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Cooper Hewitt, Smithsonian Design Museum

6,799 works

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Watercolor design for an embroidered coat lapel with black fabric, painted flower bouquets, and pearl bead trim on pale paper

Design for Embroidered Coat (upper section), Gilet lapel, pattern 1464 of the Fabrique de St. Ruf

Mademoiselle Montalent, 1780

Pen and brown wash drawing of an ornate altar elevation with arched niches, standing figures, and putti.

Elevation of an Altar

Leonardo Scaglia, 1650

Pencil study of a standing woman with foliage in her hair and draped cloth, sketched on cream paper.

Study for a standing woman, “Moods to Music,” Mendelssohn Glee Club, New York, NY

Robert Frederick Blum, 1890

Colored drawing of an ornate classical ceiling design with medallions, garlands, scrollwork, and figures in red, blue and gol

Ceiling in Hadrian's Villa, near Tivoli

Luigi Rossini, 1820

Brown ink and wash drawing of robed figures in an interior, with an ambassador holding a staff before a seated man.

Ceiling Design: Roman Ambassador Ask the Sabine Numa Pompilius to Reign over Rome, Sala di Numa Pompilio, Palazzo Mil…

Felice Giani, 1800

Watercolor of an ornate interior wall with a central door, sculptural pediment, painted urns and garlands, and a console tabl

Section of wall, bedroom of Marie Antoinette, Palace of Fontainebleau, France

Frederick Marschall, 1880

Pencil sketch of a seated woman holding a lute, with studies of hands and a second instrument on grey paper.

Sketches of a Woman with a Lute, Study for "Titian Showing the Entombment to Charles V and Clement VII"

Daniel Huntington, 1870

Charcoal study of a seated nude woman with head lowered, hands resting on a bench, against a dark shaded background.

Nude Woman

Walter Shirlaw, 1880

Colored design drawing of an ornate silver altar lamp with angels, cherubs and gilded details, with inscription and scale bar

An Altar Lamp in the Family Chapel of the Honorati in the Cathedral in Jesi

Luigi Valadier, 1770

Graphite and white chalk study of a seated woman in a bonnet and shawl, drawn on gray paper.

Study of a Seated Woman for "The Republican Court" (Lady Washington's Reception Day)

Daniel Huntington, 1860

Pencil and watercolor study of two grazing cows on grass, with faint sketches of cattle legs above.

Cattle, Two Grazing Cows and the Backs of Calves

Samuel Colman, 1880

Pencil sketch of a winged cherub with a floral crown rising above a loosely drawn draped figure on tan paper.

Cherub

Robert Frederick Blum, 1870

Pencil sketch of a palm tree trunk and fronds on tan paper, with handwritten color notes and a museum stamp.

Palm Tree, Aspinwall (Colón), Panama

Frederic Edwin Church, 1850

Ink drawing of two caryatids, a seated figure, garland friezes and a crowded classical frieze below.

Friezes; Two Caryatids; Seated Figure

Felice Giani, 1800

Grey wash drawing of an armored allegorical figure with shield, putti and acanthus scrolls, design for a carriage rear.

Design for the Rear of a Carriage with Valor Victorious over Vice and Arrogance

Charcoal sketch of a woman in a headscarf and long skirt, seen from behind, standing on a sloping sandy ground.

Woman Looking Out to Sea, Cullercoats, England

Winslow Homer, 1880

Pencil sketch of an artist seated among easels and canvases in a studio interior, with a handwritten caption below.

Artist in the studio

Robert Frederick Blum, 1880

Brown ink and wash drawing of a kneeling man offering at an altar while a bearded god and eagle appear in clouds above.

Numa Pompilius Worshipping Jove on the Aventine, Ceiling Design for the Sala di Numa Pompilius, Palazzo Milzetti, Faenza

Felice Giani, 1800

Pen and brown ink lunette design with classical figures, a lyre and a shield, labelled Poesia.

Design for a Lunette with Allegory of Poetry

Felice Giani, 1800

Ink and wash drawing of robed surveyors measuring a walled site, with a temple floor plan above and an ornate frame.

Study for the First Plan of Solomon's Temple, Plate 420, Physica Sacra

Johann Melchior Füssli, 1720

Pencil sketch of a man in a top hat and a woman in a hat seated at a café table, with a third figure at the right edge.

Café scene

Robert Frederick Blum, 1880

Figure with Child

Passerotti, 1550

Watercolor elevation of a bedroom alcove with a blue daybed, gilded panels, floral garlands and neoclassical painted decorati

Wall Elevation of Bedroom Alcove

Pierre Ranson, 1770

Pencil sketch page with two standing bulls, a bull head study, and an oak tree with branches, dated September 1840.

Sketches of Bulls and an Oak Tree, Catskill, New York

Frederic Edwin Church, 1840

Watercolor textile design of purple flowering branches with green leaves, thorny stems, and blue and ochre decorative borders

Design for Gilet, pattern 1732 of the Fabrique de St. Ruf

Mademoiselle Montalent, 1780

Grey wash drawing of a compote with a scalloped bowl, two dolphin supports and a shell-shaped base.

Design for a Silver and Crystal Compote

Joseph Anton Seethaler II, 1820

Brown ink and wash design of a rococo border with allegorical figures, putti, scrollwork and a blank central panel.

Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the H…

Hubert François Gravelot, 1720

Ink and wash design drawing of a bedroom alcove with a bed, draped curtains, figural pilasters and an arched frieze.

Design for a Bedroom Alcove

Giuseppe Barberi, 1790

Pencil sketch of clouds and sea with handwritten color notes such as 'silver' and 'sky golden milky' on cream paper.

Moonlit Sky at Sea, Egypt

Frederic Edwin Church, 1860

Pencil study on grey paper of a hemlock and beech tree beside a forest clearing with sketched branches and foliage.

Study of Hemlock and Beech, White Lake

Daniel Huntington, 1840