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Joseph Mallord William Turner

304 works

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Sepia engraving of a ruined Gothic abbey with pointed arches, a seated figure, and a windblown tree under a cloudy sky.

Rivaux Abbey, plate 51 from Liber Studiorum

published May 23, 1812

Sepia print of cattle and a herdsman on moorland under a dark storm with rain falling over distant hills.

Solway Moss, plate 52 from Liber Studiorum

published January 1, 1816

Sepia print of a wooded landscape with a reclining figure, a grazing cow, and a distant castle tower under a pale sky.

Solitute, plate 53 from Liber Studiorum

published May 12, 1814

Sepia print of sailing boats battling rough waves at a harbour entrance, with a city skyline and church spire behind.

Entrance of Calais Harbour, plate 55 from Liber Studiorum

published January 1, 1816

Sepia print of Dunblane Abbey ruins above a wooded riverbank, with washerwomen by the water and a distant bridge.

Dumblain Abbey, plate 56 from Liber Studiorum

published January 1, 1816

Sepia print of Norham Castle ruins above a river, with cattle wading, a rowboat and sunlight breaking through clouds.

Norham Castle, plate 57 from Liber Studiorum

published January 1, 1816

Sepia print of a wooded river with a footbridge and a ruined castle on the right, by J. M. W. Turner, 1816.

Berry Pomeroy Castle, plate 58 from Liber Studiorum

published January 1, 1816

Sepia print of a hilltop castle tower above a river town, with trees on the left and rowing boats and figures in the foregrou

Ville de Thun, plate 59 from Liber Studiorum

published January 1, 1816

Sepia print of jagged alpine peaks, fir trees and a valley below, after J.M.W. Turner's Source of the Arveron.

The Source of the Arveron, plate 60 from Liber Studiorum

published January 1, 1816

Sepia print of women and children gathering watercress by a stone bridge and river under a stormy sky, with a boat and cart.

Watercress Gatherers, plate 62 from Liber Studiorum

published January 1, 1819

Sepia print of a river landscape with tall trees, a columned rotunda by the water, and buildings under a pale sky.

Isleworth, plate 63 from Liber Studiorum

published January 1, 1819

Sepia engraving of a mountain valley with a river, stone bridge, white church, and two figures resting on rocks in the foregr

Bonneville, plate 64 from Liber Studiorum

published January 1, 1816

Sepia engraving of fishermen in boats on rough water, with windswept trees, a sailing ship, and distant castle and hills.

Inverary Castle and Town, plate 65 from Liber Studiorum

published January 1, 1816

Sepia print of a stone arch bridge, ruined tower, and shepherd with sheep and cow among trees.

East Gate, Winchelsea, plate 67 from Liber Studiorum

published January 1, 1819

Sepia print of a river landscape with a weeping willow, classical temple, stone bridge, and a white bird on a pedestal.

Isis, plate 68 from Liber Studiorum

published January 1, 1819

Sepia print of a rugged Scottish mountain glen with rocky slopes, stormy clouds, boulders, and a stream in the foreground.

Ben Arthur, plate 69 from Liber Studiorum

published January 1, 1819

Sepia print of a Gothic church interior with arches, a pulpit, seated congregation, and an ornate memorial monument.

Interior of a Church, plate 70 from Liber Studiorum

published January 1, 1816

Sepia print of Christ and the Woman of Samaria beside a tomb, with a classical arch and ruins in a wooded landscape.

Christ and the Woman of Samaria, plate 71 from Liber Studiorum

published January 1, 1819

Sepia frontispiece print with a framed river landscape, boats, architectural fragments, plants and the title Liber Studiorum.

The Frontispiece to Liber Studiorum

Published May 23, 1812

Sepia print of a castle on a rocky hill above a meadow, with cattle and trees framing the foreground.

The Castle Above the Meadows, plate 8 from Liber Studiorum

published February 20, 1808

Sepia etching of a domed ruin among windswept pine trees, with a kneeling figure and carved stones on a path.

The Temple of Minerva Medica, plate 23 from Liber Studiorum

Publishd January 1, 1811

Sepia print of a stormy Yorkshire coast with cliffs, a wrecked ship in rough surf, a lighthouse, and seagulls.

Coast of Yorkshire, plate 24 from Liber Stuidorum

published January 1, 1811

Sepia print of a rocky landscape with a dead tree, a helmet and shield on the ground, and birds flying over distant mountains

From Spenser's Fairy Queen, plate 36 from Liber Studiorum

published June 1811

Sepia print of an umbrella pine over a kneeling figure, with classical ruins and an arched aqueduct in a hazy Campagna landsc

Scene in the Campagna, plate 38 from Liber Studiorum

Published February 1, 1812

Sepia print of a wooded landscape with large trees, a stream, grazing cattle and a distant tower under a pale sky.

Solitude, plate 53 from Liber Studiorum

published May 12, 1814

Watercolor of a paddle steamer with smoke trailing across choppy sea under a pale hazy sky.

A Packet Boat off Dover

c. 1836

Pen and ink sketch of a wide valley with clustered trees and rolling hills, with handwritten place notes below.

Scenes on the Kibble near Little Milton Hall, Lancashire

n.d.

Pencil sketches of tree branches and foliage on cream paper, with handwritten pencil grade notes along the bottom edge.

Sketches of Elm and Ash Trees

n.d.

Sepia frontispiece print with a framed harbour landscape, Gothic arches, a rolled scroll and architectural fragments.

Frontispiece from "Liber Studiorum"

May 1812

Sepia print of cows near a wooden footbridge over a river, with large trees and figures on the bank under a cloudy sky.

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

June 11, 1807

Sepia print of a classical landscape with pine trees, a tambourine dancer, seated women, a river, and a stone arch.

The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"

June 11, 1807

Sepia etching of Basle with a wooden bridge over a river, twin cathedral spires, rowing boats and a sunburst sky.

Basle, part I, plate 5 from "Liber Studiorum"

June 11, 1807