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Animals in Prints

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Ink and wash drawing of two horsemen on rearing horses firing pistols at each other, smoke rising from both guns.

Two Horsemen Shooting at Each Other

Heinrich Werdmüller, 1600-1677

Brown wash drawing of a youth leading a horse beside a bearded man and onlookers among trees.

Story of Niobe: Youth with Horse; Worshippers

After Polidoro Caldara, called Polidoro da Caravaggio, n.d.

Engraving of a crowned king watching soldiers destroy a sun chariot and horses by fire before a classical temple.

The Removal and Destruction of The Chariot and The Horses of The Sun

Maarten van Heemskerck, 1569

Pen drawing of a horseman in a tricorn hat on a rearing horse, with a river, bridge and town behind him.

Shield Knave: A Horseman

Johannes Brandenberg, 1712 or later

Red chalk drawing on blue paper of two horsemen on rearing horses, one striking at the other, with shrubs in a landscape.

Two Fighting Horsemen

Pandolfo Lorenzo Hopfer, 1693

Pen drawing of a rearing horse and armored rider leaping before onlookers and a stone city wall.

Marcus Curtius

Samuel Stettler, 17th century

Engraving of a seated woman with her hand on a lion, beside an open book, columns, arch, and balance scales.

La Force

Jean Chartier, 16th century

Etching of a nude figure held by a grotesque man beneath a monstrous shadowy creature, with a figure reaching up below.

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)

Francisco Goya, 1799

Pen and brown wash sketch of a man seated on a lion, reaching toward its head.

Man Mounting Lion

Salvator Rosa, n.d.

Etching of a nude woman carried aloft by grotesque figures, with a cat holding an umbrella, by Goya, 1799.

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

Francisco Goya, 1799

Etching of two travelers and a horse on a path beneath dense, dark trees in a forest, with a pale sky opening above.

Two Travelers in a Forest (Le Cavalier en forêt et le piéton)

Jean-Baptiste Camille Corot, 1854

Etching of a fallen horse and a rider on a battlefield, with figures and a horse in the background, captioned 'Siempre sucede

Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)

Francisco Goya, 1810 (published 1863)

Engraving of a crowned rider on a white horse in a forest hunt, with a stag, hunting dogs and attendants around him.

The Deer Hunt of Emperor Frederick I Barbarossa and Ubaldino Ubaldini

called Stradanus Jan van der Straet, 1589

Etched landscape of a hilltop church, trees, and a herder with cattle in the foreground.

Veüe de Conflans

Reinier Nooms, mid-17th century

Daumier lithograph of bathers in shallow water, a woman with a parasol, a child, a dog, and clothing left on the shore.

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr.…

Honoré Daumier, 1839

Etching of a kneeling man with clasped hands, surrounded by laughing grotesque faces and a hooded shadowy figure.

Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)

Francisco Goya, 1799

Etching of two nude figures, a horned goat, two cats, a skull and a jug, from Goya's Los Caprichos plate 60.

Pllate 60 from "Los Caprichos": Trials (Ensayos)

Francisco Goya, 1799

Etching of two withered witch-like figures with a bowl of ointment and a leaping goat-like creature above them.

Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)

Francisco Goya, 1799

Engraved street scene of Fulton Street and its market hall, with horse carts, barrels and pedestrians on cobblestones.

Fulton Street & Market, New York (The Bennett View of Fulton Street)

William James Bennett, 1834

Lithograph of a cuirassier in plumed helmet restraining a rearing horse, with mounted soldiers in the distance.

Cuirassier on Foot Restraining His Rearing Horse

Carle Vernet, 1817-36

Pencil sketch of a horse with two nude riders, plus smaller studies of figures and horse legs on pale paper.

Studies of a Horse with Two Nude Riders and a Male Torso

Michelangelo, 1508

Hand-colored caricature of a fantastical parade with exaggerated mounted soldiers and satirical banners on a cobbled street.

Grand Fantastical Parade, New-York, December 2, 1833

David Claypoole Johnston, 1833

Sepia bird's-eye lithograph of New York and Brooklyn with ships crowding the harbor and dense city blocks along the waterfron

Bird's Eye View of New York and Brooklyn

John Bachmann, 1851

Etching of a plumed horseman with raised sword among fallen figures and attackers in a smoky battle scene.

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

Francisco Goya, ca. 1810 (published 1863)

Etching of cattle and goats led by a herdsman past a ruined classical column, with a hilltop castle and stormy sky beyond.

The Herd Returning in Stormy Weather

Claude Lorrain, ca. 1650-51

Engraving of a crowned woman in classical drapes beside a horse and cornucopia, holding a small domed model, labeled EUROPA.

Allegory of Europe, from "The Four Continents"

Johann Justin Preissler, 1730-71

Etching of a cloaked woman gesturing before a crowd of grotesque animal-headed figures on a rocky bank.

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)

Francisco Goya, 1814-15 (published 1863)

Etching of a woman in a pale dress fleeing with hands to her head, a dog running beside her, and a seated figure in a cap at

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)

Francisco Goya, 1814-15 (published 1863)

Double page of Persian calligraphy framed by a blue border with gold-painted animals, dragons, a phoenix and trees.

The Illuminated Border of Animals, double page from a copy of the Gulistan of Sa'di

Unknown artist, Safavid dynasty (1501-1722), 16th century

Etching of a dog leaping over a pack of snarling dogs on open ground, with the caption 'Se defiende bien' below.

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)

Francisco Goya, 1814-15 (published 1863)