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English & British

17,385 works

Engraved landscape of reapers harvesting grain under a crescent moon, with dark hills and a striated sky.

Harvest Under a Crescent Moon

Samuel Palmer, 1826

Etched rural village at dusk with thatched cottages, a walking figure, cattle, and a rising sun over hills.

The Bellman

Samuel Palmer, 1879

Etching of a shepherd piping beside a tree as sheep gather at a wooden fold under a dramatic evening sky.

Opening the Fold

Samuel Palmer, 1880

Monochrome landscape with a herdsman driving cattle over an arched bridge, a ruined tower, and seated lovers in the foregroun

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Thomas Gainsborough, 1779

Etching of cows grazing beneath trees with a herdsman on a hill, a distant village, and a pale sky.

Wooded Landscape with Herdsman and Cows

Thomas Gainsborough, 1797

Christ standing with outstretched arms before kneeling apostles, rendered in brown and gold wash.

Christ Appearing to the Apostles after the Resurrection

William Blake, 1795

Hand-colored title page reading AMERICA PROPHECY with clouds, robed figures, and a fallen figure above dark waves.

America. A Prophecy, Plate 2, Title Page

William Blake, 1793

Pen drawing of a crowded Weymouth seafront with promenade, beach, parked cars, shops and hills in the distance.

Weymouth and Distant Portland

Muirhead Bone, 1946

Winged figure crouches head-bowed on a ledge beside a nude woman holding a child under a dark, fiery sky.

America. A Prophecy, Plate 1, Frontispiece

William Blake, 1793

Line engraving portrait of John Locke with long curled hair in an oval laurel wreath, with coat of arms and Latin inscription

John Locke. Line engraving by P. van Gunst after J. Greenhill, 1672

Hand-colored Blake plate: a nude man crouches amid dark flames beneath blue handwritten verse on a cream page.

America. A Prophecy, Plate 12,

William Blake, 1793

Oval line engraving of a bust of John Jebb with curled wig on a stepped pedestal, 1787.

John Jebb. Line engraving by J. Hall, 1787

Line engraving of Sir Francis Drake, bust length in an oval frame, wearing a deep lace collar and dark doublet.

Sir Francis Drake. Line engraving by J. Goldar, 1786

Grey wash drawing of a drover on a cart with calves, pulled by two horses along a hillside road under a cloudy sky.

Drover with Calves in a Country Cart

Thomas Gainsborough, 1755

Grey wash drawing of a wooded upland with an arched bridge, two walkers on a path, and distant hills under clouds.

Wooded Upland Landscape with a Bridge

Thomas Gainsborough, 1780

Graphite sketch of two men with greyhounds in a wooded field, with a church spire on the distant horizon.

Woods Near a Village with Rabbit Catchers and Their Greyhounds

Thomas Gainsborough, 1750

Charcoal and chalk drawing of cattle and a standing figure near a cottage and trees on rising ground.

Landscape with Cattle by a Cottage

Thomas Gainsborough, 1770

Pencil landscape drawing of a stone arch bridge over a river, a church tower behind it, and a large tree on the right.

River Landscape with a Bridge and a Church

Thomas Gainsborough, 1781

Watercolor of a Norwegian fjord under a grey sky, with wooded hills on the left and blue mountains beyond the water.

Storm Ending, Norwegian Fijord

Muirhead Bone, c. 1896-1953

Pen and wash sketch of Karnak at dusk showing broken columns and a flat horizon under a pale sky.

Karnak, 10:00 pm, 22 January 1867 (213)

Edward Lear, 1867

Engraved print with two oval portraits of bearded men, a central lion with a globe, putti, and ornate scrollwork.

Paulus Pontius - Antonius Van Dyck Eques and Peter Paul Rubens Eques - Google Art Project

Paulus Pontius, 1618

Engraving of a fortune teller in a headscarf reading the palm of a seated woman in a feathered hat, with a girl beside her.

The Fortune Teller

John Keyse Sherwin, 1784

Engraved portrait of a bearded man with curly hair in a dark cloak and lace collar, hand on chest, with Latin inscription bel

D. Petrus Paulus Rubbens Eques

Paulus Pontius, 1630

Engraved portrait of a bearded man in a cap and cloak, seated beside a drape, with Latin inscription below.

Icones Principum Virorum

Robert van Voerst, 1630

Engraving of the Good Samaritan tending a wounded man beside a white horse, dog and rocky wooded landscape.

The Good Samaritan

Simon François Ravenet, 1772

Engraved reproduction of an ornate allegorical ceiling with a central oval of cherubs and winged figures, framed by smaller p

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1720

Engraving of Christ at the Pool of Bethesda with an angel above, surrounded by sick figures beneath trees and an arcade.

The Pool of Bethesda

Simon François Ravenet, 1772

Etching of Whitehall Palace seen from the Thames, with rowing boats and a barge on the water in the foreground.

Palatium Regis Prope Londinum, Vulgo Whitehall

Wenceslaus Hollar, 1647

Engraved oval portrait of Charles I in armour with long hair, white collar and chain, against draped fabric.

Charles I

William Faithorne the Younger, 1658

Engraving of William Hogarth seated at an easel, palette in hand, painting a sketch of the Comic Muse beside a column.

Hogarth Painting the Comic Muse

William Hogarth, 1764

Engraving of a London street where a coachman whips a fallen horse beside a carriage, sheep and onlookers.

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

William Hogarth, 1751

Engraving of boys torturing animals in a city street, with a crowd watching and a church spire behind the buildings.

The First Stage of Cruelty: Children Torturing Animals

William Hogarth, 1751