornate vase on a pedestal decorated with lion heads, foliage and a grotesque mask.

[Design by Enea Vico]

Édouard Baldus, 1866

Engraved ornamental design with arches, nude figures, swans, lions and a sea scene of a figure on sea horses.

[Design by Enea Vico after Antique Paintings]

Édouard Baldus, 1866

Soft-focus print of a narrow street with a wooden barrel, a bent figure drawing water, and children near a balcony.

Coin de rue à Menton

Robert Demachy, 1896

Sepia print of a paddle steamer with two smokestacks battling rough waves, with a lighthouse and mountains behind.

Oenosis

Baron Paul des Granges, 1870-mid-1880s

Advertisement for Ætna Iron Works in San Francisco with a photo of the building, horse-drawn wagons, and workers on the stree

[Ætna Iron Works, Pendergast, Smith and Company, San Francisco]

I. W. Taber, 1880

Ornate title page reading Yosemite Valley, Photographic Views of Falls and Valley, Mariposa County, California, with a centra

[Title page]

Carleton Watkins, 1865-1866

Engraved plate showing three carved Roman stone fragments with inscriptions and relief decoration.

Plate II

Thomas Annan, 1897

Microscopic transverse section of a dandelion flower head showing rows of circular florets beneath curved green bracts.

[View of Dandelion Plant - Transverse Section]

James Hornell, May 1895

Sepia print of the Virgin standing on a globe with cherubs and clouds around her, on a cream page numbered 46.

The Virgin of the Immaculate Conception

Nicolaas Henneman, 1847

Engraved print of a large pig carrying a small figure on its back, with a castle and hills in the background.

Le Pourceau monstrueux

Bisson Frères, 1861

Sepia print of a herder with a staff walking beside yoked oxen carrying a basket across a flat, dry field.

Returning from Labour, by R. Ansdell

Caldesi & Montecchi, 1858

Worn green sketchbook cover with a handwritten paper label in the upper right corner.

Sketchbook

Théodore Géricault, 1812-1814

Pen and wash drawing of an armored warrior standing over a fallen man, with a winged putto above and allegorical women below.

Virtue or Fortitude Vanquishing Ignorance before the Allegory of the Arts

Hermann Weyer, about 1620

Brown ink and wash drawing of the Virgin being crowned by Christ and an angel, with cherubs on clouds and a dove above.

The Coronation of the Virgin

Francisco Ribalta, about 1600-1628

Black chalk and white heightened drawing of Cupid overpowering the goat-legged Pan on blue paper.

Cupid Overpowering Pan (recto); Head of a Monk; Caricature of a Man in Profile (verso)

Agostino Carracci, about 1590

Dim interior drawing with a cat at a diamond-paned window and two seated figures in shadow, light falling across the floor.

"Le chat" or The Cat at the Window

Jean-François Millet, about 1857-1858