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Joseph Mallord William Turner

304 works

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Sepia landscape print with an umbrella pine, a seated figure, and a classical temple and arches in the distance.

Scene in the Campagna

published 1812

Sepia print of farm labourers hedging and ditching beside a gnarled tree, with grazing sheep in the fields beyond.

Hedging and Ditching

published 1812

Brown etching of a wooded ravine with tall trees, rocky cliffs, and a wooden bridge leading to a small building.

Mill near the Grand Chartreuse

published 1816

Pen and ink landscape of trees by a reflective river with a classical columned rotunda and distant buildings.

Isleworth

published 1819

Etching of a woodland with leaning trees, a seated woman near a pool, and a crouching figure among ferns.

Aesacus and Hesperie

published 1816

Etched landscape of a river with a weeping willow, a classical column, a perched bird on a pedestal, and distant wooded hills

Isis

published 1819

Line engraving of a wooded landscape with a classical arch, tombs, and women with a water jar beneath tall trees.

The Woman of Samaria

published 1819

Sepia etching of a wide river valley with tall trees, ruined buildings, and a seated figure in the foreground.

Junction of the Severn and Wye, from Liber Studiorum, no. 28

June 1811

Stormy sea with crashing waves, rocky cliffs, a distant lighthouse, wreckage, and a flock of birds above the rocks.

Longships Lighthouse, Land’s End

about 1834-1835

Sepia print of a river valley with trees, a ruined castle on the right, and a seated figure on the hillside in the foreground

Junction of the Severn and Wye, plate 28 from Liber Studiorum

Published June 1811

Watercolor of a towering castle on a rocky headland above choppy sea, with sailing boats and stormy clouds.

Conway Castle, North Wales

1798

Sepia etching of the Tenth Plague of Egypt: three mourning figures in a foreground under lightning over an Egyptian city with

Tenth Plague of Egypt, plate 61 from Liber Studiorum

published January 1, 1816

Sepia print of a wooded pool with overhanging trees and two small figures beside the water.

Aesacus and Hesperie, plate 66 from Liber Studiorum

January 1, 1819

Pencil drawing of Hereford Cathedral seen through a Gothic arch, with a spire, tracery windows and churchyard gravestones.

Hereford Cathedral

c. 1793

Sepia etching of a loch shore with a sailing boat, figures on a pier, wooded hills and misty mountains at morning.

Inverary Pier

published 1811

Sepia print of a vaulted stone crypt with cattle resting near a light-filled archway at left.

Crypt of Kirkstall Abbey

published 1812

Sepia print of sailing boats and a rowboat with men on calm, misty water under a pale sky.

Calm

published 1812

Sepia etching of a glacier winding between steep, jagged mountain peaks under a cloudy sky.

Mer de Glace

published 1812

Sepia print of sailing boats battling choppy waves at the entrance to Calais harbour, with a town skyline in the distance.

Entrance of Calais Harbour

published 1816

Sepia print of a river landscape with a wooden footbridge, large trees, water lilies, and ruined castle walls on the right.

Berry Pomeroy Castle

published 1816

Sepia engraving of a wooded stream with a seated woman on rocks and a kneeling man among trees and ferns.

Aesacus and Hesperie

published 1819

Sepia print of a gothic church interior with arches, columns, a seated congregation and a carved royal monument.

Interior of a Church

published 1819

Pencil drawing of Tewkesbury Abbey showing its tall central tower, spires, and Gothic windows beside a street.

Tewkesbury Abbey

1775

Sepia landscape print with tall trees, a ruined arch, grazing cattle, figures and a river with a boat.

The Woman and Tambourine

published 1807

Pen and ink landscape of a ruined tower among trees, with travelers on a path and a tall tree at right.

Winchelsea, Sussex

published 1812

Watercolor of a castle tower on a hilltop above a misty mountain valley, with a small figure on a path in the foreground.

Castle on Height near Geneva

1836

Watercolor of a hazy blue mountain valley with travelers resting in the foreground and village houses on the slopes.

Mussooree and the Dhoon from Landour

c. 1835

Pencil drawing of Tewkesbury Abbey showing its tall central tower, spires, and Gothic windows and portals.

Tewkesbury Abbey

Pale watercolor landscape of a sunlit river valley with a small red figure on a slope and a hazy blue horizon.

A Yorkshire River

1827

Watercolor of a misty river valley with a tower, a distant town, and foreground figures resting beneath trees.

Oberwesel

1840

Grey wash drawing of a waterfall tumbling over rocks, framed by birch trees and dense woodland foliage.

A Waterfall

1795

Watercolor of a winding river valley with distant hills and a town, with a horse and cart and seated men in the foreground.

Melrose

1831