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Art Institute of Chicago

3,362 works

Etching of an elderly man in a dark coat seated on a wooden church pew, hands clasped, with a cane beside him.

Old man in church

Antonio Piccinni, 1875

Engraved ornamental plate with armor and weapons at top, a central mythological cartouche, cherubs, birds and acanthus scroll

Plate Nine, from A New Book of Ornaments

Simon Gribelin, 1704

Engraved ornamental design for a goblet, numbered 16, with cherub heads, scrollwork and floral medallions.

Plate 16, from XX Stuck zum (ornamental designs for goblets and beakers)

Master A.P., 1601

Man Standing in Church

Antonio Piccinni, 1875

Engraved ornamental plate with a central oval scene of classical figures flanked by draped female figures and acanthus scroll

Plate Ten, from A New Book of Ornaments

Simon Gribelin, 1704

Engraved ornamental design of a goblet with scrolls, grape clusters, and a central cherub face mask.

Plate 17, from XX Stuck zum (ornamental designs for goblets and beakers)

Master A.P., 1601

Etching of Jesus's entombment at night, showing a shrouded body, mourners in robes, two crosses and a pale moon.

The Interment of Jesus

Antonio Piccinni, 1878

Engraved ornamental plate with acanthus scrolls, reclining putti, and a small pastoral scene in a central cartouche.

Plate Eleven, from A New Book of Ornaments

Simon Gribelin, 1704

Engraved plate 20 showing ornamental goblet designs with scrolls, a grotesque mask, dragon head, and crossed swords and arrow

Plate 20, from XX Stuck zum (ornamental designs for goblets and beakers)

Master A.P., 1601

Drypoint print of a seated woman nursing a bare infant on her lap beside a small table, drawn in fine loose lines.

Nursing

Mary Cassatt, c. 1890

Engraved ornament plate with acanthus scrollwork, an octagonal medallion of a winged figure on clouds, and side trophies.

Plate Twelve, from A New Book of Ornaments

Simon Gribelin, 1704

Engraved portrait of a woman facing right, wearing a white headdress, pearl necklace and cameo pendant.

Portrait of a Woman Facing Right

Francesco Bartolozzi, 1798

Etching of a seated woman with dark hair gazing down at a pale parrot perched on her hands.

The Parrot

Mary Cassatt, 1891

Watercolor sketches of four men in white robes and dark cloaks, one wearing a red fez, on a tan paper ground.

Four Sketches of Arab Men

Eugène Delacroix, 1832

Sepia engraving of a woman in a white headdress and dark-banded bodice, turned three quarters toward the viewer.

Portrait of a Woman

Francesco Bartolozzi, January 1, 1798

Etching of a seated woman in a dark hat and dress, turned toward the viewer in an armchair.

Reflection

Mary Cassatt, c. 1890

Etching of a woman at a gate tending six pigs feeding by a trough, with a thatched farm building and tree behind.

Woman Feeding Six Pigs

Charles Émile Jacque, 1850

Portrait of a Peasant Woman

Francesco Bartolozzi, August 1, 1799

Drypoint etching of a woman holding a child in a wide-brimmed hat, with a parrot perched on her shoulder.

Hélène of Septeuil

Mary Cassatt, c. 1890

Etching of a huge oak tree with a woman fleeing a man holding a lance on the forest floor beneath it.

Woman Fleeing from a Man Holding a Lance in the Forest

the elder Carl Wilhelm Kolbe, 1796/1800

Etching of nude figures with corpses and a grimacing onlooker beside trees, from Goya's Disasters of War, plate 39.

A Heroic Feat! With Dead Men!, plate 39 from The Disasters of War

Francisco Goya, 1812/15, published 1863

Etching of a seated woman in a dark dress with hands clasped, gazing to the side in a sketchy interior setting.

The Mandolin Player

Mary Cassatt, c. 1889

Pen and ink drawing of a nude man raising a torch against swirling dark smoke and clouds.

Nude Figure of a Man with Flaming Torch

William Blake, n.d.

Etching of a woman tending a reclining man beside a stone wall while two figures stand at right, from Goya's Disasters of War

A Woman's Charity, plate 49 from The Disasters of War

Francisco Goya, 1812/15, published 1863

Etching of a woman in a tall bonnet gazing into a small hand mirror, with loose linework on pale paper.

The Bonnet

Mary Cassatt, c. 1891

Etching of ornate vases and urns with flower arrangements, a garlanded basin with figures, and two satyrs at right.

Plate Two from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Etching of a man grappling a bull by the horns in a bullring, with spectators along the wall behind.

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate 15 from The Art of…

Francisco Goya, 1814/16, published 1816

Sepia lithograph of an equestrian monument on a pedestal in a city square with carriages and neoclassical buildings.

Monument to the Glorious Memory of Emperor Nicholas I

C. Schultz, c. 1860

Etching of six ornate vases and urns with flower arrangements, a putto and scrolled decoration, numbered plate 3.

Plate Three from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino

Johanna Sibylla Kraus, 1646

Three Men, Half-Length

Henri-Edmond Cross, 1895/1900