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Joseph Mallord William Turner

304 works

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Sepia print of a stormy mountain lake with lightning, sailboats, and figures working beside a cart on the shore.

Lake of Thun, plate 15 from Liber Studiorum

published June 10, 1808

Sepia print of pyramids and a city under a lightning-filled storm, with fallen palms and figures in the foreground.

The Fifth Plague of Egypt, plate 16 from LIber Studiorum

published June 10, 1808

Sepia etching of a farmyard with a rooster, pigs, chickens, a wooden cart, and two figures at a fence under trees.

The Farm Yard with the Cock, plate 17 from Liber Studiorum

published March 29, 1809

Sepia engraving of a waterfall plunging through a wooded gorge, with small seated figures on rocks in the foreground.

The Fall of the Clyde, plate 18 from Liber Studiorum

published March 29, 1809

Sepia print of a rough sea with a three-masted ship and a small tilting sailboat under cloudy skies.

The Leader Sea Piece, plate 20 from Liber Studiorum

published March 29, 1809

Sepia etching of a Morpeth street with a pack horse, a woman with a basket, and a ruined tower on a hill.

Morpeth, plate 21 from Liber Studiorum

published March 29, 1809

Sepia print of figures gathered by a wooden trough beneath large trees, with a distant mansion in the background.

Juvenile Tricks, plate 22 from Liber Studiorum

published January 1, 1811

Sepia print of a stormy Yorkshire coast with a shipwreck, rescuers on rocks, and a lighthouse on the cliffs.

Coast of Yorkshire, plate 24 from Liber Studiorum

published January 1, 1811

Sepia print of a hill landscape with grazing sheep in the foreground and a figure on a ridge under streaked clouds.

Hind Head Hill, plate 25 from Liber Studiorum

published January 1, 1811

Sepia print of a river valley with a ruined castle, large trees on the right, and a seated figure in the foreground.

Junction of Severn and Wye, plate 28 from Liber Studiorum

published June 1811

Sepia print of boys on a beach beside a large ship, with small boats and wading figures in the surf.

Marine Dabblers, plate 29 from Liber Studiorum

published June 1811

Sepia print of a wooded river with rocky banks and a man wading in the water holding a long pole.

Near Blair Athol, plate 30 from Liber Studiorum

published June 1, 1811

Sepia print of a river town with a long bridge over rapids, figures on rocks in the foreground, and houses on a hillside.

Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum

published January 1, 1811

Sepia print of three boys fishing by a river with willow trees, reeds, a resting dog, and a building in the distance.

Young Anglers, plate 32 from Liber Studiorum

published June 1, 1811

Sepia print of a country road with horses, cattle and figures below a hilltop ruined abbey with sheep.

St. Catherine's Hill near Guilford

published June 1811

Sepia print of two Martello towers near a chalk cliff, with figures and boats on the beach under stormy clouds.

Martello Towers near Bexhill, Sussex

published June 1811

Sepia print of Inverary Pier on Loch Fyne at morning, with a sailboat, figures on the shore and misty mountains.

Inverary Pier Loch Fyne, Morning

published June 1, 1811

Sepia print of a rocky mountain landscape with a dead tree, fallen armor on a path, and birds flying over distant cliffs.

From Spenser's Fairy Queene

published June 1811

Sepia print of a water mill beside a stream, with a woman on a wall, horses drinking at right, and a dog on the path.

Water Mill, plate 37 from Liber Studiorum

published February 1, 1812

Sepia landscape print with a tall umbrella pine, a kneeling figure at a stone basin, and classical ruins in the distance.

Scene in the Compagna, plate 38 from Liber Studiorum

published February 1, 1812

Sepia print of a vaulted stone crypt with columns, arches, and cattle resting on the floor in patches of light.

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum

published February 11, 1812

Sepia print of a sunset seascape with two sailboats, figures on a sandy beach, and a beached rowboat.

The Midmay Sea-Piece, plate 40 from LIber Studiorum

published February 11, 1812

Sepia etching of a forest path with gnarled trees, two reclining figures and a dog in the foreground.

Procris and Cephalus, plate 41 from Liber Studiorum

published February 14, 1812

Sepia print of a ruined tower on a wooded hill with trees, travelers on a path, and a distant coastline.

Winchelsea, Sussex, plate 42 from LIber Studiorum

published April 23, 1812

Sepia etching of a stone aqueduct, grazing goats, tall trees and figures in a hilly landscape under a glowing sky.

The Bridge and Goats, plate 43 from LIber Studiorum

published April 23, 1812

Sepia print of sailing barges and a rowing boat with sailors on calm water beneath a hazy sky.

Calm, plate 44 from Liber Studiorum

published April 23, 1812

Sepia etching of a Scottish peat bog with figures and a horse, under a stormy sky with a rainbow over distant mountains.

Peat Bog, Scotland, plate 45 from Liber Studiorum

published April 23, 1812

Sepia print of a seated woman holding a torch beside a sleeping figure under a crescent moon, with trees and a stream.

Rispah, plate 46 from Liber Studiorum

published April 23, 1812

Sepia print of workmen hedging and ditching beside a large tree, with grazing sheep and a cloudy sky in the background.

Hedging and Ditching, plate 47 from Liber Studiorum

published May 23, 1812

Sepia print of ruined castle towers above a river, with cattle on the bank, bathers in the water and a boat.

River Wye, plate 48 from Liber Studiorum

published May 23, 1812

Sepia print of an Alpine valley with mountains, a distant town, vineyards and resting figures in the foreground.

Chain of Alps from Grenoble to Chamberi, plate 40 from Liber Studiorum

published May 23, 1812

Sepia engraving of a glacier flowing between jagged mountain peaks under a cloudy sky, by J.M.W. Turner, 1812.

Mer de Glace, plate 50 from Liber Studiorum

published May 23, 1812