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Art Institute of Chicago

13,164 works

Lithograph of a caricatured standing man in uniform with a star medal, holding a hat and sword, by Daumier, 1835.

Mr. Choiseul, (called le Duc), plate 502

Honoré Daumier, 1835

Etching of an old man in a dark cap and fur collar, one hand raised to shade his eyes, with loose sketched lines around him.

Old Man Shading His Eyes with His Hand

Rembrandt van Rijn, c. 1639

Lithograph of an elderly man in a coat leaning over a checkerboard, with trees visible through a window behind him.

Maska and faces: Keeping a Queen, you see

Paul Gavarni, 1857-58

Portrait of J.J. Guiffrey

Charles Émile Jacque, 1866

Etching of Christ crowned with thorns before a seated Pilate on a dais, surrounded by soldiers, spears and a crowd in an arch

Christ Before Pilate: Large Plate

Rembrandt van Rijn, 1635

Two women with dark hair read a newspaper together in front of draped curtains, drawn in soft lithographic shading.

Masks and faces: Look at the announcements

Paul Gavarni, 1857-58

Woodcut of the risen Christ rising from a tomb with a banner while startled soldiers fall below and angels float above.

The Resurrection, from The Large Passion

Albrecht Dürer, 1510, published 1511

Zodiac ("La Plume")

Alphonse Mucha, 1896-97

Lithograph of a man dozing on a sofa beside a woman resting her chin on her hand, with bookshelves behind them.

Husbands Always Make Me Laugh: Ninie, I've just had an idea

Paul Gavarni, 1853

Lithograph of the Gros Horloge clock tower with a Gothic spire, half-timbered houses, and market figures on a cobbled street.

Great Clock Tower

Richard Parkes Bonington, n.d.

Sketch of two figures seated at a garden table beside a tree trunk and wooden railing, with bottles on the table.

Tête-à-tête in the garden

James McNeill Whistler, 1894

Lithograph of two men in 19th-century dress in conversation, with the French caption Les maris me font toujours rire below.

Husbands Always Make Me Laugh: Really my son-in-law

Paul Gavarni, 1853

Black and white lithograph of a crowded Rouen street with timber-framed houses, a cart, pedestrians, and a distant domed towe

Great Clock Street

Richard Parkes Bonington, n.d.

Sketch of a seated young girl in a ruffled dress with hatched shading behind her, by James McNeill Whistler.

Little Dorothy

James McNeill Whistler, 1896

Lithograph of an elderly man in a nightcap and cloak, head bowed, beside a table with a wine glass before a curtain.

Husbands Always Make Me Laugh: Some say marriage settles a man

Paul Gavarni, 1853

Grey-toned drawing of a woman leaning over a sleeping man in classical robes among trees and wildflowers.

Swooned Murmuring of Love, and Pale with Pain

Will Hicock Low, 1885

Loose etched sketch of a river view with a distant domed cathedral, small boats on the water, and a stone embankment in the f

Little London

James McNeill Whistler, 1896

Lithograph of two women in ruffled period dress beside an ornate carved cabinet, with cursive caption below.

Husbands Always Make Me Laugh: My husband's latest passion

Paul Gavarni, 1853

Full-length portrait print of a standing man in a dark suit holding a walking stick against a hatched dark background.

Count Robert de Montesquiou

Beatrix Godwin Whistler, 1894

Hand-colored etching of a crowded market street with townspeople, a red umbrella, baskets, and rows of buildings.

The Market at Gisors; Rue Cappeville

Camille Pissarro, c. 1894

Pen and grey wash sketch of a Gothic town bridge and portal with spires, figures near water, and sky above.

Town Bridge and Portal

Possibly William Leighton Leitch, 1820/39

Engraving of the Apollo Belvedere statue with a serpent and tree, and a draughtsman sketching it at lower right.

The Apollo Belvedere, plate 3 from Three Famous Antique Sculptures

Hendrick Goltzius, c. 1592, printed c. 1617

Lithograph of a narrow canal in Rouen lined with steep-roofed houses, a stone arch bridge and moored boats.

View of Rouen

Eugène Isabey, 1832

Brown ink sketch of a standing woman in a ruffled dress and feathered hat against loose vertical background strokes.

Study for "The Blue Girl: Portrait of Miss Elinor Leyland"

James McNeill Whistler, c. 1879

Brown ink drawing of a standing flayed male figure showing muscles, with a sketched hilltop landscape behind him.

Écorché before Landscape (recto); Sketches of Standing Male Nude, Seated Child, Stooping Woman (verso)

After Jan Stephan van Calcar, n.d.

Lithograph of a narrow Breton street with half-timbered houses, a moored rowboat, stone steps and a distant church spire.

Plate Four, from Souvenir of Brittany

Eugène Isabey, 1832

Bust of a Woman (recto); Draped Figure, Three-Quarter Length (verso)

Thomas Barker, c. 1790

Etching of an Italian stone house with hanging laundry, two standing women, a donkey, and a tall tree.

Siena

Donald Shaw MacLaughlan, 1905

Sepia wash drawing of four bearded figures, some seated and writing or reading, around a large open book.

Four Evangelists

After Domenico Beccafumi, called Il Mecarino, c. 1544

Japanese woodblock print of a kabuki actor holding a striped parasol and two swords, wearing a black kimono with a crest.

Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi…

Katsukawa Shunshō, About 1770