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Landscape Etchings

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Etching of a landscape with a thatched farmhouse, a tree, a cart, resting sheep and a figure under stormy clouds.

Landschap met boerderij

Boëtius Adamsz. Bolswert, 1614

Etching of a wooded landscape with a large tree, a dirt path, a small group of walking figures and distant hills.

The Banishment of Hagar

Anthonie Waterloo, 17th century

Etching of a dense forest with large trees, a nude figure running on a bank and another figure reaching from a stream.

Alpheus and Arethusa

Anthonie Waterloo, 17th century

Etching of a donkey, goat and sheep resting in a landscape, with a shepherd and child at right.

Landschap met ezel, schapen, geit en herders

Nicolaes Pietersz. Berchem, 1630

Etching of a large tree beside a thatched inn with travelers on a dirt road and rolling hills in the distance.

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

Etching of a thatched farmhouse among tall trees beside a river, with a rowing boat and distant town on the water.

A Farmhouse Beside the Water

Anthonie Waterloo, 17th century

Etching of a wooded landscape with tall trees, a wooden fence, a dirt path and a small figure walking on the right.

A Horseman by a Fence

Anthonie Waterloo, 17th century

Engraved landscape with pheasants and snipe in a field, a grazing horse and rider, large trees and a cloudy sky.

Landschap met fazanten en snippen

Johannes Kip, 1662

Etching of three nude children playing with a hoop in an outdoor landscape with trees and plants.

Drie kinderen met een hond in een landschap

Cornelis Schut, 1618

Sepia print of cows near a wooden footbridge over a river, with large trees and figures on the bank under a cloudy sky.

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a woman on a fallen log with a coiled dragon in the bushes below a hillside and trees.

Jason, part I, plate 6 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia etching of a traveler with a pack on a rocky mountain path beneath a boulder, with snowy peaks and a valley beyond.

Mt. St. Gothard, part II, plate 9 from "Liber Studiorum"

Joseph Mallord William Turner, February 20, 1808

Sepia print of a stormy Egyptian landscape with lightning over pyramids, a city, a fallen animal and two figures.

The Fifth Plague of Egypt, part III, plate 16 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia etching of a river valley with a winding river, ruined tower, large trees on the right, and a reclining figure in the f

Junction of Severn and Wye, part VI, plate 28 from "Liber Studiorum"

Joseph Mallord William Turner, June 1811

Brown etching of men, women and children among trees on a hillside, with a reclining elderly woman in the foreground.

Mannen, vrouwen en kinderen in heuvelachtig landschap

Johannes Josephus Aarts, 1881

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

Joseph Mallord William Turner, February 14, 1812

Sepia etching of a ruined tower on a wooded hill with travelers in the foreground and a distant coast under clouds.

Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Etching in two panels: tropical palms and stormy sea on the left, a robed king gazing at a heavenly crown on the right.

Tropisch landschap met woeste zee / Goddelijke kroning van koning Karel I van Engeland

Wenceslaus Hollar, 1649

Sepia etching of a glacier winding between jagged mountain peaks, with broken ice and boulders in the foreground under a clou

Mêr de Glace, Valley of Chamouni-Savoy, part X, plate 50 from "Liber Studiorum"

Joseph Mallord William Turner, May 23, 1812

Engraving of two Chinese women playing cards at a table, a servant with fruit, and a river scene with boat and pagoda.

Landschap met twee Chinese vrouwen die een kaartspel spelen

Pieter Schenk, 1727

Engraved print of a man and woman drinking tea by a river with junks, boats, a pagoda and hills in the background.

Landschap met een man en een vrouw die thee drinken

Pieter Schenk, 1727

Engraved print of a Chinese river landscape with sailing junks, a pavilion, pine trees and rocks.

Chinees landschap met zeilschepen op een rivier

Pieter Schenk, 1727

Line engraving of two horseback riders, one holding a hawk, with a kneeling man offering a bird beside a pine tree and railin

Chinees landschap met twee ruiters

Pieter Schenk, 1727

Sepia etching of a hilltop castle above a lakeside town, with trees on the left, a rowing boat and figures on the shore.

Ville de Thun, Switzerland, part XII, plate 59 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Engraved print of a woman walking toward a pavilion with two men, beside a river with a windmill and willow trees.

Landschap met een Chinese dame

Pieter Schenk, 1727

Engraved chinoiserie landscape with two robed men, flowering trees, a pavilion over waves, and a rocky cliff.

Twee Chinese mannen in een landschap

Pieter Schenk, 1727

Engraving of four figures in Chinese dress in a landscape with pine trees, a river, rocks, and birds in flight.

Vier Chinese figuren in een landschap

Pieter Schenk, 1727

Etching of a figure seated on a pole platform, a man below, two women nearby, rocky hills, pavilion and trees behind.

Landschap met figuur in kleermakerszit op een platform

Pieter Schenk, 1727

Sepia engraving of jagged Alpine peaks above a valley, with tall pine trees and rocks in the foreground under dramatic clouds

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816