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Art Institute of Chicago

24,211 works

Pen and brown ink drawing of a battle scene with armored soldiers, round shields, and fallen warriors on the ground.

Battle Scene

Neapolitan or Genoese Italian, n.d.

Etching of Saint Jerome, a thin elderly hermit seated by a cave with a lion, under a hanging hat and rosary.

Saint Jerome in Penitence

Ferdinand Bol, 1644

Etching of ruined arched buildings on a hill above trees, with two cows and figures by a river in the foreground.

Landscape with Ruins and Two Cows at the Waterside, from a series of four horizontal Roman Landscapes

Jan Both, 1645/50

Engraving of a seated man gesturing while a woman recoils at a window in a draped interior with a fireplace.

Les Dernieres Paroles de J.J. Roseau (The Last Words of J.J. Rosseau)

Heinrich Guttenberg, c.1780

Etching of Roman-style ruins with a large arch, a colonnaded temple fragment, and small figures on a rocky path.

Italian Landscape with Ruins

Jonas Umbach the Elder, n.d.

Etching of a woman at a gate tending six pigs feeding by a trough, with a thatched farm building and tree behind.

Woman Feeding Six Pigs

Charles Émile Jacque, 1850

Etching of a huge oak tree with a woman fleeing a man holding a lance on the forest floor beneath it.

Woman Fleeing from a Man Holding a Lance in the Forest

the elder Carl Wilhelm Kolbe, 1796/1800

Pen and ink drawing of a haloed saint seated on a cloud, holding a cross and book, on blue-grey paper.

Saint with Book and Cross Seated on a Cloud

Ferraù Fenzoni, c. 1591

Hanging scroll of pink hibiscus, white chrysanthemums and two magpies beside a rock, with calligraphy and red seals.

Hibiscus and Magpies

Yamamoto Baiitsu, 1847

Engraving of a reclining nude nymph with greyhounds among reeds, framed by caryatids, putti and fruit garlands.

The Nymph of Fontainebleau

Pierre Milan, 1554

Woman in white cap and apron sits sewing beside a basket of fruit, broom and red chest in a paneled interior.

The Tapestry Worker

Jacques Fabien Gautier d'Agoty, 1743

Print of a young draughtsman bent over a drawing board in a dim studio, with a nude figure study on the wall behind him.

The Young Draughtsman

Jacques Fabien Gautier d'Agoty, 1743

Engraved design for an Italian-style chimneypiece with a classical bust medallion, putti, garlands and an inscribed cartouche

Chimneys in the Italian Manner

Jean Le Pautre, c. 1665

Sketch of a bearded man and a woman in a long dress standing beside stacked papers in a loosely drawn interior.

I Don't Dare Take Them Down...It Would Hurt Him Too Much

Jean-Louis Forain, c. 1892

Etched print of armed men struggling with a bayonet, with fallen bodies on the ground and soldiers in tricorn hats behind.

Rightly or wrongly, plate two from The Disasters of War

Francisco Goya, 1812/15, published 1863

Etching of a man raising an axe over a fallen body while other figures fight with swords in a violent struggle.

The Same, plate three from The Disasters of War

Francisco Goya, 1810/15, published 1863

Brown etching of armed men thrusting poles at a struggling crowd, with a woman lying on the ground at left.

And they are like wild beasts, plate five from The Disasters of War

Francisco Goya, 1812/15, published 1863

Etching of figures in white clothing gathered on dark ground beside a prone body, with distant figures in an open landscape u

It Serves You Right, plate six from The Disasters of War

Francisco Goya, 1810/15, published 1863

Etching of a woman in white standing on a cannon above fallen soldiers on a battlefield.

What Courage!, plate seven from The Disasters of War

Francisco Goya, 1810/12, published 1863

Etching of a horse collapsing on open ground with a fallen rider and other horses in the background.

It Always Happens, plate eight from The Disasters of War

Francisco Goya, 1814/20, published 1863

Etching of a couple embracing as an older woman behind them raises a knife, with a wall and fallen figure at left.

They Don't Like it, plate nine from The Disasters of War

Francisco Goya, 1810/15, published 1863

Etching of tangled, fallen figures in a dark, hatched landscape, from Goya's Disasters of War series.

Neither do these, plate ten from The Disasters of War

Francisco Goya, 1810/15, published 1863

Etching of soldiers attacking civilians beside a small building, one man held down with a raised sword, under a dark night sk

Nor do these, plate eleven from The Disasters of War

Francisco Goya, 1810/15, published 1863

Etching of a man standing over several fallen bodies on a battlefield, smoke rising behind, with the caption Para eso habeis

This is What You Were Born For, plate twelve from The Disasters of War

Francisco Goya, 1810/12, published 1863

Etching of a woman on the floor held by two men in a vaulted cellar, with another figure leaning in from the left.

Bitter to be Present, plate 13 from The Disasters of War

Francisco Goya, 1810/11, published 1863

Etching of men struggling up a wooden ladder with a pointing figure above and kneeling figures and hills behind.

It's a hard step!, plate 14 from The Disasters of War

Francisco Goya, 1810/11, published 1863

Etching of a grim execution scene with a standing figure by a post, a fallen body in front, and dark background figures.

And there's no help for it, plate 15 from The Disasters of War

Francisco Goya, 1810/11, published 1863

Etching of two men stripping clothing from fallen bodies beneath a tree, with distant figures and a mountain behind.

They Make Use of Them, plate 16 from The Disasters of War

Francisco Goya, 1810/12, published 1863

Etching of a mounted rider with a raised saber above fallen soldiers and swordsmen in a smoky battlefield.

They Do Not Agree, plate 17 from The Disasters of War

Francisco Goya, 1810/12, published 1863

Etching of nude corpses lying on a hillside while a clothed man stands above them, from Goya's Disasters of War.

Bury them and keep quiet, plate 18 from The Disasters of War

Francisco Goya, 1810/12, published 1863