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Joseph Mallord William Turner

304 works

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Sepia print of an alpine valley with a village, vineyards, seated figures in the foreground and jagged mountains under a hazy

Chain of Alps from Grenoble to Chamberi, plate 49 from Liber Studiorum

published May 23, 1812

Sepia print of cows by a stream beneath a wooden footbridge, with trees and resting figures on the bank.

Bridge and Cows, plate 2 from Liber Studiorum

published June 11, 1807

Sepia seascape of a setting sun over surf, with two sailing boats, wading figures and timber posts on the sand.

The Mildmay Sea-Piece, plate 40 from Liber Studiorum

published February 11, 1812

Sepia landscape print of trees, a waterfall, a grazing deer, a reclining figure and a distant tower under a hazy sky.

Solitude

1814

Sepia etching of sailing ships tossed by rough waves beside a wooden pier under a stormy sky.

Liber Studiorum: Ships in a Breeze

1808

Sepia print of a wooded path with leaning trees, two figures and a dog resting in the foreground.

Procris and Cephalus

1812

Sepia print of a hilltop castle tower above a riverside town, with trees, figures on a landing and a boatman on the water.

Ville de Thun

1816

Sepia print of Greenwich Hospital domes, deer on a hill, ships on the Thames, and London's skyline beyond.

London from Greenwich

1811

Ink line drawing of a steep mountain gorge with a stone arch bridge and travelers on a path along the cliffs.

Via Mala

c. 1815

Brown ink print of a wooded landscape with fallen tree trunks, a winding path, and a small figure near the roots.

Jason

1807

Etching of tall trees framing a wide plain, with a small group of figures in the foreground and an arched bridge in the dista

The Bridge in Middle Distance

published 1808

Etching of a wide river valley with a seated figure, trees on the right, a ruined castle, and distant hills under open sky.

Junction of Severn and Wye

published 1811

Sepia landscape print with an umbrella pine, a seated figure, and a classical temple and arches in the distance.

Scene in the Campagna

published 1812

Sepia print of farm labourers hedging and ditching beside a gnarled tree, with grazing sheep in the fields beyond.

Hedging and Ditching

published 1812

Brown etching of a wooded ravine with tall trees, rocky cliffs, and a wooden bridge leading to a small building.

Mill near the Grand Chartreuse

published 1816

Pen and ink landscape of trees by a reflective river with a classical columned rotunda and distant buildings.

Isleworth

published 1819

Etching of a woodland with leaning trees, a seated woman near a pool, and a crouching figure among ferns.

Aesacus and Hesperie

published 1816

Etched landscape of a river with a weeping willow, a classical column, a perched bird on a pedestal, and distant wooded hills

Isis

published 1819

Line engraving of a wooded landscape with a classical arch, tombs, and women with a water jar beneath tall trees.

The Woman of Samaria

published 1819

Sepia etching of a wide river valley with tall trees, ruined buildings, and a seated figure in the foreground.

Junction of the Severn and Wye, from Liber Studiorum, no. 28

June 1811

Sepia print of a river valley with trees, a ruined castle on the right, and a seated figure on the hillside in the foreground

Junction of the Severn and Wye, plate 28 from Liber Studiorum

Published June 1811

Sepia etching of the Tenth Plague of Egypt: three mourning figures in a foreground under lightning over an Egyptian city with

Tenth Plague of Egypt, plate 61 from Liber Studiorum

published January 1, 1816

Sepia print of a wooded pool with overhanging trees and two small figures beside the water.

Aesacus and Hesperie, plate 66 from Liber Studiorum

January 1, 1819

Sepia etching of a loch shore with a sailing boat, figures on a pier, wooded hills and misty mountains at morning.

Inverary Pier

published 1811

Sepia print of a vaulted stone crypt with cattle resting near a light-filled archway at left.

Crypt of Kirkstall Abbey

published 1812

Sepia print of sailing boats and a rowboat with men on calm, misty water under a pale sky.

Calm

published 1812

Sepia etching of a glacier winding between steep, jagged mountain peaks under a cloudy sky.

Mer de Glace

published 1812

Sepia print of sailing boats battling choppy waves at the entrance to Calais harbour, with a town skyline in the distance.

Entrance of Calais Harbour

published 1816

Sepia print of a river landscape with a wooden footbridge, large trees, water lilies, and ruined castle walls on the right.

Berry Pomeroy Castle

published 1816

Sepia engraving of a wooded stream with a seated woman on rocks and a kneeling man among trees and ferns.

Aesacus and Hesperie

published 1819

Sepia print of a gothic church interior with arches, columns, a seated congregation and a carved royal monument.

Interior of a Church

published 1819

Sepia landscape print with tall trees, a ruined arch, grazing cattle, figures and a river with a boat.

The Woman and Tambourine

published 1807