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Art Institute of Chicago

24,211 works

Black-and-white woodblock print of a bearded man embracing a courtesan beside a large fish and a go board.

Ebisu flirting with a courtesan, no. 3 from a series of 12 prints

Okumura Masanobu, c. 1708

Maria Duchess of Brunswick, Born Duchess of Wurttemburg

Attributed to Christoph Schwarz, n.d.

Black-and-white woodblock print of a courtesan pouring sake for a grinning shojo beside a large vessel.

Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints

Okumura Masanobu, c. 1708

Woodblock print of Daikoku with two women in patterned kimono, a large sack and a measuring line, in black ink.

Measuring Daikoku's height, no. 5 from a series of 12 prints

Okumura Masanobu, c. 1708

Line drawing of a woman with a parasol, an elderly monk in a dark robe, and a child among grass and vines.

Komachi resting on a stupa, no. 6 from a series of 12 prints

Okumura Masanobu, c. 1708

Woodblock print of a bearded robed figure in a leaf boat poled by two women in patterned kimono across waves.

Daruma crossing the sea on a leaf, no. 7 from a series of 12 prints

Okumura Masanobu, c. 1708

Black-and-white Japanese woodblock print of a shamisen player on horseback above tumbling men in comic poses.

An Impossible Feat by Imaginary Men, no. 8 from a series of 12 prints

Okumura Masanobu, c. 1708

Black-and-white woodblock print of a woman and child beside a reclining bearded man in patterned robes, with a kettle and bow

A trial of strength, no. 9 from a series of 12 prints

Okumura Masanobu, c. 1708

Ink woodblock print of a courtesan playing shamisen with two reclining figures and an attendant on a veranda over waves.

Courtesan entertaining Daikoku and Fukurokuju, no. 10 from a series of 12 prints

Okumura Masanobu, c. 1708

Ink line print of Hotei reading a book beside a seated woman with a fan, patterned robes and a large sack.

Hotei Reading a Book, no. 11 from a series of 12 prints

Okumura Masanobu, c. 1708

Ink line print of a woman in a long robe, a bald bearded man, and a boy with a fan, with Japanese calligraphy.

The Roles Reversed, no. 12 from a series of 12 prints

Okumura Masanobu, c. 1708

Woodblock print of two travelers on a walkway beside a thatched teahouse with cherry blossoms and pine trees.

Ishiyakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

Katsushika Hokusai, c. 1806

Woodblock print of pine-lined coast with boats and porters unloading bales beneath a pink sky, by Hokusai.

Maisaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

Katsushika Hokusai, c. 1806

Sepia print of Greenwich Hospital domes with deer on a hill, the Thames and London skyline beyond under a stormy sky.

London from Greenwich, plate 26 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1811

Sepia print of a windmill beside a lock with gates, a donkey, cattle and figures in a flat landscape.

Windmill and Lock, plate 27 from Liber Studiorum

Joseph Mallord William Turner, published June 1, 1811

Sepia etching of a morning loch with a sailboat, rowboats, a stone pier and distant mountains.

Inverary Pier, plate 35 from Liber Studiorum

Joseph Mallord William Turner, published June 1, 1811

Brown engraving of a mill beside rushing rapids in a rocky gorge, with a wooden bridge and tall trees framing the scene.

Mill near the Grand Chartreuse, plate 54 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Woodblock print of a seated man and two standing women in patterned kimono beside a plum-blossom screen and tea set.

The Kiritsubo Chapter from "The Tale of Genji" (Genji Kiritsubo), from a series of Genji parodies

Okumura Masanobu, c. 1710

Black and white woodblock print of two seated figures in kimono beside a lantern, tea kettle and folding screen.

The Hahakigi Chapter from "The Tale of Genji" (Genji Hahakigi), from a series of Genji parodies

Okumura Masanobu, c. 1710

Black-and-white woodblock print of two women playing a board game as a man stands nearby in a room with a painted screen.

The Utsusemi Chapter from "The Tale of Genji" (Genji Utsusemi), from a series of Genji parodies

Okumura Masanobu, c. 1710

Woodblock print of armored warriors and courtly figures battling grotesque yokai demons, with a banner standard on the right.

Susanoo no mikoto Subdues the Monsters from the play Honchō Furisode no Hajime (Honchō furisode no hajime, Susanoo no…

Katsushika Hokki, 1851

Ink line print of a woman, a girl with a fan, a bald man, and a traveler in a straw hat beside a lattice screen.

The Yugao Chapter from "The Tale of Genji" (Genji Yugao), from a series of Genji parodies

Okumura Masanobu, c. 1710

Black-and-white print of white primula flowers and broad leaves among moss and textured bark.

Little Plant in Moss, plate one from Flower Studies

Theo van Hoytema, 1898, printed 1917/19

Brown ink and wash drawing of robed figures gathered around a basket, with a turbaned man reaching in and a reclining figure

Miracle of the Loaves and Fishes

After Lucas Kilian, after 1602

Pencil drawing of a large tree in a landscape with a distant city, a cascade, and small seated figures under clouds.

Fresco in Palazzo Colonna, Rome

After Gaspard Dughet, n.d.

Black-and-white Japanese print of women in kimono playing shamisen with a bald man in striped robes, beside a clover-patterne

The Waka Murasaki Chapter from "The Tale of Genji" (Genji Waka Murasaki), from a series of Genji parodies

Okumura Masanobu, c. 1710

Woodblock print of a woman in a checkered kimono hanging a mosquito net by a window, with a cat at her feet.

Young Woman Hanging a Mosquito Net

Isoda Koryusai, c. 1775

Black and white woodcut of figures lowering Christ's body from the cross, with mourning women and a crowd in a rocky landscap

The Deposition of Christ, from The Large Passion

Albrecht Dürer, c. 1496-97

Engraving of an elegant 18th-century interior with men at a card table, a seated woman in a gown, and a dog in the foreground

Plate One, from Marriage à la Mode

Gérard Scotin II, 1745

Engraving of an elegant interior with a seated man, a woman at a tea table, and a standing man holding papers.

Plate Two, from Marriage à la Mode

Bernard Baron, 1745