Courtiers’ Farting Contest
Kawanabe Kyōsai · Japanese, 1831-1889
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 300 dpi | Get with Pro |
| A3 | Landscape | 300 dpi | Get with Pro |
| A2 | Landscape | 300 dpi | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 300 dpi | Get with Pro |
| 16 × 20 in | Landscape | 300 dpi | Get with Pro |
| 18 × 24 in | Landscape | 300 dpi | Get with Pro |
| 24 × 36 in | Landscape | 200+ dpi | Get with Pro |
| 30 × 40 cm | Landscape | 300 dpi | Get with Pro |
| 50 × 70 cm | Landscape | 300 dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 2 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Courtiers’ Farting Contest, Kawanabe Kyōsai (1800s), Cleveland Museum of Art. Via artnap.com
Courtiers’ Farting Contest, Kawanabe Kyōsai (1800s), Cleveland Museum of Art. Via artnap.comCourtiers’ Farting Contest, Kawanabe Kyōsai (1800s), Cleveland Museum of Art. Via <a href="https://artnap.com/artwork/pdx-985679">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-985679"><img src="https://img.artnap.com/artworks/pdx/pdx-985679/web.jpg" alt="Courtiers’ Farting Contest, Kawanabe Kyōsai (1800s)" width="1600" height="1264" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Courtiers’ Farting Contest, Kawanabe Kyōsai (1800s), Cleveland Museum of Art. Via <a href="https://artnap.com/artwork/pdx-985679">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? The Cleveland Museum of Art lists this work as public domain.
About this work
Four loosely drawn figures in ink wash appear across a pale paper sheet, showing contorted poses including a flying figure with outstretched limbs, a kneeling figure with a raised arm, and a reclining man beside a standing figure. The brushwork is quick and economical, leaving much of the page empty.
